ArtistsPast
Archives
Désordres — Extraits de la collection Antoine de Galbert
Past: March 8 → July 7
After Une histoire de famille, Collection(s) Robelin in 2022, the first ever exhibition at the macLYON dedicated to a private collection, the museum has invited collector Antoine de Galbert to exhibit a large selection of works from his personal collection over an entire floor of the museum.
Originally from the Auv…
Désordres — Extraits de la collection Antoine de Galbert
Past: March 8 → July 7
After Une histoire de famille, Collection(s) Robelin in 2022, the first ever exhibition at the macLYON dedicated to a private collection, the museum has invited collector Antoine de Galbert to exhibit a large selection of works from his personal collection over an entire floor of the museum.
Originally from the Auv…
Mixed media
MacLYON Musée d'art contemporain
Archives
Jérôme Zonder — Portraits
Past: May 15 → June 30, 2019
C’est le portrait que Jérôme Zonder a voulu explorer, en regard de deux œuvres de la collection : le Portrait d’Henri Regnault de Thomas Couture et le Portrait de Pierre Gillet de Hyacinthe Rigaud. Dix-huit portraits prennent place sur les cimaises du cabinet des dessins, sans oublier celui de l’artiste, lorsqu’il s’agit d’un autoportrait.
Jérôme Zonder — Portraits
Past: May 15 → June 30, 2019
C’est le portrait que Jérôme Zonder a voulu explorer, en regard de deux œuvres de la collection : le Portrait d’Henri Regnault de Thomas Couture et le Portrait de Pierre Gillet de Hyacinthe Rigaud. Dix-huit portraits prennent place sur les cimaises du cabinet des dessins, sans oublier celui de l’artiste, lorsqu’il s’agit d’un autoportrait.
Drawing
École nationale des Beaux Arts de Paris — Cabinet des dessins
Archives
Jérôme Zonder — Fatum
Past: February 19 → May 10, 2015
For more than ten years, Jérôme Zonder has been developing a body of work of great virtuosity, centered on drawings. Primarily executed in lead pencil and charcoal, often in large formats, his works elicit admiration yet contain certain frightful elements.
Jérôme Zonder — Fatum
Past: February 19 → May 10, 2015
For more than ten years, Jérôme Zonder has been developing a body of work of great virtuosity, centered on drawings. Primarily executed in lead pencil and charcoal, often in large formats, his works elicit admiration yet contain certain frightful elements.
Drawing
La Maison Rouge
Archives
Jérôme Zonder — Chairs grises
Past: October 17 → November 23, 2013
“This exhibition places us at the heart of a story without necessarily offering the keys to a narrative: the drawings describe a fragmented and shattered story, with its edges covered in bumps and lumps. The narrative spaces mix, connect and combine each other like they would in the brain” — Léa Bismuth.
Jérôme Zonder — Chairs grises
Past: October 17 → November 23, 2013
“This exhibition places us at the heart of a story without necessarily offering the keys to a narrative: the drawings describe a fragmented and shattered story, with its edges covered in bumps and lumps. The narrative spaces mix, connect and combine each other like they would in the brain” — Léa Bismuth.
Drawing
Eva Hober Gallery
Archives
Tous Cannibales
Past: February 12 → May 15, 2011
Despite being largely ignored by art critics and theorists, anthropophagy is an underlying theme of current creation. Leaving aside images of gore, Jeanette Zwingenberger has chosen artists, almost half of whom are women, who address the cruelty of anthropophagy from a critical standpoint and with a certain delicacy.
Tous Cannibales
Past: February 12 → May 15, 2011
Despite being largely ignored by art critics and theorists, anthropophagy is an underlying theme of current creation. Leaving aside images of gore, Jeanette Zwingenberger has chosen artists, almost half of whom are women, who address the cruelty of anthropophagy from a critical standpoint and with a certain delicacy.
Drawing, painting, photography...
La Maison Rouge
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