Daniel Foucard — Degré 48
Past: April 26, 2013 → February 14, 2014
48° in reference to “41°” created by the poet Iliazd, that refers to the latitude of Tbilissi, his native city where the futurist, often referred to as Dadaist-inspired review was created, a compilation of numerous manifestos and declarations of intent.
There may not yet be a specific space to promote the exercise of art manifestos, literary manifestos or other documents in the same vein, but let’s just say that Degré 48 is a candidate. The manifesto is in general a place unto itself. It is published, proclaimed, printed in newspapers, in cafés, in tracts. The manifesto is the place for discussion and a performative practice. It is, by definition, unexpected; you do not go out in search of, it jumps out and finds you. Unless we proclaim, in its name, a brand new function for it, bringing people together, creating meetings. Let us give it a new operating system and reboot, freshen things up, for a platform that will become as much a pulpit and a springboard as a database. Degré 48 seeks to strengthen the didactic but very free practice of writing through peremptory articles, article 1, article 2, article 3, affirmations that are questionable because provocative, hasty warning shots to sweep in a new era. The result is often succinct, because it is more effective that way and easier to remember, sometimes better documented, perhaps better supported than we may think, in any case always surprising and excessive. The program is simple — a dozen or so evenings over a year of activity, every evening a presentation, orally or with whatever varied technical performance approach chosen, of one or two manifestos commissioned from artists, writers, essayists, groups, a complete event enlivened with readings of manifestos that have influenced participants. Somewhat removed from our two standard focuses, information and communication, given that the manifesto neither informs nor communicates, it is seen as a third way, as fragile as it is inalienable, motivated by excess, or simply playfulness.
In connection and in cooperation with Daniel Foucard’s writing project and residence, we invited the graphic artist collective g-u-i — Nicolas Couturier and Bachir Soussi-Chiadmi — who develop their publishing project as it takes shape with every event planned during the residence. These publications are intended to communicate the manifestos in the form of tracts and other published articles that can be distributed publicly.
Dates : 26 avril, 24 mai, 28 juin, 6 juillet, 13 septembre, 18 octobre, 15 novembre, 13 décembre 2013, 17 janvier et 14 février 2014
Mehdi Brit & Morgane Rousseau — Manifeste #6
Friday, October 18, 2013 8 PM → 10 PM
On 18 October 2013, we celebrate the European Manifesto of Weaknesses — or Elegy of a life without slippers and the memory of a soft cushion — echoing the famous Cabaret Voltaire as well as the energy and madness of the Dada movement.
- Manifeste 7: David Guez, Olivier Bosson, Dominiq Jenvrey Lecture Friday, November 15, 2013 8 PM → 10 PM Manifeste 7: David Guez, Olivier Bosson and Dominiq Jenvrey at Les Laboratoires d’Aubervilliers.
Manifeste #8 : l’Agence du Doute
Friday, December 6, 2013 8 PM → 10 PM
Performance with L’agence du doute, in Degré 48.
Manifeste #9 : In a Search for WE
Friday, January 17, 2014 at 8 PM
In a search for ideas and solutions contributing to the process of re-shaping and constructing a common future, Magdalena Chowaniec and Valérie Oberleithner act in the specific local context of the city of Aubervilliers, inviting local children to look for solutions with the artists.
Friday, February 14, 2014 at 8 PM
Several events are presented at Laboratoires d’Aubervilliers with Yoann Thommerel, Sonia Chiambretto, Benjamin Seror, Véronique Hubert, Naia Sore, Frédéric Héritier, for “Manifeste #10”.
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