Carolee Schneemann — Biographie — Slash Paris

Expositions personnelles

2017

• Kinetic Painting, Museum für Moderne Kunst, Frankfurt, Germany; MoMA PS1, New York, New York, États-Unis

• Precarious, les Abattoirs, Toulouse, France

2016

• Further Evidence — Exhibit A, P·P·O·W Gallery, New York, New York, États-Unis

• Further Evidence — Exhibit B, Galerie Lelong, New York, New York, États-Unis

2015

• Kinetic Painting, Museum der Moderne Salzburg, Salzburg, Autriche

• Carolee Schneemann: Infinity Kisses, The Merchant House, Amsterdam, Pays-Bas

• Carolee Schneemann Residency, Artist’s Institute at Hunter College, New York, New York, États-Unis

2014

• Lost Meanings of the Christmas Tree, invitational performance, Whitney Museum of American Art, New York, New York, États-Unis

• Carolee Schneemann: Her Letters, G Gallery, Kunstverein Toronto, Ontario, Canada

• Carolee Schneemann at Bryn Mawr: Video Sculptures, Photographs, Manuscripts, and a Performative Lecture, Canaday Library, Bryn Mawr College, Bryn Mawr, Pennsylvania, États-Unis

• Water Light/Water Needle, Hales Gallery, London, Angleterre

• _Carolee Schneemann: Precarious, _Musée departemental d’art contemporain Rochechouart, France

• Carolee Schneemann: Then and Now, MUSAC, Léon, Espagne

• Carolee Schneemann: A Program of Short Videos, Woodstock Artists Association and Museum, Woodstock, New York, États-Unis

• Flange 6rpm, T-Space, Rhinebeck, New York Films and Videos by Carolee Schneemann, Anthology Film Archives, New York, New York, États-Unis

2013

• Then and Now Carolee Schneemann: Oeuvres d’Histoire, Musee departemental d’art contemporain, Rochechouart, France

• Flange 6rpm, P·P·O·W Gallery, New York, New York, États-Unis

• WRO Center, Wroclaw, Poland Sweden Biennale, Gothenburg, Suède

• Carolee Schneemann: Infinity Kisses, Galerie Samuel Lallouz, Montreal, Canada

• Sammlung Friedrichshof Gallery, Vienna, Autriche

• Taking Matters Into Our Own Hands, Richard Saltoun, London, Angleterre
  h5. 2012

• Remains to be Seen, Gallery Paule Anglim, San Francisco, California, États-Unis

• Carolee Schneemann: Remains to be Seen, Edinburgh Art Festival, Summerhall, Edinburgh, Royaume-Uni

• Carolee Schneemann: Within and Beyond the Premises, Krannert Art Museum, Université de l’Illinois à Urbana-Champaign, Royaume-Uni

2011

• Carolee Schneemann: Within and Beyond the Premises, Henry Art Gallery, Université de Washington, Seattle, Washington, États-Unis

• Circa 1971: Early Video & Film from the EAI Archive, Dia:Beacon, New York, New York, États-Unis

2010

• Carolee Schneemann: Up To and Including Her Limits, Gallery One One One, Winnipeg, Canada

• Carolee Schneemann: Within and Beyond the Premises, Samuel Dorsky Musée de l’Art, Université d’Etat de New York à New Paltz, New Paltz, New York, États-Unis

2009

• Painting, What It Became, P·P·O·W Gallery, New York, New York , États-Unis

• Carolee Schneemann: Performance Photographs from the 1970s, Carolina Nitsch Project Room, New York, New York , États-Unis

2007

• Pierre Menard Gallery, Cambridge, Massachusetts, États-Unis

• Breaking Borders, MOCCA, Toronto, Canada

• Remains to be Seen, CEPA Gallery, Buffalo, New York , États-Unis

2006

• Presentation House Gallery, Vancouver, Canada

• CORPOREAL — Photographic Works 1963-2005, P·P·O·W, New York, New York, États-Unis

2005

• Devour, Articule, Montreal, Canada

2004

• Infinity Kisses II & SNAFU, Remy Toledo Gallery, New York, New York, États-Unis

2002

• Embodied, P·P·O·W Gallery, New York, New York Gallerie Anne de Villepoix, Paris, France

• Interior Scroll, Center for Curatorial Studies Museum, Bard College, New York, New York , États-Unis

2001

• More Wrong Things, Cornerhouse, Manchester, Royaume-Uni

• More Wrong Things, White Box Gallery, New York, New York, États-Unis

2000

• Vespers Pool, Emily Harvey Gallery, New York, New York, États-Unis

1999

• Carolee Schneemann: Drawing Performance, Gallérie d’Art à l’Université de Southern Maine, Gorham, Maine, États-Unis

• Carolee Schneemann: Strike, Mark, Motion, Mabel Smith Douglass Galleries, Université Rutgers, New Brunswick, New Jersey, États-Unis

1997

• Schneemann in Bonn, Frauen Museum, Bonn, Allemagne

1996

• Carol Schneeman: Up to and Including Her Limits, New Museum of Contemporary Art, New York, New York, États-Unis

• Fragments of Known/Unknown Plague Column, Galerie Samuel Lallouz, Montreal, Canada

• Known/Unknown Plague Column, Elga Wimmer Gallery, New York, New York, États-Unis

1995

• Carolee Schneemann: Compositions with Interior Scroll, Mount Saint Vincent University Gallery, Nouvelle Écosse

• Moral Coils and Up To and Including Her Limits, Kunstraum, Viennes, Autriche

• Something Special: Carolee Schneemann Recent Prints and Photographs, Galerie Krinzinger, Viennes, Autriche

• Recent Prints: Perceptual Pollution — Benday and Pixel, Fine Arts Center Gallery, Université de Rhode Island, Wakefield, Rhode Island, États-Unis

1994

• Silkscreen prints and photographs, Rejavik, Iceland Mortal Coils, Penine Hart Gallery, New York, New York, États-Unis

• Matrilineage, Université Syracuse, New York, New York, États-Unis

1992

• Cycladic Imprints, Tangeman Fine Arts Gallery, Cincinnati, Ohio, États-Unis

• Cycladic Imprints, Randolph St. Gallery, Chicago, Illinois, États-Unis

1991

• Scroll Paintings with Exploded TV Walter/McBean Gallery, San Francisco Art Institute, San Francisco, California, États-Unis

1990

• Cycladic Imprints, Emily Harvey Gallery, New York, New York, États-Unis

1988

• Self-Shot, Emily Harvey Gallery, New York, New York, États-Unis

1986

• Recent & Early Work, Henri Gallery, Washington DC, États-Unis

1985

• Recent Work, Max Hutchinson Gallery, New York, New York, États-Unis

1984

• Kent State University, Department of Fine Arts, University Gallery, Kent, Ohio Maryland Institute College of Art, Baltimore, Maryland, États-Unis

• Performed Paintings and Works on Paper, Kleinart Gallery, Woodstock, New York, États-Unis

1983

• Recent Work, Max Hutchinson Gallery, New York, New York, États-Unis

• Colby-Sawyer College, New London, New Hampshire, Angleterre

• Works on Paper, Rutgers University, Douglass College, New Brunswick, New Jersey, États-Unis

1982

• Early Work, Max Hutchinson Gallery, New York, New York, États-Unis

1981

• Image/Texts and Debris Grid, Real Art Ways, Hartford, Connecticut, États-Unis

• Image/Texts, Washington Projects for the Arts, Washington DC, États-Unis

• Fresh Blood: A Dream Morphology, Washington for the Arts, Washington DC, États-Unis

1980

• Dirty Pictures, A.I.R. Gallery, New York, New York, États-Unis

1979

• ABC — We Print Anything — In the Cards, Gallery De Appel, Amsterdam, Pays Bas

• Forbidden Actions, C Space, New York, New York, États-Unis

• Bard College, Annandale-on-Hudson, New York, États-Unis

1977

• Multiples, Archives Francesco Conz, Italie

• ABC — We Print Anything — In the Cards, Gallery De Appel, Amsterdam, Pays-BAs

1974

• Up To And Including Her Limits, University Art Museum, Berkeley, California, États-Unis

1964

• The Sale, Artist’s Studio, New York, New York, États-Unis

1963

• Eye Body, Artist’s Studio, New York, New York, États-Unis

1962

• Mink Paws Turret, Artist’s Studio, New York, New York, États-Unis

MONOGRAPHIE

2015

• Carolee Schneemann: Kinetic Painting. Autriche: Prestel

• Carolee Schneemann: Unforgiveable. Londres: Black Dog Publishing

2013

• Then and Now: Carolee Schneemann: Œuvres D’histoire. Arles, France: Analogues

• Carolee Schneemann: Precarious. Viennes, Autriche: SchlebrüGge Editor

2010

• Carolee Schneemann: Within and Beyond the Premises. New Paltz, Etats-Unis : Samuel Dorsky Museum of Art

• Correspondence Course: An Epistolary History of Carolee Schneemann and Her Circle. Durham, Etats-Unis: Duke University Press

2009

• Carolee Schneemann: Painting, What It Became. New York, Etats-Unis: P.P.O.W.

2007

• Carolee Schneemann: Split Decision. Buffalo, Etats-Unis: Cepa Gallery

2002

• Imaging Her Erotics: Carolee Schneemann. Cambridge, Etats-Unis: MIT

1996

• Carolee Schneemann: Up to and Including Her Limits. New York: New Museum of Contemporary Art

1979

• More Than Meat Joy: Complete Performance Works & Selected Writings. New Paltz, Etats-Unis: Documentext

1975

• Cezanne She Was a Great Painter: The Second Book January 1975, Unbroken Words to Women, Sexuality Creativity Language Art Istory. New Paltz, Etats-Unis: Tresspuss Press

1972

• Parts of A Body House Book. Devon, Royaume-Uni: Beau Geste Press

Récompenses

2018

NYFA Annual Hall of Fame, New York, New York

2017

• Lion d’or de carrière, 57th Exposition Internationale de La Biennale di Venezia — VIVA ARTE VIVA, Venice, Italie

2014

• Récompense Aurora, Aurora Picture Show, Houston, Texas

2012

• Récompense Yoko Ono Lennon Courage

• USA Rockefeller Fellow

• Récompense du président de Bard College: Récompense Charles Flint Kellogg en Arts et Lettres

2011

• Caucus féminin pour l’Art, Lifetime Achievement Award Women’s Studio Workshop

• Gala, Honorant Carolee Schneeman

2006

• Récompense Anonymous Was a Woman

2003

• Doctorat honorifique d’Arts, California Institute des Arts, Valencia, California

2002

• Récompense Jimmy Earnst pour l’achèvement d’une vie, American Academy of Arts and Letters

2001

• Skowhegan 10th récompense annuelle, Médaille pour Performance

• Récompense fondation Rockefeller, Film/Video/Multi-Media Fellowship

• Récompense College Art Association’s Distinguished Artist pour l’achèvement d’une vie

2000

• Chicago Caucus pour femmes dans les Arts, récompense pour l’achèvement d’une vie

1999

• Subvention d’artiste, ArtPace Foundation, San Antonio, Texas

• Subvention du programme internationale Artist-in-Residence

1998

• Subvention d’artiste, fondation Andrea Frank, New York, New York

• Subvention d’artiste Krasner, New York, New York

1997

• Subvention d’artiste Pollock-Krasner, New York, New York

1993

• Guggenheim Fellowship

1987

• Subvention d’artiste individuel, Gottlieb Foundation

1983

• National Endowment for the Arts- Subvention d’artiste visuel

1978

• ZBS (NY) Sound Production subvention pour films

• Subvention CAPS, Fellowship, Multimedia

• National Endowment for the Arts, Subvention d’artiste visuel

1977

• National Endowment for the Arts, Subvention d’artiste visuel

• New York State Council for the Arts and NEA: Femmes/Artistes/Filmakers

1976

• New York State Council for the Arts and NEA: Femmes/Artistes/Filmakers

1975

• New York State Council for the Arts and NEA: Femmes/Artistes/Filmakers

1974

• National Endowment for the Arts, Subvention d’artiste individuel

• New York State Council for the Arts and NEA: Femmes/Artistes/Filmakers

1970

• Subvention fondation Cassandra

1968

• Subvention d’écrivain, Croton Press

• New York State Council on the Arts, Intermedia

1964

• Fondation Benedict Arnold (Walter Gutman), Performance

• Subvention de tutorat: Bard College, University of Illinois, Chicago, Illinois