The Crown Letter — Juin/Juillet — The Crown letter — Exposition

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The Crown Letter — Juin/Juillet

Exposition

Dessin, film, installations, nouveaux médias...

The Crown Letter — Juin/Juillet

Passé : 12 juillet → 12 août 2021

Kyoko Kasuya

Listen to the Voices of the Sea from Kyoko Kasuya on Vimeo.

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Natacha Nisic

**Natacha Nisic, How to live, 2021** Photographie Natacha Nisic & The Crown Letter

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Liza Dimbleby

Liza Dimbleby, Water of Leith, May 2021, 2021 Photographie Lza Dimbleby & The Crown Letter

Letter from Glasgow: Un-forgetting

Last week I travelled as far as Edinburgh, the mirror city. I walked for miles along the Water of Leith. It is hard to miss the obvious evocations in this name of the mythical river, Lethe, that ran through the underworld. I look up the Greek word: it means Oblivion, Concealment or Forgetting. The word for Truth is A-lethe-ia; literally it means an un-concealment or un-forgetting. These last two translations move in different directions. Forgetting suggests a limbo state, something that might sometime be remembered, and provokes a counter impulse to seek that which has been forgotten, the wish to reclaim, or rescue from Oblivion. Forgetting, and the recovery of that which has been forgotten — the un-forgetting — is most often involuntary, at least against our conscious will. But concealment and un-concealing is active, it can be willed, and alerts us to the fact that the hiding of the thing was probably a deliberate act. Un-concealment is closer to the conjuror’s trick — ta da! The big reveal, the curtain drawn back. I walk back upstream, against the brown bubbling current where willow leaves trail on the surface, and wonder about things that have been hidden on purpose and things that are forgotten against our will.

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Luise Schröder

Natacha Nisic, We are your tomorow, 2021 Collage Luise Schroeder & The Crown Letter

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Catherine Radosa

Catherine Radosa, Campagne de Paris, paysage triangulaire, 2021 Photographie Catherine Radosa & The Crown Letter

Photography of the action made as a part of the long-term film project (2018-2021) on the Triangle of Gonesse (France) — agricultural land in the process of artificialization. Action made with Nathan André, Christophe Domino, Simona Dvořáková, Tania Gheerbrant and with the proximity of the members of the CPTG (Collectif for the Triangle of Gonesse) and other activists during the Zadimanche.

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