L’impressionnisme et la mode — Musée d’Orsay — Exhibition — Slash Paris

Past: September 25, 2012 → January 20, 2013

Anxious to account for contemporary life, Impressionism favoured the representation of human figures in their daily surroundings and captured the “modern” man in his routine activities, both in cities and in the countryside.

James Tissot, Le Cercle de la Rue Royale, 1868 Huile sur toile — 2160 × 3300 cm Paris, Musée d’Orsay © Musée d’Orsay, dist. RMN / Patrice Schmidt

Although they did not strive to render scrupulously the physiognomy, costume or habit, the Impressionists nevertheless accounted for the fashions and attitudes of their times. They achieved this through their keenness to consider the portrait as a snapshot of a person in his/her familiar settings, through their ability to renew the genre works from the double point of view of typology and topography and above all through their attention to the “daily metamorphosis of exterior things”, as Baudelaire put it.

With their aesthetic positions, the reality of men and women of the years between 1860 and 1880 and their clothes underwent an undisputable transfiguration.