Henri Huet — Vietnam



Henri Huet

Past: February 9 → April 10, 2011

On February 10th 1971, a great silence fell on the Associated Press office in Saigon. The bureau chief had just got a call from the AP reporter covering the South Vietnamese army’s invasion of Laos. He took notes and had to concentrate because the line was bad. “A VNAF helicopter… has been shot down overLaos… All persons on board are missing, presumed dead… Passagers included… four civilian news photographer. They are… Henri Huet of Associated Press… Larry Burrows of Life Magazine… Kent Potter of United Press International… Keisaburo Shimamoto, of Newsweek Magazine.” All the team members just looked stunned; they could not believe it. Four journalists missing. Their friends. And Henri. No, not Henri.

Since 1965, AP journalists had been working regularly with the French photographer. He had turned up one day, brought along by Eddie Adams who had talked him leaving UPI to join the AP — the best way, as Eddie said, to neutralize his main competitor. He was short, with dark hair, a dazzling smile and a weather beaten face. He spoke English with a strong French accent. He was of mixed race, born in Dalat in 1927 of a French father and a Vietnamese mother. He had been raised in France and studied at the school of fine arts in Rennes (Brittany). He had gained experience in war photography in the French army, staring in 1950. He’d joined the army hoping to be sent to Vietnam, where is father lived. So he’d been traveling the roads there, with his cameras, for twenty years. History and his taste for adventure did the rest.

Henri Huet was self sufficient on the battle field, and he was quick. He could slip right into the heat of the action without being noticed and take up a position at just the right distance. He would wait till it was the right time to press the shutter. Some still remember his lessons in survival on the battle field; others remeber how generous he was with advice and his time; and there are those who recall he was always willing to share a good joke. He used to take his films beck to Saigon, exhausted, emaciated, and covered in the dirt of Vietnam.

His photos have been published in the presse the world over. He capturesd all the faces of war, showing the distress of soldiers and the terror of civilians, and showing the faces of children.

In January 1966, he brought back so many good shots from the battlefield that the picture editor was incapable to make a choice. When the famous Life photographer Larry Burrows saw the photo of the medic Thomas Cole, with his face bandaged, tending another soldier, he said: “That’s a Life cover !” And That was the report that won Henri Huet the Robert Capa award.

The following year, in september 1967, he was caught in crossfire in Con thien and was seriously injured. He was evacuated and, after an operation, stayed away from the battlefield for some months. But no sooner was he back in Vietnam that jobs in the field started up again. By June 1969, AP management were worried about the danger and risks he ran, and talked him into a transfer to Tokyo. But he missed Vietnam, so the invasion of Cambodia in March 1970 was the perfect pretext for getting back there: the Saigon bureau was short on staff and asked for support. Henri was granted the transfer and was back home again. He followed military operations in Cambodia very closely and his letters show both apprehension and exhaustion; indeed, at the time of invasion, a number of journalists had died.

By February 1970, the South Vietnamese and Americans, who had been preparing the invasion of Laos for some months, turned their plans into action. The journalists were together on the border, at Khe Sanh; it was wet and it wasn’t easy being there, waiting. Henri Huet managed to get what became his last films to Saigon. On february 9, the officer in charge of the South Vietnamese intervention force in Laos invited the journalists to come with him on his inspection of the front. The next day, four civilian photographers boarder the helicopter: Larry Burrows, Kent Potter, Henri Huet and Keisaburo Shimamoto. Just before noon, the aircraft took off and headed South. The press helicopter got lost, no doubt in the mountainous terrain near Ho Chi Minh trail. The North Vietnamese artillery was in position.

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5-7, rue de Fourcy

75004 Paris

T. 01 44 78 75 00 — F. 01 44 78 75 15


Pont Marie

Opening hours

Wednesday – Sunday, 11 AM – 8 PM
Fermeture les 25 décembre et 1er janvier (fermeture des expositions à 17h les 24 et 31 décembre)

Admission fee

Full rate €8.00 — Concessions €4,50

Gratuit aux moins de 8 ans, personne handicapée, personnel de la Ville, carte presse et les mercredis entre 17 et 20h

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The artist

  • Henri Huet