Aaron Flint Jamison — Air de Paris Gallery — Exhibition — Slash Paris

Past: September 14 → October 21, 2012

Aaron Flint Jamison demonstrates that publishing can be intransitive –without an external purpose — without necessarily being self-reflexive. He does this not only with his splendid magazine Veneer,1 but also in his works, which in some cases include his books (A Floating Brand, 2012).

Like his publications, his works reflect a high level of conceptual and formal mastery. At once artisanal (in their making) and technological (in their workings), they combine the aesthetic with the functional and the autonomous with the indicial. The descriptions are implicitly oxymoronic. While words might be missing, the same can also be said of chances to see his work. But we can confidently predict that this void will soon be filled.