VenuesPast
Archives
Sylvain Bourget — Le menton d’airain
Past: June 24 → July 24, 2016
« Le rituel n’est pas une réaction à la vie, il est une réaction à ce que la pensée a fait d’elle. Il ne répond directement ni au monde, ni même à l’expérience du monde; il répond à la façon dont l’homme pense le monde. (…) » — Claude Lévi-Strauss
Sylvain Bourget — Le menton d’airain
Past: June 24 → July 24, 2016
« Le rituel n’est pas une réaction à la vie, il est une réaction à ce que la pensée a fait d’elle. Il ne répond directement ni au monde, ni même à l’expérience du monde; il répond à la façon dont l’homme pense le monde. (…) » — Claude Lévi-Strauss
Drawing, sculpture, video
Marine Veilleux Gallery
Archives
Félix Pinquier — Former lisières
Past: May 13 → June 19, 2016
« Ce qui m’éblouit, c’est la puissance des mathématiques. Comment se fait il qu’un tel formalisme soit aussi efficace quand il s’agit de l’appliquer au réel ? D’où provient cette force de langage ? Est-ce totalement celui du monde ou existe-t-il dans un ailleurs ? » — Félix Pinquier
Félix Pinquier — Former lisières
Past: May 13 → June 19, 2016
« Ce qui m’éblouit, c’est la puissance des mathématiques. Comment se fait il qu’un tel formalisme soit aussi efficace quand il s’agit de l’appliquer au réel ? D’où provient cette force de langage ? Est-ce totalement celui du monde ou existe-t-il dans un ailleurs ? » — Félix Pinquier
Collage, drawing, sculpture
Marine Veilleux Gallery
Archives
François Maurin — Ôrvoirlémo
Past: March 11 → May 1, 2016
Ôrvoirlémo: the method, in its written form, evokes the improbable collusion of Poussin and his ‘choses muettes’ and Dubuffet and the spoken language of the ‘patoué’ of ‘la botte à nique’. Either a way of twice shunning language or also a way of sending the critic, the speaker who translates the visible into words, back home.
François Maurin — Ôrvoirlémo
Past: March 11 → May 1, 2016
Ôrvoirlémo: the method, in its written form, evokes the improbable collusion of Poussin and his ‘choses muettes’ and Dubuffet and the spoken language of the ‘patoué’ of ‘la botte à nique’. Either a way of twice shunning language or also a way of sending the critic, the speaker who translates the visible into words, back home.
Drawing, painting, mixed media
Marine Veilleux Gallery
Archives
#2. Long Distance Communication — Sur une proposition de Mathieu Arbez Hermoso — Yellow Bird
Past: January 31 → March 6, 2016
Long distance communication s’inscrit dans un cycle de rendez-vous collectifs annuels qui dévoilent, à travers le prisme d’un artiste de la galerie, les liens et les écarts entre les pratiques de chacun et révèlent ainsi l’identité du lieu d’un point de vue subjectif et fragmentaire.
#2. Long Distance Communication — Sur une proposition de Mathieu Arbez Hermoso — Yellow Bird
Past: January 31 → March 6, 2016
Long distance communication s’inscrit dans un cycle de rendez-vous collectifs annuels qui dévoilent, à travers le prisme d’un artiste de la galerie, les liens et les écarts entre les pratiques de chacun et révèlent ainsi l’identité du lieu d’un point de vue subjectif et fragmentaire.
Drawing, painting, photography...
Marine Veilleux Gallery
Archives
Lena Amuat & Zoë Meyer — Fool Moon
Past: November 14, 2015 → January 17, 2016
A partir d’une pratique de la collecte et de l’archivage articulée autour d’un principe de vision, Lena Amuat et Zoë Meyer usent du modèle et de la simulation pour interroger les liens ambigus qui se tissent entre les faits et la fiction, la connaissance et la perception, l’original et la reproduction.
Lena Amuat & Zoë Meyer — Fool Moon
Past: November 14, 2015 → January 17, 2016
A partir d’une pratique de la collecte et de l’archivage articulée autour d’un principe de vision, Lena Amuat et Zoë Meyer usent du modèle et de la simulation pour interroger les liens ambigus qui se tissent entre les faits et la fiction, la connaissance et la perception, l’original et la reproduction.
Installation, photography, video
Marine Veilleux Gallery
Archives
3 days in Paris 2015
Past: November 27 → 29, 2015
Nouvelle édition de 3 days in Paris, trois jours d’expositions, de rencontres avec des artistes, des galeristes, des éditeurs, des commissaires d’expositions, des directeurs d’artothèque, de centre d’art, de revue…
3 days in Paris 2015
Past: November 27 → 29, 2015
Nouvelle édition de 3 days in Paris, trois jours d’expositions, de rencontres avec des artistes, des galeristes, des éditeurs, des commissaires d’expositions, des directeurs d’artothèque, de centre d’art, de revue…
Event
Mixed media
Multiple venues
3 days in Paris — Lena Amuat & Zoë Meyer
Past: November 27 → 29, 2015
Projection des vidéos de Lena Amuat et Zoë Meyer.
Event
Archives
Anne-Charlotte Yver — Exsangue — Acte III
Past: October 14 → November 8, 2015
Anne-Charlotte Yver crée des œuvres évolutives qui prennent tout leur sens dans l’espace qu’elles investissent. Par exemple, une table de massage trouvée dans la rue, puis désossée et réduite à une structure d’acier, devient le lieu d’une œuvre-laboratoire où les formes s’étirent et se condensent.
Anne-Charlotte Yver — Exsangue — Acte III
Past: October 14 → November 8, 2015
Anne-Charlotte Yver crée des œuvres évolutives qui prennent tout leur sens dans l’espace qu’elles investissent. Par exemple, une table de massage trouvée dans la rue, puis désossée et réduite à une structure d’acier, devient le lieu d’une œuvre-laboratoire où les formes s’étirent et se condensent.
Installation, sculpture
Marine Veilleux Gallery
Archives
Anne-Charlotte Yver — Exsangue — Acte I
Past: September 12 → 27, 2015
The theme consists of working on a de-cluttering by putting in place a self-sufficient system which has nothing to do with skill or performance. The individual elements are not bulky, are easily transportable and it’s in their assembly, their placement that they come to inhabit the space.
Anne-Charlotte Yver — Exsangue — Acte I
Past: September 12 → 27, 2015
The theme consists of working on a de-cluttering by putting in place a self-sufficient system which has nothing to do with skill or performance. The individual elements are not bulky, are easily transportable and it’s in their assembly, their placement that they come to inhabit the space.
Installation, sculpture
Marine Veilleux Gallery
Archives
Delphine Renault — Mirapolis
Past: July 4 → August 6, 2015
From the outset images jostle with one another, reflected in the exhibition’s frontage, the viewer’s gaze reflected back at him while his mind wanders through large antiquated cities, polished. Yet very quickly the illusion is revealed as false.
Delphine Renault — Mirapolis
Past: July 4 → August 6, 2015
From the outset images jostle with one another, reflected in the exhibition’s frontage, the viewer’s gaze reflected back at him while his mind wanders through large antiquated cities, polished. Yet very quickly the illusion is revealed as false.
Print, installation, sculpture...
Marine Veilleux Gallery
Archives
Félix Pinquier — Ether
Past: May 21 → June 23, 2015
Félix Pinquier’s research is based on the materialisation of sound and its corollary, figures of silence. Open to the sciences and to mathematics, he has followed a practice which is closely linked to the vibratory displacement of materials and has developed a language of synthetic and ambiguous objects.
Félix Pinquier — Ether
Past: May 21 → June 23, 2015
Félix Pinquier’s research is based on the materialisation of sound and its corollary, figures of silence. Open to the sciences and to mathematics, he has followed a practice which is closely linked to the vibratory displacement of materials and has developed a language of synthetic and ambiguous objects.
Drawing, installation, sculpture
Marine Veilleux Gallery
Archives
Josué Z. Rauscher — Etre volcan
Past: April 14 → May 16, 2015
Vulcan is a god from Roman mythology. Vulcan is a French heavy metal group. Vulcan is the first stage rocket engine for Ariane 5.
Josué Z. Rauscher — Etre volcan
Past: April 14 → May 16, 2015
Vulcan is a god from Roman mythology. Vulcan is a French heavy metal group. Vulcan is the first stage rocket engine for Ariane 5.
Installation, photography, sculpture
Marine Veilleux Gallery
Archives
Empan
Past: March 14 → April 4, 2015
La galerie présente — en amont de sa participation à Drawing Now — « Empan », qui réunit dans une forme courte François Maurin, Daniel Otero Torres, Félix Pinquier et Anne-Charlotte Yver, autour d’une réflexion sur la matérialité du dessin et ses possibles perspectives.
Empan
Past: March 14 → April 4, 2015
La galerie présente — en amont de sa participation à Drawing Now — « Empan », qui réunit dans une forme courte François Maurin, Daniel Otero Torres, Félix Pinquier et Anne-Charlotte Yver, autour d’une réflexion sur la matérialité du dessin et ses possibles perspectives.
Collage, drawing, sculpture...
Marine Veilleux Gallery
Archives
Feu(x)
Past: February 3 → 28, 2015
Céline Vaché-Olivieri collaborates with Antoine Barberon, Estelle Deschamp and Colombe Marcasiano and proposes three installations. ‘Feu(x)’ highlights the fusions which take place in collaborative work and which wouldn’t resolve were there only one single and unique origin. It is these influences and exchanges which are made sense of in the exhibition.
Feu(x)
Past: February 3 → 28, 2015
Céline Vaché-Olivieri collaborates with Antoine Barberon, Estelle Deschamp and Colombe Marcasiano and proposes three installations. ‘Feu(x)’ highlights the fusions which take place in collaborative work and which wouldn’t resolve were there only one single and unique origin. It is these influences and exchanges which are made sense of in the exhibition.
Ceramic, collage, drawing...
Marine Veilleux Gallery
Archives
#1 — Poros
Past: December 13, 2014 → January 17, 2015
The Marine Veilleux gallery is uniting for the first time since its opening the artists that it represents. ‘#1. Poros’ inaugurates a cycle of open meetings which unveil, from the artists’ perspective, the links and gaps between each artist’s methods and reveals the gallery’s identity from a subjective and fragmentary point of view.
#1 — Poros
Past: December 13, 2014 → January 17, 2015
The Marine Veilleux gallery is uniting for the first time since its opening the artists that it represents. ‘#1. Poros’ inaugurates a cycle of open meetings which unveil, from the artists’ perspective, the links and gaps between each artist’s methods and reveals the gallery’s identity from a subjective and fragmentary point of view.
Drawing, installation, painting...
Marine Veilleux Gallery
Archives
Eclipse — From ’Artefacts and Models’ 2014
Past: October 31 → December 6, 2014
Lena Amuat and Zoë Meyer explore the influence of aesthetic processes on the production of knowledge. Beginning in 2009 with the name ‘Artefacts and Models’, they created a work of photographic collection with encyclopaedic overtones, developing a system of constantly accumulating personal archives.
Eclipse — From ’Artefacts and Models’ 2014
Past: October 31 → December 6, 2014
Lena Amuat and Zoë Meyer explore the influence of aesthetic processes on the production of knowledge. Beginning in 2009 with the name ‘Artefacts and Models’, they created a work of photographic collection with encyclopaedic overtones, developing a system of constantly accumulating personal archives.
Installation, photography, sculpture...
Marine Veilleux Gallery
Archives
Sylvain Bourget — Tragédie du solite
Past: September 11 → October 25, 2014
For several years, Sylvain Bourget has collected and analysed the practice of domestic performances which he studies via amateur videos which have grown rapidly on the web. The places of these performances, movements generated by these practices and instructions for performing are all united in “Tragédie du solite”.
Sylvain Bourget — Tragédie du solite
Past: September 11 → October 25, 2014
For several years, Sylvain Bourget has collected and analysed the practice of domestic performances which he studies via amateur videos which have grown rapidly on the web. The places of these performances, movements generated by these practices and instructions for performing are all united in “Tragédie du solite”.
Drawing, sculpture, video
Marine Veilleux Gallery
Archives
Sylvain Bourget & Josué Z. Rauscher — Sunday’s Screening # 11
Past: Sunday, October 5, 2014 2 PM → 7 PM
The gallery Marine Veilleux is presenting the videos ‘Wheelchair dance’ by Sylvain Bourget and ‘Project pour Aperto’ by Josué Z. Rauscher, on the occasion of the 11th edition of Sunday’s Screening, an art video journey in the Marais.
Sylvain Bourget & Josué Z. Rauscher — Sunday’s Screening # 11
Past: Sunday, October 5, 2014 2 PM → 7 PM
The gallery Marine Veilleux is presenting the videos ‘Wheelchair dance’ by Sylvain Bourget and ‘Project pour Aperto’ by Josué Z. Rauscher, on the occasion of the 11th edition of Sunday’s Screening, an art video journey in the Marais.
Screening
Video
Marine Veilleux Gallery
Archives
Planète Mirage — Standby
Past: June 26 → July 26, 2014
The waiting room, the transit lounge, the electronic object in sleep mode or cryogenics all evoke an intermediary state, a process of activation of deactivation. ‘Standby’ presents objects which are neither totally switched off nor active, between dynamic and static, suspended in a provisionally final state.
Planète Mirage — Standby
Past: June 26 → July 26, 2014
The waiting room, the transit lounge, the electronic object in sleep mode or cryogenics all evoke an intermediary state, a process of activation of deactivation. ‘Standby’ presents objects which are neither totally switched off nor active, between dynamic and static, suspended in a provisionally final state.
Architecture, design, installation...
Marine Veilleux Gallery
Archives
Mathieu Arbez Hermoso — Aucun souvenir assez solide
Past: May 15 → June 21, 2014
“Aucun souvenir assez solide” constructs line by line the idea that memories of the map might, in places, take the place of experiencing territory.
Mathieu Arbez Hermoso — Aucun souvenir assez solide
Past: May 15 → June 21, 2014
“Aucun souvenir assez solide” constructs line by line the idea that memories of the map might, in places, take the place of experiencing territory.
Film, installation, new media...
Marine Veilleux Gallery
Archives
Daniel Otero Torres — Summertime
Past: March 22 → May 8, 2014
Daniel Otero Torres propose un corpus de dessins jouant sur les échelles, les écarts et l’éclatement. « Summertime » illustre et dessine l’exotisme suranné d’une imagerie estivale que l’artiste revisite en un portrait offensif, ironique et dissonant.
Daniel Otero Torres — Summertime
Past: March 22 → May 8, 2014
Daniel Otero Torres propose un corpus de dessins jouant sur les échelles, les écarts et l’éclatement. « Summertime » illustre et dessine l’exotisme suranné d’une imagerie estivale que l’artiste revisite en un portrait offensif, ironique et dissonant.
Drawing
Marine Veilleux Gallery
03 Le Marais
03 Le Marais
Arts et Métiers
Etienne Marcel
Rambuteau
Opening hours
Other times by appointment