ArtistsCurrent
Upcoming
Le genre idéal — En principe, une tentative d’épuisement
Upcoming
In 2 days: March 21 → September 27
20 years of MAC VAL The museum where the future has already begun Chronicle of an exhibition
20 years ago, the department of Val-de-Marne inaugurated its museum, the MAC VAL. This anniversary is an opportunity to confirm the quality of the museum’s heritage, a unique collection that is the fruit of over forty years…
Le genre idéal — En principe, une tentative d’épuisement
Upcoming
In 2 days: March 21 → September 27
20 years of MAC VAL The museum where the future has already begun Chronicle of an exhibition
20 years ago, the department of Val-de-Marne inaugurated its museum, the MAC VAL. This anniversary is an opportunity to confirm the quality of the museum’s heritage, a unique collection that is the fruit of over forty years…
Mixed media
MAC VAL Musée d'art contemporain du Val-de-Marne
Upcoming
Upcoming
Nothing but the Truth — Rien que la vérité
Upcoming
In 5 days: April 5 → July 12
KADIST Paris presents the exhibition Nothing but the Truth, an exploration of the power of collective narratives and storytelling as a critical tool, based on a selection of works from its collection. Conceived as a space for transmission and confrontation of experiences, this exhibition brings together around eight i…
Nothing but the Truth — Rien que la vérité
Upcoming
In 5 days: April 5 → July 12
KADIST Paris presents the exhibition Nothing but the Truth, an exploration of the power of collective narratives and storytelling as a critical tool, based on a selection of works from its collection. Conceived as a space for transmission and confrontation of experiences, this exhibition brings together around eight i…
Mixed media
KADIST
Past
Archives
Mathieu Kleyebe Abonnenc — Dans ce lieu de déséquilibre occulte
Past: January 15 → April 2, 2023
À travers ses sculptures, vidéos et installations récentes, Mathieu Kleyebe Abonnenc développe une pratique inspirée de l’écrivain guyanien Wilson Harris (1921-2018), arpenteur et hydrographe au Guyana. Nourries de l’observation méticuleuse du territoire et par la vision poétique et cosmogonique qu’il en propose, les œuvres d’Abonnenc se déploient dans l’ensemble de l’espace du Crédac.
Mathieu Kleyebe Abonnenc — Dans ce lieu de déséquilibre occulte
Past: January 15 → April 2, 2023
À travers ses sculptures, vidéos et installations récentes, Mathieu Kleyebe Abonnenc développe une pratique inspirée de l’écrivain guyanien Wilson Harris (1921-2018), arpenteur et hydrographe au Guyana. Nourries de l’observation méticuleuse du territoire et par la vision poétique et cosmogonique qu’il en propose, les œuvres d’Abonnenc se déploient dans l’ensemble de l’espace du Crédac.
Mixed media
Le Crédac
Archives
L’Effet Vertigo — Nouvelle exposition des œuvres de la collection
Past: October 24, 2015 → October 24, 2016
The new exhibition of works from the collection explores the relationship between artists and history and its narratives as well as our own relationship as spectator with what has preceded us. Perspective, that which imbues it and constitutes it, is an essential part of this relationship.
L’Effet Vertigo — Nouvelle exposition des œuvres de la collection
Past: October 24, 2015 → October 24, 2016
The new exhibition of works from the collection explores the relationship between artists and history and its narratives as well as our own relationship as spectator with what has preceded us. Perspective, that which imbues it and constitutes it, is an essential part of this relationship.
Installation, painting, sculpture
MAC VAL Musée d'art contemporain du Val-de-Marne
Archives
Révolte Logique, part II — Slave to Art
Past: November 21, 2013 → January 18, 2014
At one point during our conversation, he had said jokingly, “Ah, but I have power over you?” Without thinking, I had answered, “No, you don’t, because I would never show you my work” — Adrian Piper, Pontus Hulten’s Slave to Art, 1982.
Révolte Logique, part II — Slave to Art
Past: November 21, 2013 → January 18, 2014
At one point during our conversation, he had said jokingly, “Ah, but I have power over you?” Without thinking, I had answered, “No, you don’t, because I would never show you my work” — Adrian Piper, Pontus Hulten’s Slave to Art, 1982.
Drawing, installation, painting...
Marcelle Alix Gallery
Archives
Rendez-vous : sortie de mon corps
Past: October 10 → December 7, 2013
In this exhibition, the body becomes a territory spoken through by a multiplicity of voices; a place where struggles of the past, forgotten narratives and actions reappear; a paradoxical meeting point between biography and fabulation, between personal history and the projection towards unknown bodies.
Rendez-vous : sortie de mon corps
Past: October 10 → December 7, 2013
In this exhibition, the body becomes a territory spoken through by a multiplicity of voices; a place where struggles of the past, forgotten narratives and actions reappear; a paradoxical meeting point between biography and fabulation, between personal history and the projection towards unknown bodies.
Film, installation, photography...
Espace Khiasma
Archives
Évocateur — 14ème Prix Fondation d’entreprise Ricard
Past: October 12 → November 17, 2012
The 14th Prize Fondation d’entreprise Ricard will be awarded to one of the Artists featured in the exhibition “Evocateur” on the occasion of the Bal Jaune on October 19, 2012. This year, the Ricard Foundation has decided to hand the selection of the Ricard Prize artists over a young international curator, Elena Filipovic.
Évocateur — 14ème Prix Fondation d’entreprise Ricard
Past: October 12 → November 17, 2012
The 14th Prize Fondation d’entreprise Ricard will be awarded to one of the Artists featured in the exhibition “Evocateur” on the occasion of the Bal Jaune on October 19, 2012. This year, the Ricard Foundation has decided to hand the selection of the Ricard Prize artists over a young international curator, Elena Filipovic.
Mixed media
Fondation d’entreprise Pernod Ricard
Archives
The Mystery Spot — La perception à l’œuvre dans les collections du CNAP
Past: September 4 → 22, 2012
Each of the works presented in The Mystery Spot evokes this loss of bearings in its own way, disturbing visitors as they physically walk through the space, but even more in their intellectual progression. All the pieces presented here play with our senses, repositioning our point of view in space.
The Mystery Spot — La perception à l’œuvre dans les collections du CNAP
Past: September 4 → 22, 2012
Each of the works presented in The Mystery Spot evokes this loss of bearings in its own way, disturbing visitors as they physically walk through the space, but even more in their intellectual progression. All the pieces presented here play with our senses, repositioning our point of view in space.
Mixed media
Fondation d’entreprise Pernod Ricard
Archives
2001-2011 : Soudain, Déjà
Past: October 20, 2011 → January 8, 2012
L’exposition présente une sélection de 30 artistes, diplômés de l’école des beaux-arts entre 2001 et 2011. Une rétrospective sélective d’une génération pas comme les autres, la première de ce nouveau siècle, mise en parallèle avec les grands événements de cette décennie.
2001-2011 : Soudain, Déjà
Past: October 20, 2011 → January 8, 2012
L’exposition présente une sélection de 30 artistes, diplômés de l’école des beaux-arts entre 2001 et 2011. Une rétrospective sélective d’une génération pas comme les autres, la première de ce nouveau siècle, mise en parallèle avec les grands événements de cette décennie.
Drawing, painting, photography...
Beaux-Arts de Paris Palais des Beaux-Arts
Archives
A Minor Sense of Didacticism — Mathieu K. Abonnenc
Past: May 28 → July 30, 2011
By gathering together the muzzled actors and actresses of History, by participating to the writing of a common memory through exhibitions, translations of seminal texts, projections of forgotten films or reconstitutions of scattered archives, Abonnenc takes over the legacy of Fanon and of the nonaligned.
A Minor Sense of Didacticism — Mathieu K. Abonnenc
Past: May 28 → July 30, 2011
By gathering together the muzzled actors and actresses of History, by participating to the writing of a common memory through exhibitions, translations of seminal texts, projections of forgotten films or reconstitutions of scattered archives, Abonnenc takes over the legacy of Fanon and of the nonaligned.
Mixed media, video
Marcelle Alix Gallery
Archives
Les vigiles, les menteurs, les rêveurs — Erudition concrète 3
Past: September 16 → November 14, 2010
“Watchmen, Liars, Dreamers” is the third part of the programme “Concrete Erudition” proposed by Guillaume Désanges, a curator invited to devise a cycle of shows at Le Plateau. This cycle challenges the links between art and knowledge, focusing on certain contemporary activities.
Les vigiles, les menteurs, les rêveurs — Erudition concrète 3
Past: September 16 → November 14, 2010
“Watchmen, Liars, Dreamers” is the third part of the programme “Concrete Erudition” proposed by Guillaume Désanges, a curator invited to devise a cycle of shows at Le Plateau. This cycle challenges the links between art and knowledge, focusing on certain contemporary activities.
Installation, mixed media
Frac île-de-france, le Plateau
Mathieu Kleyebe Abonnenc
Contemporary
Mixed media
French artist born in 1977.
- Localisation
- Paris, France