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Gegenwartsdauer is somewhere between duration of the present and persistence of the moment. Alicja Kwade primarily treats the term in its more scientific sense. The duration of the present is determined by international norms: it is an infinitely small fraction of a second — imperceptible and fleeting.
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Kamel Mennour Gallery
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Twenty years after his death, Galerie Nathalie Obadia presents a selection of Martin Barré’s works from the 1970s. Shown together for the first time, the exhibition shows the artist‘s return to painting after a period of conceptual enquiry and positions the series as integral to his approach. The artist is a major figure in the history of abstraction.
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Nathalie Obadia Gallery
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A year ago, the LWS gallery was expanding in order to reflect on which visual identity to assume. To celebrate this first anniversary and illustrate this other line of research, works of seven artists, both known and unknown, from different ages and backgrounds, take over the gallery and transform its space.
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LWS Gallery
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A.C.M creates structures which simultaneously trigger a sensation of monumentality and fragility, as though they were miniature “hyper-structures”. These other worldly cathedrals — which lend themselves to wonderment — offer a multitude of facets, as though labyrinths populated with mirrors.
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Aline Vidal Gallery
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One thing never changes and remains extraordinarily palpable in Haasʼs work: paper. He makes art only on paper. It is at once his support, the terrain for his excavations, and his raw material. The substance of the paper, its thickness and folds, the tears that he makes in it give his works an extraordinarily physical quality.
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Suzanne Tarasieve
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“Scoli Acosta’s tambourines are at once paintings and functional objects, diverting the legacy of modernist painting to the realm of the everyday, the hand-held, and the percussive” — Jill Dawsey, curator at the MCASD.
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Laurent Godin Gallery
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The exhibition Rank 1+1 is the result of a collaboration between Turkish artist, Can Ertas, and French artist, Ludovic Bernhardt. Having worked alongside each other at the Sanatorium gallery in Istanbul, they present their work at Plateforme in the form of a formal-semiotic cohabitation.
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Plateforme
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Tilt takes a fresh look at objects which would otherwise normally be cast-off, giving them a second life. Marking the objects with tags or Bubble Letters, he encourages us to consider them differently as if by magic. Through his mastery of graffiti, he gives an aesthetic dimension to objects destined for destruction or abandonment.
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Mihuț Boșcu Kafchin is unfailingly passionate about science, space exploration and science fiction. So much so that it is more appropriate to describe his place of work as a laboratory, bubbling over with new and on-going experiments, than a “studio”.
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Gaudel de Stampa Gallery
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For Lucy, her third solo show at Alberta Pane Gallery, Marie Denis has chosen to present new large format sculptures. But who is Lucy? Our ancestor, of course, Australopithecus afarensis, the first woman and the first lady. On this occasion the gallery will turn into a place of birth, origins, and beginning.
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Alberta Pane Gallery
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With this show Zero Gravity, Less is More Projects continues its offbeat reflection on lightness, weight, attraction and repulsion, in both their physical as well as metaphorical senses. An Invitation to a journey in a surprising world, where a feather weighs as heavy as a hammer.
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Less is More Projects
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After originally training as a graphic designer, Cerise Doucède turned to photography. What was previously a tool for capturing her creations became the goal of her work. Her atypical universe of levitating objects has its roots in a dream where leaves fallen from a tree had freed themselves from gravity.
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Inception Gallery
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Since a decade, Jean Faucheur pioneer of group experiences, felt the need to return to a more personal manner by constraining himself to a studio work, i.e. paradoxically within and out of the walls. Street requires a quickness of progress; studio grants a freedom and the ease to make.
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Addict Gallery
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Benjamin Hochart has selected a number of drawing tools which are applied in a determined order, each having to have been used once before before being used again. A particular gesture is designated by each tool. It is necessary to see beyond this method of creation in order to reflect on the finished work and lets its effects take hold.
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For his first solo exhibition in France, James Clarkson presents a new and existing body of works that deal with his interests in the surface decoration of early 20th century ceramics, and the way that the manufacture of these surface decorations acts as a form of latent referencing, bringing art historical context to a domestic object.
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Jeanrochdard Gallery
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Rebecca Bournigault carries on her exploration of the portrait through others by extending her artistic universe to vegetal and animal kindom to identify elements of humankind. Creating and working with her favorite mediums, she gathers in this exhibition, videos, watercolors and drawings on paper.
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Dominique Fiat Gallery
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Adopting the role of self-taught archaeologists and eccentric tourists in wanderlust, Rometti & Costales engage in wide-ranging research activities that takes them into archives, libraries, and used bookstores to venture through broad fields of knowledge, from literature through history, and certain areas of scientific thought.
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Jousse Entreprise — Art contemporain
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Enjoying a gifted and marked sculptural sense, Jordi Colomer’s work spans many mediums, centering on photography, video and the staging of both in exhibition areas. The variety of mediums called forth by his work and the transversality of his judgment are undoubtedly linked to his fragmentary education as an architect, an artist and an art historian.
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Michel Rein Gallery
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As always with Jimmie Durham, the drawings are the result of an action, a movement, they appear to be prints on paper, like the marks left by the hand or by a certain material. His approach falls into a sort of archeology, the discovery but also the classification of the traces left by our predecessors.
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Michel Rein Gallery
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8 PM → 10 PM
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Event
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(French only) Projection des vidéos de Markus Hanakam & Roswitha Schuller, Claudia Larcher, Liddy Scheffknecht et Armin B.Wagner.
Réservation conseillée.
22,48 m² Gallery
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The exhibition brings together a selection of unique works of art from the Philippines, chosen from public collections in the Philippines, America and Europe as well as from private collections. This exhibition, containing more than 300 works, is the first major exhibition in France in the last twenty years devoted to the archipelago of the Philippine.
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Musée du quai Branly
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