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Le BAL Presents the fifth “Carte blanche PMU” for young photographers.
After Malik Nejmi, Mohammed Bourouissa, Olivier Cablat and Kourtney Roy, this year’s Carte Blanche spotlights the work of Léa Habourdin and Thibault Brunet.
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Le BAL
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Three artists present an installation comparing their respective approaches. Departing from the observation that our identities don’t allow us to plan for a given result but instead allow us to realise it, they have compared their fears and their dreams, with the objective of creating several communal works in one installation.
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Le 6b
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Gagosian Paris present a career-spanning exhibition of Balthus’s paintings, drawings, and photographs. Prepared in collaboration with artist’s estate, it is the first exhibition of his work in Paris since the 1983–84 retrospective at the Centre Georges Pompidou.
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Gagosian Gallery
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The first part of a cycle of exhibitions, ’L’art et le numérique en résonance’ (art and digital in resonance) focuses on the interaction between the media and approaches originating from the digital domain. In questioning the economic and social context, digital art offers us a representation of the contemporary world.
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Maison populaire
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The Gallery Catherine Putman present the work of Eloïse Van der Heyden. This young artist prints hand knotted threads of fabrics whereby inscribes itself the human spirit faced with the test of time and wear and tear. She sees in the aura of these textiles a way of speaking about human ties that we create and which come apart throughout years.
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Catherine Putman Gallery
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(French only) Des récifs de montagnes au pied desquels trônent une chaussure de tennis géante, un cœur gonflable et autres produits de marque… D’esprit pop’art, les nouveaux tableaux de Jiří Votruba constituent une critique ludiques de la société de consommation globalisée.
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Centre culturel tchèque
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(French only) En spectateur, archiviste ou archéologue, Eric Rondepierre repère les images de films en relation avec des évènements « parasitaires, micro-phénomènes qui n’ont plus le moindre rapport avec le cinéma ». Son œuvre n’est ni un hommage au cinéma, ni une tentative de restauration, mais prend simplement appui sur une mutation en cours du cinéma et de son industrie.
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La MABA
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6 PM → 9 PM
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Opening
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Activation of the piece Telepathic Mice (2014), created by Gwenola Wagon & Stéphane Degoutin. And performance of ‘OU’ by Marie-Julie Bourgeois and Omar Benyebka — free entry.
Maison populaire
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With his sculptures, his at times almost architectural installations and his environments, Pierre Vadi creates fictional spaces. For CCS, he has conceived an exhibition which features in the court through to the large room with in situ installations as well as several original sculptures.
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CCS — Centre culturel suisse
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For the piece in the court, he reinterprets in charcoal Félix Vallotton’s ’Quatre torses’ (Four Torsos), in the form of deconstructed and repeated motifs. Coloured and enclosed landscapes superimpose themselves on the backs of the large naked figures.
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CCS — Centre culturel suisse
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The Crédac present a monographic show devoted to the French artist Bruno Pélassy. Following studies in textile and jewelry design, Pélassy began his art career in the early 1990s, a period marked by the trauma of AIDS. If his work is dark in many ways, it is also sensitive, clear-sighted, romantic and radiant.
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Le Crédac
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The cycle ’Eternel retour’ (eternal repeat) reflects its own form: the spiral movement of a time folded back on itself, at the point where everything is regenerated. Each year, on its anniversary date, the Perception Park gallery restates its intent to collaborate by exploring what returns, what remains and what survives the passing of time.
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Perception Park Gallery
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Progress Gallery welcomes Carte Blanche as part of its program, Alicia Zaton fills the gallery’s space with multi-installations. “I often like to think that my biography began before my birth. With Polish parents, I have always felt close to this culture, to this history that I haven’t directly experienced.” A.Z.
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Laurent Godin Gallery
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Progress Gallery welcomes Carte Blanche as part of its program, Alicia Zaton fills the gallery’s space with multi-installations. “I often like to think that my biography began before my birth. With Polish parents, I have always felt close to this culture, to this history that I haven’t directly experienced.” A.Z.
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Progress Gallery
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In the space of ’Les églises’, Nicolas Momein realises a monumental work in suspension, animated by a certain bulging. A controlled accident, exploiting the properties of the material used, which deforms a taut canvas and models an inverted relief. This sculpture has called on the particular capabilities of a local enterprise.
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Les églises centre d'art de Chelles
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The CPIF presents works of two Italian artists : Paola De Pietri and Alessandra Spranzi. Alessandra Spranzi methodically selects photographs from manuals or classified ads magazines and completely transforms them. Paola De Pietri questions the way in which historical transformations give substance to urban or ‘natural’ landscapes.
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CPIF — Centre photographique d’Ile-de-France
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(French only) Le centre d’art Albert Chanot et le centre d’art de l’Onde à Vélizy s’associent pour proposer une exposition commune et établir un dialogue artistique sur deux territoires proches, autour des pratiques populaires et des avoirs ancestraux.
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Centre d'Art Contemporain Chanot CACC
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