VenuesPast
Archives
Espaces Témoins
Past: June 28 → July 28, 2018
Praz-Delavallade Paris presents “Espaces Témoins”, an exhibition featuring a selection of artists working both in France and abroad, with Vincent Chenut (Paris-Brussels), Thomas Fougeirol (Paris-New York), Alice Guittard (Paris-Istanbul), Lucas Jardin (Brussels) and Manoela Medeiros (Paris-Rio de Janeiro).…
Espaces Témoins
Past: June 28 → July 28, 2018
Praz-Delavallade Paris presents “Espaces Témoins”, an exhibition featuring a selection of artists working both in France and abroad, with Vincent Chenut (Paris-Brussels), Thomas Fougeirol (Paris-New York), Alice Guittard (Paris-Istanbul), Lucas Jardin (Brussels) and Manoela Medeiros (Paris-Rio de Janeiro).…
Installation, painting, sculpture...
Praz-Delavallade Gallery
Archives
Soufiane Ababri — Haunted Lives
Past: May 5 → June 16, 2018
Ababri’s goal is to produce a militant discourse and this leads to a performative approach inspired by certain forms of resistance seen in the Afro-American and gay movements, a form of empowerment thanks to which these movements’ members took what was considered as a failing and turned it to their advantage.
Soufiane Ababri — Haunted Lives
Past: May 5 → June 16, 2018
Ababri’s goal is to produce a militant discourse and this leads to a performative approach inspired by certain forms of resistance seen in the Afro-American and gay movements, a form of empowerment thanks to which these movements’ members took what was considered as a failing and turned it to their advantage.
Drawing
Praz-Delavallade Gallery
Archives
Genevieve Gaignard — Hidden Faces
Past: March 17 → April 28, 2018
Praz-Delavallade Paris présente la première exposition en France de Genevieve Gaignard. Élevée dans une petite ville industrielle du Massachusetts Genevieve Gaignard a grandi entre deux cultures : celle de sa mère, blanche et de son père, noir.
Genevieve Gaignard — Hidden Faces
Past: March 17 → April 28, 2018
Praz-Delavallade Paris présente la première exposition en France de Genevieve Gaignard. Élevée dans une petite ville industrielle du Massachusetts Genevieve Gaignard a grandi entre deux cultures : celle de sa mère, blanche et de son père, noir.
Installation, photography
Praz-Delavallade Gallery
Archives
John Miller — Walking in The City
Past: December 2, 2017 → January 13, 2018
Praz-Delavallade announces the fourth exhibition in Paris by New York and Berlin-based artist John Miller.
In this body of work, Miller presents five silkscreen paintings, ten coffee mugs, and a digital slide show, all of which refer to how people inhabit public spaces.
John Miller — Walking in The City
Past: December 2, 2017 → January 13, 2018
Praz-Delavallade announces the fourth exhibition in Paris by New York and Berlin-based artist John Miller.
In this body of work, Miller presents five silkscreen paintings, ten coffee mugs, and a digital slide show, all of which refer to how people inhabit public spaces.
Drawing, installation, screen-printing...
Praz-Delavallade Gallery
Archives
Philippe Decrauzat — Delay
Past: October 14 → November 25, 2017
“Delay”, Philippe Decrauzat’s new series of paintings suggests that an aesthetic renewal may well be underway, but not one that entirely disrupts his artistic language, nor the narrative that he has been endeavouring to establish since his beginnings.
Philippe Decrauzat — Delay
Past: October 14 → November 25, 2017
“Delay”, Philippe Decrauzat’s new series of paintings suggests that an aesthetic renewal may well be underway, but not one that entirely disrupts his artistic language, nor the narrative that he has been endeavouring to establish since his beginnings.
Painting
Praz-Delavallade Gallery
Archives
Live Today. Tomorrow Will Cost More — curated by Clémence Duchon & Flavie Loizon
Past: July 1 → September 23, 2017
escape [/ɪˈskeɪp/] : n. An act of breaking free from confinement or control. A means of escaping from somewhere. 2.A form of temporary distraction from reality or routine.
Live Today. Tomorrow Will Cost More — curated by Clémence Duchon & Flavie Loizon
Past: July 1 → September 23, 2017
escape [/ɪˈskeɪp/] : n. An act of breaking free from confinement or control. A means of escaping from somewhere. 2.A form of temporary distraction from reality or routine.
Installation, painting, photography...
Praz-Delavallade Gallery
Archives
Analia Saban — The Warp and Woof of Painting
Past: April 8 → June 17, 2017
Just imagine. An enormous ball, rather like a ball of wool, blocks the entrance to the studio. It is made up of strips of hemp taken from numerous canvasses, as if the artist has dissected the epidermis of each painting.
Analia Saban — The Warp and Woof of Painting
Past: April 8 → June 17, 2017
Just imagine. An enormous ball, rather like a ball of wool, blocks the entrance to the studio. It is made up of strips of hemp taken from numerous canvasses, as if the artist has dissected the epidermis of each painting.
Painting
Praz-Delavallade Gallery
Archives
Nathan Mabry — Under the Sun
Past: February 11 → April 1, 2017
With his new exhibition at Praz-Delavallade Paris, Nathan Mabry explores interconnected relationships of art history’s ethos, tropes and assumptions in both obvious and subtle ways.
Nathan Mabry — Under the Sun
Past: February 11 → April 1, 2017
With his new exhibition at Praz-Delavallade Paris, Nathan Mabry explores interconnected relationships of art history’s ethos, tropes and assumptions in both obvious and subtle ways.
Drawing, installation, sculpture...
Praz-Delavallade Gallery
Archives
Julien Nédélec — Météore
Past: November 19, 2016 → January 14, 2017
In this first exhibition at Praz-Delavallade, Julien Nédélec questions painting by manipulating photos to create hybrid works, part painting, part photo, in his series “Someday we will foresee obstacles”.
Julien Nédélec — Météore
Past: November 19, 2016 → January 14, 2017
In this first exhibition at Praz-Delavallade, Julien Nédélec questions painting by manipulating photos to create hybrid works, part painting, part photo, in his series “Someday we will foresee obstacles”.
Installation, photography, sculpture...
Praz-Delavallade Gallery
Archives
Brian Wills — New works
Past: October 8 → November 10, 2016
Brian Wills, a young, Los Angeles-based artist, has completely taken on board this ideology of the relationship between the space and the spectator. Adopting Mies van der Rohe’s famous motto “less is more”, his work is characterised by simple, smooth, pared-down geometric shapes that lend themselves to a physical form of appreciation.
Brian Wills — New works
Past: October 8 → November 10, 2016
Brian Wills, a young, Los Angeles-based artist, has completely taken on board this ideology of the relationship between the space and the spectator. Adopting Mies van der Rohe’s famous motto “less is more”, his work is characterised by simple, smooth, pared-down geometric shapes that lend themselves to a physical form of appreciation.
Installation, painting, mixed media
Praz-Delavallade Gallery
Archives
Cause The Grass Don’t Grow And The Sky Ain’t Blue
Past: July 7 → September 24, 2016
This show brings together artists who call into question those systems that in art set out a hierarchy of materials and urban zones. These artists have set up their studios in the suburbs, by choice or for financial concerns. Their surroundings are often at the very core of their artistic practice.
Cause The Grass Don’t Grow And The Sky Ain’t Blue
Past: July 7 → September 24, 2016
This show brings together artists who call into question those systems that in art set out a hierarchy of materials and urban zones. These artists have set up their studios in the suburbs, by choice or for financial concerns. Their surroundings are often at the very core of their artistic practice.
Ceramic, drawing, installation...
Praz-Delavallade Gallery
Archives
Joe Reihsen — Being The Seeing
Past: May 28 → June 21, 2016
Reihsen belongs to a generation of painters that naturally integrated digital tools into their art while still being in high school in the 90s. Up until today, he would use computer terms to describe his process, where he would ‘copy and paste, distort, warp and rotate’, only to end up ‘scaling up’ or ‘scaling down’.
Joe Reihsen — Being The Seeing
Past: May 28 → June 21, 2016
Reihsen belongs to a generation of painters that naturally integrated digital tools into their art while still being in high school in the 90s. Up until today, he would use computer terms to describe his process, where he would ‘copy and paste, distort, warp and rotate’, only to end up ‘scaling up’ or ‘scaling down’.
Painting
Praz-Delavallade Gallery
Archives
Jim Shaw — Rather Fear God
Past: April 2 → May 21, 2016
At the beginning of this “Dream Object” project, I envisioned a single show in which all the objects were piled in a gallery, like the detritus of a storm, surrounded by a series of comic panels based on the Jerry Lewis/ Dean Martin movie “Artists and Models” in which Jerry’s dreams come true.
— Jim Shaw, June 2008
Jim Shaw — Rather Fear God
Past: April 2 → May 21, 2016
At the beginning of this “Dream Object” project, I envisioned a single show in which all the objects were piled in a gallery, like the detritus of a storm, surrounded by a series of comic panels based on the Jerry Lewis/ Dean Martin movie “Artists and Models” in which Jerry’s dreams come true.
— Jim Shaw, June 2008
Collage, drawing, installation...
Praz-Delavallade Gallery
Archives
Thomas Fougeirol — OP’s
Past: February 13 → March 26, 2016
Thomas Fougeirol’s playground is the surface of the painting and, having many years ago rid himself of the painter’s traditional tools, he envisages the act of painting and his contact with the canvas through the intermediary of imprints using pieces of fabrics and metal grids.
Thomas Fougeirol — OP’s
Past: February 13 → March 26, 2016
Thomas Fougeirol’s playground is the surface of the painting and, having many years ago rid himself of the painter’s traditional tools, he envisages the act of painting and his contact with the canvas through the intermediary of imprints using pieces of fabrics and metal grids.
Painting
Praz-Delavallade Gallery
Archives
Thirty Shades of White — Curated by René-Julien Praz
Past: November 28, 2015 → January 23, 2016
When considering this exhibition designed to give the artists carte blanche, I thought point blank of a titled, but I won’t say that black is white: perhaps “Thirty Shades of White” was a rather predictable one.
Thirty Shades of White — Curated by René-Julien Praz
Past: November 28, 2015 → January 23, 2016
When considering this exhibition designed to give the artists carte blanche, I thought point blank of a titled, but I won’t say that black is white: perhaps “Thirty Shades of White” was a rather predictable one.
Ceramic, collage, drawing...
Praz-Delavallade Gallery
Archives
Free Admission
Past: October 17 → November 21, 2015
By opting for the theme “Free Admission” in this autumn’s exhibition, Praz-Delavallade indirectly addresses the question of open access, a concept that has been generalised on the social networks, as users gain free and open access to cultural, scientific, philosophic and economic content.
Free Admission
Past: October 17 → November 21, 2015
By opting for the theme “Free Admission” in this autumn’s exhibition, Praz-Delavallade indirectly addresses the question of open access, a concept that has been generalised on the social networks, as users gain free and open access to cultural, scientific, philosophic and economic content.
Drawing, installation, painting...
Praz-Delavallade Gallery
Archives
Pierre Ardouvin — Wicked World
Past: September 12 → October 10, 2015
The exhibition presents new works, all linked by both a rootedness in the field of emotions and proliferation and by a large dose of poetically acerbic humor. The universes called upon, consisting of those things thrown on memory’s scrapheap, allow another memory to emerge, a melancholy at the boundary between the private and the collective.
Pierre Ardouvin — Wicked World
Past: September 12 → October 10, 2015
The exhibition presents new works, all linked by both a rootedness in the field of emotions and proliferation and by a large dose of poetically acerbic humor. The universes called upon, consisting of those things thrown on memory’s scrapheap, allow another memory to emerge, a melancholy at the boundary between the private and the collective.
Collage, drawing, installation...
Praz-Delavallade Gallery
Archives
Un dimanche à la galerie
Past: Sunday, September 27, 2015 12 PM → 6 PM
Rendez-vous immanquable, l’événement « Un dimanche à la galerie » est une belle occasion de découvrir la diversité des expositions proposées par plus de 100 galeries d’art à Paris, exceptionnellement ouvertes un dimanche pour accueillir le public. Retrouvez notre sélection d’expositions à ne pas manquer.
Un dimanche à la galerie
Past: Sunday, September 27, 2015 12 PM → 6 PM
Rendez-vous immanquable, l’événement « Un dimanche à la galerie » est une belle occasion de découvrir la diversité des expositions proposées par plus de 100 galeries d’art à Paris, exceptionnellement ouvertes un dimanche pour accueillir le public. Retrouvez notre sélection d’expositions à ne pas manquer.
Event
Mixed media
Multiple venues
Archives
Art-O-Rama
Past: August 28 → 30, 2015
For its second participation in ART-O-RAMA, Paris-based Praz-Delavallade will present a booth that is coherent with its program and the axes that define the gallery. After having focused on four Californian positions last year, this year’s presentation will be mostly centered on European artists.
Art-O-Rama
Past: August 28 → 30, 2015
For its second participation in ART-O-RAMA, Paris-based Praz-Delavallade will present a booth that is coherent with its program and the axes that define the gallery. After having focused on four Californian positions last year, this year’s presentation will be mostly centered on European artists.
Archives
Phil Chang — Pictures, Chromogenic and Pigment, #2
Past: May 30 → July 25, 2015
Like the recent exhibitions of his artwork and the group show that he has organized, with “Pictures, Chromogenic and Pigment, #2” Chang explores materiality and uses a form of production that allow his photographic work to stand in a contemporary art context.
Phil Chang — Pictures, Chromogenic and Pigment, #2
Past: May 30 → July 25, 2015
Like the recent exhibitions of his artwork and the group show that he has organized, with “Pictures, Chromogenic and Pigment, #2” Chang explores materiality and uses a form of production that allow his photographic work to stand in a contemporary art context.
Photography
Praz-Delavallade Gallery
Archives
Choices Paris — Collectors weekend
Past: May 29 → 31, 2015
For three days, 40 art galleries join forces to offer an itinerary across the capital through their respective exhibitions, but also a major group exhibition at the École nationale supérieure des Beaux-Arts. This artistic itinerary goes from Belleville to Saint-Germain by way of the Marais, the Rue Louise Weiss, the Palais-Royal and Pantin.
Choices Paris — Collectors weekend
Past: May 29 → 31, 2015
For three days, 40 art galleries join forces to offer an itinerary across the capital through their respective exhibitions, but also a major group exhibition at the École nationale supérieure des Beaux-Arts. This artistic itinerary goes from Belleville to Saint-Germain by way of the Marais, the Rue Louise Weiss, the Palais-Royal and Pantin.
Event
Mixed media
Multiple venues
Archives
Amanda Ross-Ho — How to Remove Dark Spots
Past: March 21 → May 23, 2015
Praz-Delavallade presents, Amanda Ross-Ho’s first exhibition with the gallery consisting of new sculpture, paintings, textiles and site-specific gestures. “How to Remove Dark Spots” is a new installation that explores the artist’s ongoing interest in the looping relationships between production and presentation, the universal and the personal.
Amanda Ross-Ho — How to Remove Dark Spots
Past: March 21 → May 23, 2015
Praz-Delavallade presents, Amanda Ross-Ho’s first exhibition with the gallery consisting of new sculpture, paintings, textiles and site-specific gestures. “How to Remove Dark Spots” is a new installation that explores the artist’s ongoing interest in the looping relationships between production and presentation, the universal and the personal.
Installation, painting, sculpture...
Praz-Delavallade Gallery
Archives
Matthew Chambers
Past: January 10 → February 28, 2015
Praz-Delavallade present its first exhibition with Matthew Chambers, who presents a series of nine paintings that are comprised of ripped portions of approximately fifty oil on canvas works created over the course of 2014.
Matthew Chambers
Past: January 10 → February 28, 2015
Praz-Delavallade present its first exhibition with Matthew Chambers, who presents a series of nine paintings that are comprised of ripped portions of approximately fifty oil on canvas works created over the course of 2014.
Painting
Praz-Delavallade Gallery
Archives
Matthew Brandt — Woodblocks
Past: November 15 → December 20, 2014
This new exhibition is an extension of Brandt’s ongoing efforts in exploring historical image making techniques. The nature of woodblock printing being a process of cutting, leaving impressions and printing what remains, led Brandt to think about those who left impressions on him, resulting in a series of works representing the fingerprints of influential artists.
Matthew Brandt — Woodblocks
Past: November 15 → December 20, 2014
This new exhibition is an extension of Brandt’s ongoing efforts in exploring historical image making techniques. The nature of woodblock printing being a process of cutting, leaving impressions and printing what remains, led Brandt to think about those who left impressions on him, resulting in a series of works representing the fingerprints of influential artists.
Lithography / engraving, photography, screen-printing
Praz-Delavallade Gallery
Archives
Julian Hoeber
Past: September 11 → November 8, 2014
Julian Hoeber third solo exhibition at the gallery features a series of new paintings, an architectural intervention in the form of crown moldings, as well as a selection of sculptures, including a door leaning against the wall, a chrome tube chair with a twist, and two cameras on a tripod.
Julian Hoeber
Past: September 11 → November 8, 2014
Julian Hoeber third solo exhibition at the gallery features a series of new paintings, an architectural intervention in the form of crown moldings, as well as a selection of sculptures, including a door leaning against the wall, a chrome tube chair with a twist, and two cameras on a tripod.
Installation, painting, sculpture
Praz-Delavallade Gallery
Archives
Analia Saban — Outburst
Past: May 24 → June 28, 2014
Over the last ten years, Analia Saban has been interested in deconstructive processes. By exposing process and materials, and by dismantling artworks of various media to later reassemble them in unconventional ways, the artist reveals the artwork’s existence as both a physical and a social construction.
Analia Saban — Outburst
Past: May 24 → June 28, 2014
Over the last ten years, Analia Saban has been interested in deconstructive processes. By exposing process and materials, and by dismantling artworks of various media to later reassemble them in unconventional ways, the artist reveals the artwork’s existence as both a physical and a social construction.
Drawing, painting, photography...
Praz-Delavallade Gallery
Archives
Fabien Mérelle
Past: April 5 → May 17, 2014
In this exhibition, Fabien Mérelle, the explorer of the gesture, draws ever nearer to the subconscious as he lands on previously-untraveled shores and by making the invisible visible touches the very essence of painting itself.
Fabien Mérelle
Past: April 5 → May 17, 2014
In this exhibition, Fabien Mérelle, the explorer of the gesture, draws ever nearer to the subconscious as he lands on previously-untraveled shores and by making the invisible visible touches the very essence of painting itself.
Drawing, sculpture
Praz-Delavallade Gallery
Archives
Ry Rocklen — A Living
Past: February 8 → March 29, 2014
With the new body of works presented in “A Living”, Rocklen continues his unique resuscitations of previously discarded objects. Collecting cast-off objects from the streets, dumps or thrift stores, he transforms them into sculptures charged with an eccentric delicacy that gives them a second, more poetic life.
Ry Rocklen — A Living
Past: February 8 → March 29, 2014
With the new body of works presented in “A Living”, Rocklen continues his unique resuscitations of previously discarded objects. Collecting cast-off objects from the streets, dumps or thrift stores, he transforms them into sculptures charged with an eccentric delicacy that gives them a second, more poetic life.
Installation, sculpture
Praz-Delavallade Gallery
Archives
Joel Kyack — Point at The Thing That’s Furthest Away
Past: November 23, 2013 → February 1, 2014
With a particular humor as his consistent material, this show expands Kyack’s project-driven, bricolage practice into seven new paintings and one fountain.
Joel Kyack — Point at The Thing That’s Furthest Away
Past: November 23, 2013 → February 1, 2014
With a particular humor as his consistent material, this show expands Kyack’s project-driven, bricolage practice into seven new paintings and one fountain.
Installation, painting, sculpture...
Praz-Delavallade Gallery
Archives
Dario Robleto — The Dismantled Sun
Past: October 12 → November 16, 2013
The Dismantled Sun comprises sculptures, installations and works on paper. In preparing this exhibition, Robleto has continued investigating his themes of choice: music, science and the notions of absence, death and resurrection.
Dario Robleto — The Dismantled Sun
Past: October 12 → November 16, 2013
The Dismantled Sun comprises sculptures, installations and works on paper. In preparing this exhibition, Robleto has continued investigating his themes of choice: music, science and the notions of absence, death and resurrection.
Collage, drawing, installation...
Praz-Delavallade Gallery
Archives
Philippe Decrauzat — Folding
Past: September 7 → October 5, 2013
For his fourth exhibition at Praz-Delavallade, Philippe Decrauzat has taken over the gallery organising its space so that a wall sculpture confronts a series of paintings, like two separate signals broadcast simultaneously.
Philippe Decrauzat — Folding
Past: September 7 → October 5, 2013
For his fourth exhibition at Praz-Delavallade, Philippe Decrauzat has taken over the gallery organising its space so that a wall sculpture confronts a series of paintings, like two separate signals broadcast simultaneously.
Installation, painting
Praz-Delavallade Gallery
Archives
Forming the Loss in Darkness — curated by Jo-ey Tang
Past: June 22 → July 24, 2013
In the super-8 film by David Wojnarowicztitled, the black-and-white film turns into color at precisely the moment when its central character came into contact with an upstate New York lake in what appears to be a suicide attempt. Tracking the journey from slumber to death, nine artists’ works set an alternative mise-en-scène of the rarely-screened film.
Forming the Loss in Darkness — curated by Jo-ey Tang
Past: June 22 → July 24, 2013
In the super-8 film by David Wojnarowicztitled, the black-and-white film turns into color at precisely the moment when its central character came into contact with an upstate New York lake in what appears to be a suicide attempt. Tracking the journey from slumber to death, nine artists’ works set an alternative mise-en-scène of the rarely-screened film.
Drawing, installation, painting...
Praz-Delavallade Gallery
Archives
Thomas Fougeirol
Past: April 20 → June 15, 2013
Thomas Fougeirol would like us to see the thing for the thing, when the moment the absorption of the images by materials, such as raw linen, wool and cashmere, crosses over as mental absorption. The instant when the physicality of abstraction is blown apart at the point of impact. The images recognize us, not the other way around.
Thomas Fougeirol
Past: April 20 → June 15, 2013
Thomas Fougeirol would like us to see the thing for the thing, when the moment the absorption of the images by materials, such as raw linen, wool and cashmere, crosses over as mental absorption. The instant when the physicality of abstraction is blown apart at the point of impact. The images recognize us, not the other way around.
Painting
Praz-Delavallade Gallery
Archives
Marnie Weber — The Nature of Time
Past: February 23 → April 13, 2013
The Diary Project is an exploration and unearthing of thirty years of archived images. Marnie Weber imagined it as somewhat of a retrospective of her collected imagery in collage form, using photographic clippings from previous bodies of works, as well as imagery pulled from magazines. Making one collage a day, there are 366 collages in total.
Marnie Weber — The Nature of Time
Past: February 23 → April 13, 2013
The Diary Project is an exploration and unearthing of thirty years of archived images. Marnie Weber imagined it as somewhat of a retrospective of her collected imagery in collage form, using photographic clippings from previous bodies of works, as well as imagery pulled from magazines. Making one collage a day, there are 366 collages in total.
Collage, painting
Praz-Delavallade Gallery
Archives
Antoine Roegiers — Les sept péchés capitaux
Past: January 12 → February 16, 2013
For his exhibition, Antoine Roegiers presents his latest work, a series of drawings and a video installation inspired by “The Seven Deadly Sins” by Pieter Brueghel, made in the sixteenth century. Mastering pen and ink drawing techniques with the same ease as digital tools, the artist has been engaging in a dialogue with the great masters of Flemish painting.
Antoine Roegiers — Les sept péchés capitaux
Past: January 12 → February 16, 2013
For his exhibition, Antoine Roegiers presents his latest work, a series of drawings and a video installation inspired by “The Seven Deadly Sins” by Pieter Brueghel, made in the sixteenth century. Mastering pen and ink drawing techniques with the same ease as digital tools, the artist has been engaging in a dialogue with the great masters of Flemish painting.
Drawing, video
Praz-Delavallade Gallery
Archives
Your History Is Our History
Past: November 23, 2012 → January 5, 2013
Agreeing to curate this show, in the period that straddles the waning year, validates my claim to stake a presence at the very heart of this turning point, filled, to be sure, with happy remembrances but also with the recall of more somber ones. A bittersweet nostalgia haunts my soul, fueled by memories of two books.
Your History Is Our History
Past: November 23, 2012 → January 5, 2013
Agreeing to curate this show, in the period that straddles the waning year, validates my claim to stake a presence at the very heart of this turning point, filled, to be sure, with happy remembrances but also with the recall of more somber ones. A bittersweet nostalgia haunts my soul, fueled by memories of two books.
Collage, drawing, installation...
Praz-Delavallade Gallery
Archives
Gabriel Hartley — Slap
Past: October 18 → November 17, 2012
Light is a consistent subject matter in Hartley’s paintings. From references to the evanescent radiance of Turner or Monet to the digital glow of computer generated imagery, a history of light effects seems to be interwoven in all of the paintings. This is extended into his other practices.
Gabriel Hartley — Slap
Past: October 18 → November 17, 2012
Light is a consistent subject matter in Hartley’s paintings. From references to the evanescent radiance of Turner or Monet to the digital glow of computer generated imagery, a history of light effects seems to be interwoven in all of the paintings. This is extended into his other practices.
Drawing, painting, sculpture
Praz-Delavallade Gallery
Archives
John Miller — The Petrified Forest
Past: September 8 → October 11, 2012
John Miller has produced a varied œuvre that includes painting, sculpture, photography and video. With empathy, humour, and insightful observation, Miller plunges into the maelstrom of everyday life to distill the commonplace and the normal. While a lot of Miller’s previous works had to do with the interrogation of value in a capitalist society.
John Miller — The Petrified Forest
Past: September 8 → October 11, 2012
John Miller has produced a varied œuvre that includes painting, sculpture, photography and video. With empathy, humour, and insightful observation, Miller plunges into the maelstrom of everyday life to distill the commonplace and the normal. While a lot of Miller’s previous works had to do with the interrogation of value in a capitalist society.
Painting
Praz-Delavallade Gallery
Archives
Adi Nes — The Village
Past: June 2 → July 21, 2012
For his third show at Praz-Delavallade Gallery, Adi Nes presents a selection of photographs from his new series The Village. As in previous bodies of work, Adi Nes evokes the notions of identity and masculinity, however The Village distinguishes itself by being situated in the open country, and more importantly by its references to Greek tragedy.
Adi Nes — The Village
Past: June 2 → July 21, 2012
For his third show at Praz-Delavallade Gallery, Adi Nes presents a selection of photographs from his new series The Village. As in previous bodies of work, Adi Nes evokes the notions of identity and masculinity, however The Village distinguishes itself by being situated in the open country, and more importantly by its references to Greek tragedy.
Photography
Praz-Delavallade Gallery
Archives
Fabien Mérelle
Past: March 31 → May 26, 2012
“My life follows the course it has been assigned from above”. These words pronounced by Albrecht Durer on the eve of his own wedding could well apply to the youthful Fabien Mérelle who recently became a father. Do we read there a special correspondence between the two artists, separated otherwise by five centuries?
Fabien Mérelle
Past: March 31 → May 26, 2012
“My life follows the course it has been assigned from above”. These words pronounced by Albrecht Durer on the eve of his own wedding could well apply to the youthful Fabien Mérelle who recently became a father. Do we read there a special correspondence between the two artists, separated otherwise by five centuries?
Drawing, sculpture
Praz-Delavallade Gallery
Archives
Julian Hoeber
Past: February 11 → March 24, 2012
Julian Hoeber confronts the often deskilled practice of minimal and conceptual art with the love of studio practice and the need of creating something with his own hands. Within this systematic approach, he explores irregularities and expressive details, and uses a very gestural facture, with thickly built-up surfaces.
Julian Hoeber
Past: February 11 → March 24, 2012
Julian Hoeber confronts the often deskilled practice of minimal and conceptual art with the love of studio practice and the need of creating something with his own hands. Within this systematic approach, he explores irregularities and expressive details, and uses a very gestural facture, with thickly built-up surfaces.
Graphic design, painting, mixed media
Praz-Delavallade Gallery
Archives
Shake and Bake. A group show curated by Hard Hat
Past: January 7 → February 4, 2012
Praz-Delavallade is happy to invite Hard Hat, an hybrid structure from Geneva, functioning as an exhibition space, as well as an editor of multiples, a curatorial project office and a meeting point for artists, gallerists, collectors and curators.
Shake and Bake. A group show curated by Hard Hat
Past: January 7 → February 4, 2012
Praz-Delavallade is happy to invite Hard Hat, an hybrid structure from Geneva, functioning as an exhibition space, as well as an editor of multiples, a curatorial project office and a meeting point for artists, gallerists, collectors and curators.
Ceramic, drawing, graphic design...
Praz-Delavallade Gallery
Archives
Analia Saban — Dig
Past: November 5 → December 23, 2011
For her third show at Galerie Praz-Delavallade, Dig, Analia Saban presents a new body of work that analyse materials from a psychological point of view. How was the experience of making an object? and, how is the viewer’s experience of experiencing an object?
Analia Saban — Dig
Past: November 5 → December 23, 2011
For her third show at Galerie Praz-Delavallade, Dig, Analia Saban presents a new body of work that analyse materials from a psychological point of view. How was the experience of making an object? and, how is the viewer’s experience of experiencing an object?
Painting, photography, sculpture...
Praz-Delavallade Gallery
Archives
Jim Shaw — Thrilling Stories from the Book of O
Past: September 10 → October 29, 2011
Jim Shaw belongs to a generation of American artists who have influenced the culture on the West Coast since the late 1980s. His work is full of elements of American popular culture and countless references to so-called highbrow culture. His evolution has taken the form of cycles, developing an original and discontinued narration.
Jim Shaw — Thrilling Stories from the Book of O
Past: September 10 → October 29, 2011
Jim Shaw belongs to a generation of American artists who have influenced the culture on the West Coast since the late 1980s. His work is full of elements of American popular culture and countless references to so-called highbrow culture. His evolution has taken the form of cycles, developing an original and discontinued narration.
Drawing, sculpture
Praz-Delavallade Gallery
Archives
Amy O’Neill — V Gardens
Past: June 25 → July 23, 2011
Amy O’Neill’s most recent sculpture and installation work, “Victory Gardens” refer back to the war effort in World Wars, in which American and English citizens were urged to plant vegetable gardens to put food on their tables, and to instill, particularly among children, a work-ethic and the kind of patriotism that was seen as essential to the times.
Amy O’Neill — V Gardens
Past: June 25 → July 23, 2011
Amy O’Neill’s most recent sculpture and installation work, “Victory Gardens” refer back to the war effort in World Wars, in which American and English citizens were urged to plant vegetable gardens to put food on their tables, and to instill, particularly among children, a work-ethic and the kind of patriotism that was seen as essential to the times.
Drawing, film, installation...
Praz-Delavallade Gallery
Archives
Edgar Arceneaux — Blind Pig City
Past: May 12 → June 19, 2011
The exhibition continues an investigation into culture in which the city of Detroit functions as an important anchor. This investigation, initially begun through a conversation between Edgar Arceneaux and Julian Myers, looks into a history of committed urban struggle in the U.S. that is today half-forgotten, repressed, or demonized.
Edgar Arceneaux — Blind Pig City
Past: May 12 → June 19, 2011
The exhibition continues an investigation into culture in which the city of Detroit functions as an important anchor. This investigation, initially begun through a conversation between Edgar Arceneaux and Julian Myers, looks into a history of committed urban struggle in the U.S. that is today half-forgotten, repressed, or demonized.
Drawing
Praz-Delavallade Gallery
Archives
Thomas Fougeirol, Black Sun
Past: April 2 → May 7, 2011
For a number of years now, Thomas Fougeirol has been using flat-surfaced materials dipped in paint and applied to usually large scale canvases, in order to effect some sort of contact, or imprint so to speak, that brings the work in contact with an actual substance.
Thomas Fougeirol, Black Sun
Past: April 2 → May 7, 2011
For a number of years now, Thomas Fougeirol has been using flat-surfaced materials dipped in paint and applied to usually large scale canvases, in order to effect some sort of contact, or imprint so to speak, that brings the work in contact with an actual substance.
Drawing, painting
Praz-Delavallade Gallery
Archives
Sam Durant — Mirror Travels in Neoliberalism
Past: February 19 → March 26, 2011
The work of Sam Durant investigates utopia and its failure in relation to protest and countercultures movements in America political history. In his sculptures, installations, and drawings, Sam Durant connects and overlaps several references to the popular, artistics and political history from the 60’s and 70’s.
Sam Durant — Mirror Travels in Neoliberalism
Past: February 19 → March 26, 2011
The work of Sam Durant investigates utopia and its failure in relation to protest and countercultures movements in America political history. In his sculptures, installations, and drawings, Sam Durant connects and overlaps several references to the popular, artistics and political history from the 60’s and 70’s.
Installation
Praz-Delavallade Gallery