François Maurin — Ôrvoirlémo — Marine Veilleux Gallery — Exhibition — Slash Paris

Past: March 11 → May 1, 2016

Ôrvoirlémo: the method, in its written form, evokes the improbable collusion of Poussin and his ‘choses muettes’ (silent things) and Dubuffet and the spoken language of the ‘patoué’ of ‘la botte à nique’. Either a way of twice shunning language or also a way of sending the critic, the speaker who translates the visible into words, back home.

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