Volmir Cordeiro — Ines, car elle mérite les Laboratoires d’Aubervilliers
Ines, car elle mérite les Laboratoires d’Aubervilliers
Past: Tuesday, December 10, 2013 at 8 PM
Ines, car elle mérite les Laboratoires d’Aubervilliers (Ines, because she deserves Les Laboratoires d’Aubervilliers)
Ines has two merits. The first was at the Palais de Tokyo, in February 2013, a presentation as part of the ESSAIS open school master class, directed by Emmanuelle Huynh. The second was at the end of this, at the Centre National de Danse Contemporaine d’Angers. Now, Ines is coming to les Laboratoires d’Aubervilliers and presenting her own twists as part of Toxic Figures. For the fifth time, Ines will attempt to belong, enter, pass, be absorbed, be included. She is often identified as being the representative of a people. She is the reason for a great celebration to which she is never invited. Ines is never finished. To be part of the reality show she would like to participate in, she makes herself over, recasts herself, she disperses herself, she swells, she warms up. She does everything to make herself visible, understandable, accessible, palpable. I truly wish that Ines could be here with us tonight. I invited her, I wrote to her, I called her, but she never answered. I decided to come anyway and offer this evening’s entertainment to Ines, poor thing.
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In conjunction with:
Latifa Laâbissi — Desfigures toxiques
December 9 → 13, 2013
Desfigures toxiques is based on the work of Latifa Laâbissi and a permanent research group set up in 2012 that came together with the aim of reflecting on aesthetic strategies developed in the field of art (particularly in France) in order to transform visual habits inherited from colonialism and what followed it.
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