The Crown Letter — Mai

Exhibition

Drawing, film, installation, photography...

The Crown Letter — Mai

Past: May 16 → June 16, 2021

Sudha Padjama Francis

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Ruth Maclennan

Horizon (Twelfth Lap)“>Looking South from ”https://vimeo.com/user62783564">Ruth Maclennan on Vimeo.

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Manuela Morgaine

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Esther Shalev-Gerz, Les Invalides, 2021 Photography Manuela Morgaine & The Crown Letter

Assan S. is an artist. Assan is like a brother for me. Assan had an accident and was amputated six months ago. My mother is my mother. My mother is a virus survivor. Assan makes today his first exhibition at the Invalides, in Paris. In this precise place, his first exhibition since losing his leg. I see him for the first time with his prosthesis, there, at the Invalides. He’s the one supporting my mother, he’s the one missing a leg. This is the best life lesson that I can receive. The sense of Care.

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Katja Stuke

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Katja Stuke, New Moon, from Moon over Konohana, 2021 Photography Katja Stuke & The Crown Letter

Newmoon, from Moon over Konohama

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Natacha Nisic
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Natacha Nisic, Silence, 2021 Photography Natacha Nisic & The Crown Letter
Silence, from closed places series

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Liza Dimbleby

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Liza Dimbleby, Letter from Glasgow: PAUSE, 2021 Photography Liza Dimbleby & The Crown Letter

I have barely entered the city centre for a year, since I shut up my studio last March. This city exaggerates a separation between the centre and the outlying areas at the best of times, ruptured at the north and west by a large motorway, an abandoned ring road that never achieved full circle. Entire neighbourhoods were excavated and now caverns of underpasses and motorway bridges must be broached to cross from the land of leafy parks and University where I live to the downtown city proper. The centre is laid out on a grid, with high tenements that block the light, empty lots and sudden mirrored high rises like parts of New York, or Chicago. This year I have worked at home. I have avoided the studio and have not been taking trains, the concert halls are shut, so I have no reason to go into the centre, and I fear it. I picture silent streets, deserted buildings, peopled only by junkies, scavenging emptiness.

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Luise Schröder

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Luise Schroeder, Navigation, 2021 Collage and photography Luise Schroeder & The Crown Letter

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Catherine Radosa

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Catherine Radosa, Campagne de Paris, paysage triangulaire, 2021 Videogram from the long-term film project (2018-2021) on the Triangle of Gonesse (France) — Video Catherine Radosa & The Crown Letter

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SE Barnet

Spring from SEBARNET on Vimeo.

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Ivana Vollaro

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Ivana Vollaro, Time is just a representation, 2021 Photography Ivana Vollaro & The Crown Letter

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Dettie Flynn

<iframe src=“https://player.vimeo.com/video/531714462?badge=0&autopause=0&player_id=0&app_id=58479” frameborder=“0” allow=“autoplay; fullscreen; picture-in-picture” allowfullscreenstyle=“position:absolute;top:0;left:0;width:100%;height:100%;” title="Peut encore devenir aussi contagieux que les variantes See more ——— h3. Esther Shalev-Gerz
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Esther Shalev-Gerz, In construction, 2021 Photography Esther Shalev-Gerz & The Crown Letter
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