Johan Grimonprez — Biographie — Slash Paris

EXPOSITIONS PERSONNELLES

2011

• Double Take, Ierimonti Gallery, Milan.
• It’s a Poor Sort of Memory that Only Works Backwards, Blaffer Art Museum, Houston.
• It Will Be All Right, Belly Button, BED, Ltd Gallery, Los Angeles.
• S.M.A.C.K., Gand.

2010

• Sometimes a cigar is just a cigar: Voges Gallery, Frankfurt, Deutschland.

2009

• Double Take, Sean Kelly Gallery, New York.

2007

• J’ai oublié mon parapluie, kamel mennour, Paris.
• Johan Grimonprez, Retrospektive, Pinakothek der Moderne, Münich.

2006

• But The Cups Never Grew To Be Kettles, Erna Hécey gallery, Brussels.

2005

• Johan Grimonprez, Looking for Alfred, The Photografers’ gallery, London.
• Moderna Museet, Swede.
• Johan Grimonprez, Looking for Alfred, Palais des Beaux-Arts, Brussels.
• Johan Grimonprez, Looking for Alfred, Mead Gallery, University of Warwick Arts Centre.

2004

• Looking for Alfred, a film project by Johan Grimonprez, part of Revolution/Restoration Part II.
• Palais des Beaux-Arts, Brussels.
• Johan Grimonprez: Looking for Alfred, Photographers Gallery, London.
• We never tell everything, we always keep something for the next anthropologist, Johan Grimonprez.
• Yvon Lambert, New York.
• Hollywood : Flag Raising Ceremony, Hollywood Hills House.

2003

• Dial H-I-S-T-O-R-Y, The Essor Gallery, London.
• Remo, Osaka, Japan.
• Kojimacchi Gallery.
• During Commercial Break…, web project introduced by Johan Grimonprez, Argos, Brussels.

2002

• How do we know the sky isn’t really green and we’re just colorblind? Video library at the Santa Monica Museum of Art
• (SMMOA), Los Angeles.

2001

• Maybe the sky is green and we’re just colorblind, Galleri Nicolai Wallner, Copenhagen.
• I’m a bit like you, I’m a bit in the clouds, Impakt/ Flatland Gallery, Utrecht.

2000

• Erna-Hécey Gallery, Luxembourg.
• Deitch Projects, New York.
• House of Contemporary Arts, Trafó, Budapest.
• Kunstforeningen, Copenhagen.
• Maybe the sky is green and we’re just colorblind, videolounge, Stedelijk Museum voor Aktuele Kunst (S.M.A.K.), Ghent.
• Magnetoscopio, Rio de Janeiro.
• Atomium, Brussels.
• Centro Gallego Arte Contemporanea (CGAC), Santiago de Compostela.
• Museum für Neue Kunst/ Zentrum für Kunst und Medientechnologie, Karlsruhe, Germany.
• Your Words Have Reached My Ears, Anthony d’Offay Gallery, London.
• Insert Commercial Here, videolounge at The Kitchen, New York.

1999

• Oakville Gallery, Oakville,Toronto.
• Casino d’Art Contemporain, Luxembourg.
• Presentation House Gallery, Vancouver.
• Art Gallery of New South Wales, Sydney.
• Australian Center for Contemporary Art, Melbourne.

1998

• Gallery 227, Jan van Eyck Academy, Maastricht.
• We must be over the rainbow…, Centro Galego Arte Contemporanea (CGAC), Santiago de Compostela.
• Gallery for Contemporary Art, Cambridge.
• Chapter Art Center, Cardiff.
• La Caixa, Barcelona.
• Centro Cultural do Brasil, Rio de Janeiro.
• Musée du Jeu de Paume, Paris.
• Museum für Moderne Kunst, Frankfurt am Main.
• Institute of Contemporary Art, Boston.
• Bild Museet, Umea.
• National galerie im Hamburger Bahnhof, Berlin.
• Dial H-I-S-T-O-R-Y, Anthony d’Offay Gallery, London.
• Münchener Kunstverein, München.
• Ludwig-Suermondt Museum, Aachen.

1997

• Galleri Riis, Oslo.
• Kiasma Museum of Modern Art, Helsinki.
• Museum voor Hedendaagse Kunst Antwerpen (MUHKA).
• Palais des Beaux Arts / Paleis voor Schone Kunsten, Brussels.
• Prends Garde! A Jouer au fantôme, on le devient, De Beursschouwburg, Brussels.
• Kunstforeningen, Kopenhagen.
• Museu da Republica, Rio de Janeiro.
• Deitch Projects, New York.
• Prends Garde! A Jouer au fantôme, on le devient, MNAM, Centre Georges Pompidou, Paris.

1995

• Beware! In playing the phantom you become one, Vereniging van het Museum voor Hedendaagse Kunst, Ghent.

1994

• It wil be all right if you come again, only next time don’t bring any gear except a tea kettle, Antichambres, Les Expositions du
• Palais des Beaux-Arts / Tentoonstellingen van het Paleis voor Schone Kunsten, Brussels.

1993

• YYZ Gallery, Toronto, November 24 — December 18.

EXPOSITIONS COLLECTIVES

2011

• Myth-Reality: The Guild, Mumbai, Inde.

2010

• The Esopus Foundation, New York, USA.
• Expanding Documentary: De Brakke Grond, Amsterdam, Netherlands.
• Instituto Itau Cultural, Sao Paulo, Brazil.
• Are you ready for television?: MACBA, Barcelona, Spain.
• CGAI, Spain. Netwerk, Aalst.
• ABC Art Belge Contemporain: Le Fresnoy, Tourcoing, France.
• Sao Paulo Biennale, Sao Paulo, Brasil.
• Art Biennial Belleville, Paris, France.
• Guggenheim Museum, New York, USA.
• Melbourne IFF, Melbourne, Australia.
• Blanton Museum, Austin, Texas.
• Karlovy-Vary IFF, Karlovy Vary, Czech Republic.
• Ikonoklash — Centro Cultural de Lagos, Algarve, Portugal.
• All That Is Solid Melts Into Air: The Social at the Berardo Collection, Lisbon, Portugal.
• Art Unlimited, Basel, Switzerland.

2007

• Exhibition at the beeldbank, University of Eindhoven, Pays-Bas.
• Manipulators: I’m not a horse, Argos Centre for art and media, Brussels.
• Petrol, Moscow Biennale, Moscow.
• Il confondit les repères lumineux au sol avec des étoiles et demanda pourquoi l’avion volait à l’envers…, galerie martine thibault de la châtre, Paris.

2006

• Universal Experience : Art, Life and the Tourist’s Eye, MART, Rovereto, Italy.
• Die kultur der angst / the culture of fear, ACC Galerie Weimar, Weimar.
• Video: An Art, A History / 1965-2005 New Media Collection, Centre Pompidou, Miami Art Central, Miami.
• Manipulations. On Economy of Deceit, Laznia Centre for Contemporary Art in Gdańsk, Poland.
• Photo -Trafic, Centre pour l’image contemporaine, bac (bâtiment d’art contemporain), Genève.
• Shared History / Decolonising the Image, W139 & Arti & Amicitiae, Amsterdam.
• Vers uit België, montevideo, Amsterdam.
• Accidents, Galerie Georges-Philippe & Nathalie Vallois, Paris.
• On the move, Verkehrskultur II, Westfälischer Kunstverein, Münster.
• SIP MY OCEAN, Louisana museum of modern art, Louisana.
• ZOOlogical Garden, Heusden, family park Harry Malter, Belgium.
• Médiat, Annecy, L’Arteppes.
• Image War: Contesting Images of Political Conflict, Whitney The Art Gallery of The Graduate Center at CUNY, New York.

2005

• VideoDictionary, Madrid, La Casa Encendida.
• Artfilm biennale Cologne.
• Unheimlich, De warande, Turnhout.
• Museum Night Lausanne, Palais De Rumine.
• 50 Jahre / Years Documenta 1955 — 2005, Kunsthalle Fridericianum Kassel.
• Farsites : Urban Crisis and Domestic Symptoms in Recent Contemporary Art, part of IN SITE_05.
• Centro Cultural Tijuana, San Diego.
• Art Unlimited, Basel Art Fair, represented by Erna Hecey Gallery.
• Inauguration show, De la Warr Pavilion, Bexhill on Sea.
• Voices of Site, Visual Arts Gallery, New York.
• Manipulation. On economies of deceit, International Biennale of Contemporary Art 2005 (IBCA 2005).
• National Gallery, Prague.
• Laocoon Devoured, Artium, Basque Center — Museum of Contemporary Art, Vitoria-Gasteiz, Spain.
• Contemporary Art Center Vilnius, Vilnius.
• Moderna by Night, Moderna Museet, Stockholm.
• Strange, Familiar and Unforgotten, Erna Hécey Gallery Brussels.
• Art Brussels 2005, Brussels Expo.
• Video Dictionary of The Video Art Foundation, the Island Art Film & Video Festival, London; La Casa Encendida, Madrid;
• Centre d’Art Santa Monica Barcelona.
• Fair Use : Appropriation in Recent Film and Video, Hammer Museum, Los Angeles.
• Just do it! The subversion of signs from Marcel Duchamp to Prada Meinhof, Lentos Art Museum Linz.
• Universal Experience : Art, Life and the Tourist’s Eye, Museum of Contemporary Art, Chicago; Hayward Gallery, London.
• Detox — By Any Media Necessary, Kunstnerneshus, Oslo.
• Zur Vorstellung des Terrors: Die RAF-Austellung (Regarding Terror: the RAF-Exhibition), Kunst Werke Berlin; Joanneum Graz.
• Screen Tests, Nederlands Fotomuseum Rotterdam, International Film Festival Rotterdam.

2004

• Proof — The Act of Seeing With Ones Own Eyes, Screen Gallery of the Australian Centre for the Moving Image, Melbourne.
• ParaDocs, Stedelijk Museum CS Amsterdam.
• Gutentak Gesamtausstellung 2004, Annual Show of the Stuttgart Art Academy.
• Flight, Lift Contemporary & Lift Caffe, Cherokee, USA.
• Voice of Site: Tokyo — Chicago — New York, Tokyo National University of Fine Arts and Music.
• A Complete Guide to Rewriting Your History, Sparwasser HQ, Offensive for Contemporary Art and Communication.
• Beginning Here : 101 Ways, Visual Arts Gallery, School of Visual Arts, New York.
• Bozar Cinema, Palais des Beaux-Arts.
• 20th anniversary show, Collective Gallery, Edinburgh.
• Slice & Dice, School of Visual Arts Museum, New York.
• De Loense Strategieën van het (Kunst) Boek, Een selectie uit de Antwerpse Kunst-en Bewaarbibiliotheken.
• Rubenianum, Antwerp.
• Tour-isms. The defeat of dissent, Fundació Antoni Tàpies, Barcelona.
• Whitestable Biennal, Deal, Kent.
• A arañeira. A colección (The Cobweb. The Collection), Centro Galego de Arte Contemporánea.
• Works and Days, Acquisitions for the Louisiana Collection 2000-2004, The Louisiana Museum of Modern Art, Denmark.
• Monument to Now, The Dakis Joannou Collection, DESTE Foundation for Contemporary Art, Athens, (official part of ATHENS 2004).
• Dartington College of Arts, Totnes.
• Laocoon Devoured, Artium, Basque Center-Museum of Contemporary Art, Vitoria-Gasteiz, Spain
• La Casa Encendida, Madrid.
• How to learn to love the bomb and stop worrying about it, Central de Arte, Guadalajara, Mexico.
• This Much Is Certain, Royal College of Art Galleries.
• MULTIPLEX, revisioning the movie house in a new 3 story cineplex at Smack Mellon.
• Brooklyn, New York.
• Tate Liverpool, UK.
• Centre pour l’Image Contemporaine, Genève.
• Videoessay, Medienmuseum / Mediathek, Zentrum für Kunst und Medientechnologie, Karlsruhe.

2003

• La Condition Publique, Roubaix.
• Once upon a time, Kunst in België in de jaren ’90, MUHKA, Antwerp.
• Kunst-Werke Berlin.
• Wings of Art, Motiv Flugzeug, Kunsthalle Darmstadt, & Ludwig Forum für Internationale Kunst Aachen, Germany.
• Synopsis III, Testimonies between fiction and reality, National Museum of Contemporary Art (EMST), Athens, Greece.
• Remo, Osaka, Japan.
• Le Mois de la Photo à Montréal 2003, Maintenant. Images du Temps Présent sous la direction de Vincent Lavoie, Montreal, Canada.
• IX foro internacional de teoria de arte contemporaneo, Canaia, Mexico.
• © Europe exists, Macedonian Museum of Contemporary Art, Thessaloniki, Greece.
• Forum des Images, Paris.
• Appendix 2 : dif fusion and its topology, maf_Media Art Farm, Tbilisi, Geogia.
• “In context: a running program”, Andrea Rosen Gallery, New York.
• ’Your memorabilia’, Video Art Screening: Tokyo,Tokyo International Forum (at NICAF 2003), Tokyo.
• Australian Center for the moving image, Melbourne.
• De Brakke Grond, Amsterdam.
• Oorlog is geen kunst, Kunstencentrum Vooruit, Ghent.
• Hardcore, Palais de Tokyo, Paris.
• Media Field : pol.i.tick, Williams College Museum of Art, Williamstown, US.
• M-ARS, Art and War, Neue galerie am landesmuseum Joanneum, Graz.
• Bird’s coffe, Paris, January

2002

• Total Überzogen, edith-ruβ-haus für medienkunst, Oldenburg, Germany.
• HAUNTED BY DETAIL, A project by the Curatorial Training Programme 2002, De Appel, Amsterdam, with the collaboration of the filmmuseum in Amsterdam.
• Airborne / Luftburen, Midlanda Konsthall, Sweden
• Future Drei, The Starting Line, Pinakothek der Moderne, Munich.
• The Galleries Show, The Royal Academy, London.
• 911+1 : The Perplexities of Security, Watson Institute for International Studies Brown University, Providence, September 8-20
• Edith-Russ-Haus für Medienkunst / Edith Russ Site for New Media, Oldenburg, Germany.
• Lost Nation, Werkleitz Biennale, Dresden, Germany.
• <representin’>, Galerie im Parkhaus, Berlin.
• Feierabend, MARta Herford Museum, Herford.
• Trauma, MOMA, Oxford.
• Museum Hamburger Bahnhof, Berlin

2001

• 4Free, Büro Friedrich, Berlin, (catalogue — website).
• Trauma, FirstSite, Colchester.
• Discontinuances in time, part 1.Terrorism, Galerija Likovnia Umetnosti, Gradec, Slovenia.
• Een goed in de weg staande tafel, Galerie Van Gelder, Amsterdam.
• Trauma, the Hayward Gallery in collaboration with Dundee Contemporary Arts, Dundee Contemporary Arts, Scotland.
• 1st Bienal de Valencia, Valencia.
• De Melkweg, Amsterdam.
• Maybe the sky is green and we’re just colorblind, MIT List Visual Arts Center, Cambridge, Boston.
• Centre pour l’Image Contemporaine Saint-Gervais, Genève.

2000

• Finale di Partita / Endgame / Fin de Partie, Piazza Ognissanti, Florence.
• Brussel, Kruispunt der Kulturen, Expositions du Palais des Beaux Arts / Tentoonstellingen van het Paleis voor Schone Kunsten, Brussels.
• Diasporical Thoughts, Tacktoren Kortrijk.
• Eine Munition Unter Anderen, Frankfurter Kunstverein.
• Agitated Histories : Video Art and the Documentary, Cranbrook Art Museum, Cranbrook.
• International Videogramme, Trafo-house of Contemporary Arts, Budapest.
• No vacancies, Galerie Barbara Thumm, Berlin.
• Widerspenstige Praktiken, Im Zeitalter von Informations — und Biotechnologien, Shedhalle, Zürich.
• ZKM / Zentrum für Kunst und Medientechnologie, Karlsruhe.
• Art Unlimited, Basel Art Fair, (catalogue — CD-Rom — website).
• Voilà, Le Monde dans la Tête, Musée d’Art Moderne de la Ville de Paris.
• Any where But Here, Artist Space, New York.
• La vérité est ailleurs, Centre pour l’Image Contemporaine, Saint-Gervais, Genève.
• Lost Nation, a library, Forum Stadtpark, Graz.
• Edit, Badischer Kunstverein, Karlsruhe;.
• FAMILIY VIEWING, as part of the The Cool World : Film & Video in America 1950-2000, The American Century, Part II: 1950-2000, Whitney Museum of American Art, New York.

1999

• Das XX-Jahrhundert — Ein Jahrhuert Kunst in Deutschland, Nationalgalerie im Hamburger Bahnhof, December 5
• Fireworks, DE APPEL, Amsterdam.
• Interarchiv, Kunstraum der Universität Lüneburg, Lüneburg.
• Lè Grând Præmière Opénïng Shöw, Galleri Nicolai Wallner, Copenhagen.
• War Zones, Presentation House Gallery, Vancouver.
• Space Place, Kunsthalle Tirol, Tirol.
• Lost Nation, a library, Beursschouwburg, Brussels.
• Spiral TV, Spiral Building / Wacoal Center, Tokyo.
• Collection de MNAM Centre Georges Pompidou, at ARC, Musée d’Art Contemporaine de la ville de Paris, Paris
• Twee uur breed of twee uur lang, Koninklijk Museum voor Schone Kunsten, Antwerp.

1998

• XXIV Biennale Sao-Paulo, Sao-Paulo.
• The Cinema Project—Das Tarantino Syndrom, Künstlerhaus Bethanien, Berlin.
• Ludwig — Suermondt Museum, Aachen.
• MuuMediaFestival, Helsinki.
• Reservate der Sehnsucht, Dortmunder U, Dortmund.
• Revolution 98, Corner House / ISEA, Manchester.
• Mächtig Gewaltig, ACC Galerie, Weimar.
• Videostore!, Bricks and Kicks,Vienna.
• A Day in the Life, The Crimean Project / Part I, Soros Center for Contemporary Art (SCCA), Kiev .
• Global Visions II, Deste Foundation, Athens.
• Two hours wide and two hours long, Centro Cultural de Belèm, Lisbon.
• When Worlds Collide, Centre for Contemporary Arts, Glasgow.
• ’68 — ’98 : trente ans de film militant… et quelques restes, Centre pour l’Image Contemporaine, Genève.
• Biennale de l’image, de très courts espaces de temps, Caisse de Dépot, Paris.
• Kunsthaus Zürich & Schirn Kunsthalle Frankfurt.
• Herzliya Museum of Art, Tel Aviv.
• Wounds, between Democracy and Redemption in Contemporary Art, Moderna Museet, Stockholm.
• Fast Forward, ’IMAGE’, Kunstverein in Hamburg.
• Arkipelag, Nordic Museum, Stockholm.
• Airport, Nederlands Foto-Instituut, Rotterdam, (screening — publication — website).
• Places to stay #2, Dorothy doesn’t live here anymore, Büro Friedrich, Berlin.

1997

• Interarchiv,The Kunstraum der Universitat Luneburg in co-operation with Hans-Peter Feldmann and Hans Ulrich Obrist, 1997- 2002
• Rencontre Vidéo Art Plastique, Centre d’Art Contemporain de Basse Normandie, Hérouville-Saint-Clair.
• Selected Memories, Paleis voor Schone Kunsten, Brussel.
• Zones of Disturbance, Steirischer Herbst, Graz.
• Knowledge/ Power/ Control, Northern Center for Photography, Helsinki.
• En Collection, De Witte Zaal, Gent.
• Documenta X, Kassel.
• Espèces d’Espace in Made in France, MNAM, Centre Georges Pompidou, Paris.
• Art video / catastrophe et nativité : TV trauma , Musée Royal de Mariemont, Mariemont

1996

• On-Line, Gent
• Arte E Media, Palazzo delle Esposizionni, Roma
• Centro Galego De Arte Contemporanea, Santiago De Compostella
• The world over — Under Capricorn, Art in the age of globalisation, Stedelijk Museum, Amsterdam
• City Gallery, Wellington
• Video from the centre Georges Pompidou, Artist Space, New York
• How is everything?, Kunstbunker, Nürnberg
• How is everything?, Landesmuseum, Innsbrück
• How is everything?, Vereinigung Bildener Künstler, Wiener Secession, Wien

1995

• Semaine Internationale de Vidéo, St. Gervais-Genève, Geneva
• Fri-Art Centre, Fribourg
• Noevas tendencias, Museo Nacional Centro de Arte Reina Sofia, Madrid
• Quarters, Old Bonnefanten Museum, Maastricht
• TANZ-Geschichten 20 : Hybridance — Vermischung der Genres, Cinemathek, Museum Ludwig, Köln.
• Kanagawa Arts Foundation, Japan
• Points de Vues / Viewpoint [Images d’Europe], Museum voor Hedendaagse Kunst MUHKA, Antwerpen ;
• MNAM, Centre Georges Pompidou, Paris ; Paleis voor Schone Kunsten, Brussel; Cinématheque Yerevan, Armenia ;
• Kunstencentrum STUC, Leuven.

1994

• Vigilando las fronteras, Casa de Cultura de Intxaurrondo, Bilbao.
• Musée d’art Moderne et d’Art Contemporaine, Nice.
• New Visions, Glasgow
• Espace Lyon d’Art Contemporain, Lyon.
• The Pleasure Dome, Toronto.
• Monitor, Paleis voor Schone Kunsten, Brussel.
• Casa de Cultura de Larrotxene Intxaurrondo, San Sebastian.
• Zentrum für Kunst und Medientechnologie Karlsruhe, Karlsruhe.

1993

• Films by young New York filmmakers, W 139, Amsterdam.
• In search of…, Information Gallery, New York.

1992

• The Perverse Double, Longwood Arts Gallery, Bronx Council on the Arts, New York.

1991

• Never one without the other, Rivington Gallery, New York.

1989

• De ente et essentiae Lijn 9, Klapstuk, University of Leuven, Department of Philosophy, Leuven.

VIDÉOS & FILMS

• Manipulators: I’m not horse … , 2006, Installation with monitor and DVD collection (in collaboration with Charlotte Léouzon).
• Bed, 2005, Permanent installation, Gemeentehuis Deerlijk, Harelbekestraat 27, Nov 16, 2005.
• Lookalike, 1 min, 2005
• Ron Burrage professional Hitchcock lookalike
• Looking for Alfred, 2004 A Zapomatik / Film and Video Umbrella co-production in association with Anna Sanders Films, Palais des Beaux-Arts Bruxelles and The Photographers’ Gallery. Made possible by the Flemish Audiovisual Fund Arts Council England and the Ministry of Culture, Image / Mouvement (Centre National des Arts Plastiques-Paris). Additional support from Deitch Projects, Riksutstillinger — The National Touring Exhibitions Norway, Yvon Lambert Gallery, Media Space Inc., Victoria and Productiehuis Rotterdam (Rotterdamse Schouwburg)Winner of the International Media Award 2005 / Centre for Art and Media ZKM, Karlsruhe / SWR Südwestrundfunk / ARTE / Swiss DRS
• How to Rewind Your Dog, Film in development with Zapomatik, Ghent/ New York and the Flemish Audiovisual Film Fund (VAF); Presented at Cinemart 2003, Rotterdam.
• Maybe the Sky Is Green and We’re Just Colorblind, 2000-2002. Videolounge curated for the Museum of Contemporary Art, S.M.A.K., Ghent; Anthony d’Offay Gallery, London; Deitch Projects, New York; MIT List Visual Arts Center, Cambridge-Boston; Nicolai Wallner Galleri, Copenhagen; Impakt / Flatland Gallery, Utrecht; Erna Hecey Gallery, Luxembourg; Centro Galego Arte Contemporanea, Santiago de Compostela; Santa Monica Museum of Art, Los Angeles; Produced by Zap-o-matik, Ghent/ New York
• Lost Nation, January 1999, 18 min., 1999. Video component of Lost Nation, a Library produced by gOjim 5.1
• Dorothy Doesn’t Live Here Anymore… , 1997-2001. Videolounge curated for the Museum für Neue Kunst / Zentrum für Kunst und Medientechnologie, Karlsruhe; The Kitchen, New York; Gallery 227, Jan van Eyck Academy, Maastricht; Produced by Büro Friedrich, Berlin and by Zapomatik, Ghent/ New York
• Dial H-I-S-T-O-R-Y, 68 min., 1997. Produced by MNAM, Centre Georges Pompidou, Paris and Kunstencentrum STUC, Leuven; With the support of Documenta X, Kassel; Klapstuk 97, Leuven; Fundación Provincial de Cultura, Diputación de Cadiz; The Fascinating Faces of Flanders, The Ministery of Flemish Community, Brussels
• Beware! in Playing the Phantom, YOU BECOME ONE, 1994-1998. Videolibrary curated for MNAM, Centre Georges Pompidou, Paris; Documenta X, Kassel; De Vereniging van het Museum voor Hedendaagse Kunst, Ghent; Centre pour l’image Contemporaine, Saint-Gervais, Genève; De Beursschouwburg, Brussels; In collaboration with Herman Asselberghs
• It Will Be All Right if You Come Again, Only Next Time Don’t Bring Any Gear, Except a Tea Kettle… 1994-2001 Multichannel video produced by Les Expositions du Palais des Beaux-Arts / Tentoonstellingen van het Paleis voor Schone Kunsten, Brussels
• La Force Fait L’union Fait La Force, 3 min., 1994. In collaboration with Christine de Smet
• Corner of Canal and Broadway, 9 min., 1994. In collaboration with Hans Van den Broeck
• Smell the Flowers While You Can, 6 min, 1993. Produced by Ziggurat, Belgian TV BRT/ TV1 In collaboration with Meg Stuart
• Besmette Stad, 18 min., 1993. Produced by Ziggurat, Belgian TV BRT/ TV1
• Well, You Can’t Go to California, That’s the First Place They’ll Look for You, 10 min., 1993
• Kobarweng or Where Is Your Helicopter? 25 min., 1992. Produced by the School of Visual Arts, New York
• Nimdol June 18, 1959 — Nimdol July 6, 1987, 16 min., 1990. Produced by the STUC, Kunstencentrum, Leuven