John Beech — Biographie — Slash Paris

FORMATION

1986 B.A., University of California, Berkeley, Californie, USA

EXPOSITIONS PERSONNELLES

2014

• Galerie M&R Fricke, Berlin, Allemagne
• Haus Der Kunst St.Josef, Solothurn, Suisse
• John Beech: Small Wall Objects, Concept Space, Shibukawa, Gunma, Japon

2012

• Time Expanded, Charlotte Jackson Fine Art, Santa Fe, New-Mexico, USA
• The Space Surrounding, Peter Blum Soho, New York, New York
• Likelihood / Unlikelihood, Galerie Les Filles Du Calvaire, Paris, France

2011

• 85-87 FBG. St. Martin (with Galerie Les Filles Du Calvaire), Paris, France, 10. 2011
• Door to the Window, Haus Der Kunst, Solothurn, Switzerland, 10-12. 2011
• John Beech, A Selection of Recent Work, Elizabeth Leach Gallery, Portland, Oregon
• John Beech, Portland Art Museum, (Curator: Bruce Guenther) Portland, Oregon 6 — 10.2011
• The State of Things, Peter Blum Chelsea, New York, New York

2010

• John Beech : Works for a Wall, Galerie Gisèle Linder, Basel, Switzerland

2009

• Incidents : Drawings and Sculpture, Galeria La Caja Negra, Madrid
• John Beech & John Zurier, Gallery Paule Anglim, San Francisco, California

2008

• Obscure / Reveal, John Beech & Edward Albee, Peter Blum Soho, New York, New York
• Nohow, CCNOA, Brussels, Belgium

2007

• That and This : New Wor, Peter Blum Chelsea, New York, New York
• Galerie Gisèle Linder, Basel, Switzerland

2006

• John Beech New Work, Gallery Paule Anglim, San Francisco, California
• John Beech : Project Space, G Fine Art, Washington D.C.
• John Beech New Work : Sculpture and Drawings, Howard Yezerski Gallery, Boston, Massachusetts

2005

• Recent Sculpture and Large Scale Drawings, Peter Blum, New York, New York
• New Sculpture made on Site and Drawings, Galerie M+R Fricke, Berlin, Germany

2004

• John Beech Works 1989 — 2004, Stiftung für Konkrete Kunst, Reutlingen, Germany
• John Beech from the Collection, Albright-Knox Art Gallery, Buffalo, New York
• John Beech New Work, Charlotte Jackson Fine Art, Santa Fe, New Mexico
• John Beech — New Sculptures and Paintings (with John Meyer — Drawings),
• Galerie Gisèle Linder, Basel, Switzerland

2003

• Peter Blum, New York, New York
• Archive Inc. Gallery, Toronto, Ontario, Canada
• Brooklyn Container, Brooklyn Central Public Library, New York
• (+ Collaborative Drawings 1998 –2003 with Simon Lee and Christopher Lesnewski)

2002

• Charlotte Jackson Fine Art, Santa Fe, New Mexico

2001

• Rotating Paintings, Gallery Paule Anglim, San Francisco, California

2000

• John Beech : New Work, Stark Gallery, New York , New York
• Alexander Nagel, Toronto, Ontario, Canada
• Built on Site, TD156, San Francisco, California

1999

• Petra Bungert Projects / CCNOA, Brussels, Belgium
• Gallery Paule Anglim, San Francisco, California

1998

• The Locker Plant, The Chinati Foundation, Marfa, Texas
• Gallery Paule Anglim, San Francisco, California
• Smith Andersen Editions, Palo Alto, California

1996

• Angles Gallery, Santa Monica, California

1995

• Gallery Paule Anglim, San Francisco, California

1994

• Miles Bellamy-113 Crosby Street, New York, New York

1993

• Gallery Paule Anglim, San Francisco, California

1992

• Sculpture Built On The Premises, Upaya Gallery, San Francisco, California

1991

• Gallery Paule Anglim, San Francisco, California

1990

• Gallery Paule Anglim, San Francisco, California

1989

• Southern Exposure Gallery, San Francisco, California

EXPOSITIONS DE GROUPE

2014

• CCNOA 30/30 Image Archive Project : A Collective Collection, A/B/Contemporary, Zürich, Suisse

2013

• Brasserie, Haus der Kunst St. Josef, Solothurn, Suisse
• Histoires et Géographies : Acquisitions récentes du Frac Bretagne, Frac Bretagne, Rennes, France
• Coluna 2, Vienne, France
• Unruly, Berkeley Art Museum, Berkeley, Californie, USA
• Six Memos for the Next…, Magazin 4 Bregenzer Kunstverein, Bregenz, Autriche

2012

• Art on Paper 2012, Weatherspoon Art Museum,
• University of North Carolina, Greensboro, North Carolina
• Pink, Charlotte Jackson Fine Art, Santa Fe, New Mexico
• Virtual Insanity, Fiedler Taubert Contemporary, Berlin, Germany
• Drawing a Line in the Sand, Peter Blum, New York, New York
• Eretai, Riverside Art Museum, Riverside, California

2011

• Fifty Years of Bay Area Art : The SECA Awards, San Francisco Museum of Modern Art, San Francisco,California
• The Long Curve. 150 years of Visionary Collecting at the Albright-Knox Art Gallery,
• The Albright-Knox Art Gallery, Buffalo, New York
• Carte Blanche à Clare Kenny : Odds and Ends, Galerie Gisèle Linder, Basel, Switzerland
• Paper Variables, Dieu Donné, New York, New York
• John Beech & Kathrin Kunz, Galerie Gisèle Linder, Basel, Switzerland

2010

• Thirty Years of Collecting : A Recent Gift to the Museum, Scottsdale Museum of Contemporary Art, Scottsdale,Arizona
• Human Rites, (Curator Silvia Karman Cubïná & Steve Holmes) The Bass Museum of Art, Miami Beach, Florida
• Living in Two Worlds, Charlotte Jackson Fine Art, Santa Fe, NM
• The Artist & The Photograph, (Curator: Clare Kenny), Ausstellungsraum Klingental, Basel, Switzerland
• Metropolis, Galerie M & R Fricke, Berlin, Germany
• Reflection, Peter Blum Soho, New York, New York
• My Eyes Keep Me in Trouble, (Organized by CCNOA, Brussels), La Station, Nice, France
• Quantos Queres, Marz-Galeria, Lisbon, Portugal

2009

• Des Mondes Voisins, Galerie Gisèle Linder, Basel, Switzerland
• Common Ground : Color, Charlotte Jackson Fine Art, Santa Fe, New Mexico
• Glissements de Terrain, Galerie Les Filles du Calvaire, Paris
• 30 × 30 cm Project, Mcnay Art Museum, San Antonio, Texas
• Yellow, Galerie Gisèle Linder, Basel, Switzerland
• Projet 25 une exposition pour Gisèle, (Curator: Friederike Stangier), Galerie Gisèle Linder, Basel, Switzerland
• Art Unlimited 10, Art Basel 40, Basel, Switzerland
• PS 1999-2009, PS, Amsterdam, The Netherlands
• Prints, Galerie Gisèle Linder, Basel, Switzerland

2008

• Miniaturization, Galerie Gisèle Linder, Basel, Switzerland
• Paper, Galerie Gisèle Linder, Basel, Switzerland
• Begin Again Right Back Here, (Curator: B.Wurtz), White Columns, New York, New York
• Summer 2008, Galerie Gisèle Linder, Basel, Switzerland
• Works on Paper : The Natalie and Irving Forman Collection, Albright-Knox Art Gallery, Buffalo, New York
• My Eyes Keep Me In Trouble, (Organized by CCNOA Brussels), Sydney College of the Arts Gallery (SCA), Sydney,Australia -traveled to: The Physics Room, Christchurch, New Zealand
• Howard Yezerski Gallery, Boston, Massachusetts
• + de réalité, École Régionale des beaux-arts de Nantes, Nantes, France
• Annual Invitational Exhibition of Visual Art, The American Academy of Arts and Letters, New York, New York

2007

• Ahnlichkeiten — Hommage å Fortuny, Stiftung für Konkrete Kunst, Reutlingen, Germany
• Rückblick Review: 10 years Berlin, M & R Fricke, Berlin, Germany
• Summertime, Galerie Gisèle Linder, Basel, Switzerland
• Pas de Soucis…, (Curator: Petra Bungert, CCNOA Brussels), Non-Objectif Sud, Tulette, France
• Remix : Small Sculpture, (Curator: Claire Schneider), Albright-Knox Art Gallery, Buffalo, NewYork
• Der Zweite Blick, Stiftung für Konkrete Kunst, Reutlingen, Germany
• Pierogi Flatfiling, Artnews Projects, Berlin, Germany
• Off the Wall, Charlotte Jackson Fine Art, Santa Fe, New Mexico
• Remix : Robert Therrien, Albright-Knox Art Gallery, Buffalo, New York
• March Madness, Charlotte Jackson Fine Art, Santa Fe, New Mexico
• 4 from New York, (Organized by John Beech) Charlotte Jackson Fine Art, Santa Fe, New Mexico
• Dumpster, (video in collaboration with Einar Westerlund), Screen 1, CCNOA, Brussels, Belgium
• The Photograph as Canvas, (Organized by Stephen Maine) The Aldrich Contemporary Art Museum, Ridgefield, Connecticut
• My Eyes Keep Me in Trouble, (Organized byTilman) Nieuwe Vide, Haarlem, The Netherlands
• Additiv Parallel Synchron Werke der Sammlung, Stiftung für Konkrete Kunst, Reutlingen, Germany
• MinimalPop, Arti et Amicitiae, Amsterdam, Holland

2006

• Weinachtsausstellung, Galerie Gisèle Linder, Basel, Switzerland
• Double Exposure, CCNOA, Brussels, Belgium (November upcoming)
• Bird Watching, Rotunda Gallery, Brooklyn, New York
• Two Step, (Organized by Petra Bungert) Hertfordshire University Galleries, Hatfield, England
• Sculptures, Peter Blum Chelsea, New York, New York
• Summertime, Galerie Gisèle Linder, Basel, Switzerland
• ststs : Rack 1 — 2006 Brussels, CCNOA, Brussels, Belgium
• Ordnung und Verfuhrung, (Curator: Dorothea Strauss), Haus Konstruktiv, Zurich, Switzerland
• Spring Fever, Charlotte Jackson Fine Art, Santa Fe, New Mexico
• Two Step, (Organized by CCNOA Brussels/ Petra Bungert) Kunstnernes Hus, Oslo, Norway
• Eccentric Abstraction, (John Beech, Senta Connert, Wolfgang Ploeger), Galerie M+R Fricke, Dusseldorf, Germany
• Minimalisms, Gallery W52, New York, New York
• Painted Objects, CCNOA, Brussels, Belgium
• Artists for Chinati, Phillips de Pury, New York, New York

2005

• Spectrum, (Organized by Kate Shepherd), Galerie Lelong, New York, New York
• Painted Objects, (Organized by Petra Bungert / CCNOA Brussels, Belgium), PS, Amsterdam, The Netherlands
• I Remain the Same : Changed, (Curator: Nolan Simon), Center Gallery, College for Creative Studies, Detroit, Michigan
• Extreme Abstraction, (John Beech Small Objects, including sculpture selected from the permanent collection by John Beech), (Curators: Louis Grachos, Claire Schneider), Albright-Knox Art Gallery, Buffalo, New York
• The Natalie and Irving Forman Collection, Albright-Knox Art Gallery,Buffalo, New York
• Beyond Monochrome, Charlotte Jackson Fine Art, Santa Fe, New Mexico
• MinimalPop, Les Filles du Calvaire, Paris, France and Brussels, Belgium
• Variations on Yellow, Charlotte Jackson Fine Art, Santa Fe, New Mexico
• Drawings, (John Beech, Christopher Lesnewski, Tilman), (Selected by John Beech), Smith Andersen Editions, Palo Alto, California

2004

• Molti Multipli, CCNOA, Brussels, Belgium
• Von a bis 2 : Editionen, Galerie Gisèle Linder, Basel, Switzerland
• 20 Years: Multiples, Galerie Gisèle Linder, Basel, Switzerland
• In Focus: Themes in Photography, Albright-Knox Art Gallery, Buffalo, New York
• John Beech / David Thomas, Foreign Affairs 3, Proximus, Bonn, Germany
• MinimalPop, Florence Lynch Gallery, New York, New York (Organized by CCNOA, Brussels, Belgium)
• Void, (Curator: David Gibson), Educational Alliance Gallery, New York, New York
• Large Format Works on Paper, Smith Andersen Editions, Palo Alto, California

2003

• Multiples, Galerie Gisèle Linder, Basel, Switzerland
• Selections from the Natalie and Irving Forman Collection, Albright-Knox Art Gallery, Buffalo, New York
• 24, Eugene Binder, Marfa, Texas (Organized by John Beech, Eugene Binder)
• Modelle des Konkreten, (Curators: Manfred Wandel, Gabriele Kuebler), Stiftung für Konkrete Kunst, Reutlingen, Germany
• Small Colours, (Curator: Christoph Dahlhausen), Galerie Eva Mack, Stuttgart, Germany
• New Acquisitions, Albright-Knox Art Gallery, Buffalo, New York
• Real Red, Charlotte Jackson Fine Art, Santa Fe, New Mexico

2002

• Las Vegas Collects, Goodman-Duffy Collection, Las Vegas Art Museum, Nevada
• Drawing Center 25th Anniversary Exhibition, New York, New York
• Five, Charlotte Jackson Fine Art, Santa Fe, New Mexico
• XXL1, University Art Museum, Berkeley, California
• In a Silent Way, (Curator: Marion Wild), Galerie Gisèle Linder, Basel, Switzerland
• Two Step, Video / Sound CCNOA, Brussels, Belgium
• Benefit Exhibition, Momenta Art, Brooklyn, New York, New York

2001

• Fifteen Years of Painting, Stark Gallery, New York, New York
• Surfaces & Support Systems, 123 Watts, New York, New York
• El Paisano Hotel, Rudolph Projects, Marfa, Texas
• Anymore, (Curator: David Borawski), Real Art Ways, Hartford, Connecticut
• Art Brussels, CCNOA, Brussels, Belgium

2000

• From Idea to Matter. Nine Sculptors, (Curator: Edward Albee), Anderson
• Gallery, Virginia Commonwealth University, Richmond, Virginia
• Minimalism, Then and Now,’ University Art Museum, Berkeley, California
• Trajectories, (Curator: Marian Griffiths), Smack Mellon Studios, Brooklyn, New York
• The Art of Collaborative Printmaking : Smith Andersen Editions, Michael Martin Gallery, San Francisco, California / traveled to Flanders Graphics, Minneapolis, Minnesota and traveled to Haggerty Museum of Art, Marquette University, Milwaukee, Wisconsin
• Industry, (John Beech, John Monti, Richard Thatcher) Thatcher Projects, New York, New York
• From Rags To Riches, (Curator : Petra Bungert), Foundation de la Tapisserie des Arts, Tournai, Belgium

1999

• Of Ten, Thatcher Projects, New York, New York
• Meaning and Message: Contemporary Art from the Museum Collection, The Oakland Museum of California, Oakland, California
• Fetes de Saint Martin. Tourinnes-La-Grosse, (Curator: Javier Fernandez), near Brussels, Belgium.
• Into the 21st Century. Selections from the Permanent Collection, San Jose Museum of Art, San Jose, California
• John Beech & Christopher Lesnewski: Sculpture and Collaborative Drawings, (Curator: Marian Griffiths), The Sculpture Center, New York, New York
• Do Paintings Dream of Veronese Green? (Curator: Maia Damianovic), Elga Wimmer Gallery, New York, New York
• Horizontal Vertigo, Rudolph Poissant Gallery, Houston, Texas
• Material Issues : Recent Gifts from the Katherine and James Gentry Collection, San Jose Museum of Art, San Jose, California

1998

• The Art of Collaborative Printmaking, Smith Andersen Editions, The Nevada Museum of Art, Reno, Nevada — traveled to de Saisset Museum, Santa Clara University, Santa Clara, California (1999)
• Permanent Collection Contemporary Art, San Francisco Museum of Modern Art, San Francisco, California (1998-1999)
• 9+1, Petra Bungert Projects, Brussels, Belgium
• All That is Solid, Socrates Sculpture Park, New York, New York
• Blunt Object, (Curator: Courtenay Smith), The Smart Museum of Art, Chicago, Illinois
• Seven Year Itch, Ambrosino Gallery, Miami, Florida
• Here & Now, (Curator: Marian Griffiths), The Sculpture Center, New York, New York
• Escape Velocity, Socrates Sculpture Park, New York, New York
• The Flat Files : Drawings from Pierogi 2000, Vasser College, Poughkeepsie, NY / traveled to Bard College, Rheinbeck, NY and to Kunstlerhaus, Vienna, Austria

1997

• Pierogi 2000 : The Flat File Drawings, (Curator: Joe Amrhein), The Gasworks, London / traveled to
• Cornerhouse, Manchester, England
• Benefit Exhibition, Momenta Art, Brooklyn, New York
• Aspects of Space, Trans Hudson Gallery, New York, New York

1996

• John Beech & James Hyde, (Curators: Natalie and Irving Forman), Charlotte Jackson Fine Art, Santa Fe, New Mexico

1995

• Painting outside Painting, The 44th Biennial Exhibition of Contemporary American Painting, Corcoran Gallery of Art Washington, D.C. (Curator: Terrie Sultan)
• Gridluck, Marge Goldwater, Inc. New York, New York
• Into a New Museum, Part II, San Francisco Museum of Modern Art, San Francisco, California
• Plastic, (Curator: Nancy Doll), Bernard Toale Gallery, Boston, Massachusetts

1994

• 20th Anniversary Exhibition, Southern Exposure Gallery, San Francisco, California
• Traction, (John Beech, Paul Dickerson, Richard Nonas), (Curators: Alison Green, Miles Bellamy), Stark Gallery, New York, New York
• The Gluers, (Curator: Carrie Lederer), Bedford Gallery, Walnut Creek, California

1993

• Edward Albee’s Other Eye, Sculptural Objects from the Edward Albee Collections, Hillwood Art Museum, Long Island University, Brookville, New York
• Objecthood, Mills College, Oakland, California
• Still Lives, Zen Center Hospice Guest House, San Francisco, California

1992

• SECA Award Exhibition, (John Beech, Hung Liu, Maria Porges) San Francisco Museum of Modern Art, San Francisco, California
• Re*Generation, San Jose Institute of Contemporary Art, San Jose, California

1991

• Towards a New Museum, San Francisco Museum of Modern Art, San Francisco, California
• Gallery II : John Beech, Dawn Fryling, Paul Kos, Gallery Paule Anglim, San Francisco, California
• Selections : San Francisco Bay Area, (Curators: Larry Rinder, Enrique Chagoya), The Drawing Center, New York, New York -traveled to Pro-Arts, Oakland, California
• The Store, Richard Bennett Gallery, Los Angeles, California
• Summer ’91, Richard Bennett Gallery, Los Angeles, California
• (CON-TEXT), Richard Bennett Gallery, Los Angeles, California

1989

• Re: Imperfect Affinities, (Gregory Adair, John Beech, Rene de Guzman) XS Gallery, Carson City, Nevada
• Introductions ’89, Gallery Paule Anglim, San Francisco, California

1988

• Chain Reaction IV, San Francisco Arts Commission Gallery, San Francisco California

1986

• Graduation Exhibition, (John Beech, René de Guzman, Oriane Stender) The White Room, University of California, Berkeley, California

PRIX / BOURSES

1999

• The Pollock-Krasner Foundation Award

1998

• The Chinati Foundation, Residency, Marfa, Texas

1992

• SECA Award, San Francisco Museum of Modern Art, San Francisco, California

1985

• Maybelle Toombs Award for Practice of Art, University of California, Berkeley

EDITIONS

2012

• The Space Surrounding, Book with reproductions of 31 Collages made while traveling in India and 17 b/w photographs, Peter Blum Edition, New York

2011

• Dieu Donné, New York, New York

2010

• Smith Andersen Editions, Palo Alto, California

2008

• Obscure / Reveal, Book with Edward Albee, Peter Blum Edition, New York

2007

• Container Series Edition, Arber and Son Editions, Marfa, Texas

2001

• Dumpster Template Monotypes, Smith Andersen Editions, Palo Alto, California ‘Car-Mat Print’ Edition, Smith Andersen Editions, Palo Alto, California

1993

• Smith Andersen Editions, Palo Alto, California

BIBLIOGRAPHIE

2011

• Cabinet Magazine Issue 42 Forgetting, drawing reproduced, 8.2011
• A/Art Blog, 8.2011
• Motley, John, Artist finds Substance among the Scrap, The Oregonian, 7.1.2011
• Pollack, Barbara, John Beech at Peter Blum Chelsea, Art News, 4.2011
• Prison Photography Website, John Beech’s Dumpster Remix, 3.5.2011
• ArtCat, Top Pick, John Beech at Peter Blum, Chelsea 2.2011
• Van Arsdale, Sarah, John Beech at Peter Blum, NY Institute of Photography Blog, 2.17.2011
• Gopnik, Blake, Daily Pic : Reutlingen Factory Yard #1, Blake Gopnik on art, 1.21.2011

2010

• Fischer, Annina, Am Anfang war eine Fotografie, Baz, Basel, Switzerland, 8.11.2010
• HG, Die Grosstadt ist eine einzige Ausstellung, Taz.de, Berlin, Germany, 7.7.2010
• Thüring, Reto, Die Tiefe der Oberfläche, Baz, Basel, Switzerland, 5.27.2010

2009

• Zarza, Victor, John Beech: Incident, Madrid, 11.2009
• Pozuelo, Abel H., John Beech : Incidents, El Cultural, Madrid, 11.2009
• Fazzolari, Bruno, John Beech and John Zurier, Stretcher.org, 7.2009
• Cummings, Mary, Combining the verbal talent of Edward Albee with the vision of John Beech,
• The East Hampton Press & The Southampton Press, 6.9.2009
• Zyzzyva Literary Journal, 2 pages Artist Notebook drawings, Spring 2009 Edition, Volume XXV No.1

2008

• John Beech & Edward Albee : Obscure / Reveal, Time Out New York, 11.2008
• John Beech — Project Space: cover + 6 pages of images, ART LIES, #58, Summer 2008
• Bouyiatiotes, Anastasia, John Beech — Nohow, New Europe, Arts and Culture, 3.30.2008
• Dubois, Colette, John Beech at CCNOA, H Art #33, Belgium, 3.6.2008

2007

• Boucher, Brian, John Beech at Peter Blum, Art in America, 12.2007
• Pas de Soucis pour NOS, La Tribune, (France Sud), 6.28.2007
• Fate of Modernism, (series of photographs reproduced), Multitudes Magazine Online Paris, 6.2007
• Time Out New York, The High Line (2 images reproduced from Blum), 4.2007
• Collins, Tom, Messy Minimalism : 4 from New York, Albuquerque Journal, 2.16.2007

2006

• McQuaid, Cate, From Ordinary to the Sublime, Boston Globe, 10.26.2006
• Dawson, Jessica, Beech at G Fine Art, Washington Post, 9.30.2006
• Benz, Marion, Ein Hauch von Sommer, Baz, Basel, Switzerland, 7.20.2006
• Baker, Kenneth, Beech at Anglim, San Francisco Chronicle, 4.22.2006
• Meister, Helga, Galerie Fricke Dusseldorf, Westdeutsche Zeitung, 2.7.2006
• Dressler, Christiane, Nicht vergessen! Rheinische Post, 2.2.2006
• Ribas, Joao, Minimalisms, Brochure text. 1.2006

2005

• Gordon, Ann, Center Galleries: Remaining Changed, realdetroitweekly.com, 11.2005
• Kuspit, Donald, John Beech at Peter Blum, Artforum International, 11.2005
• Verhagen, Marcus, John Beech, On Waste and Space, Modern Painters, 10.2005
• Hirsch, Faye, Abstract Generations, Art in America, 10.2005
• John Beech at Peter Blum, The New Yorker, 9.12-18.2005
• Nymphius, Friederike, Minimalpop, Peinture: Cinq Regards, Editions du Regard, catalogue essay, Galerie Les Filles du Calvaire, 10.2005
• Huntington, Richard, A Sampling of all Things Abstract — Old and New, The Buffalo News, 8.13.2005
• Maine, Stephen, The Photograph as Canvas, Art on Paper, 9-10.2005
• Buhmann, Stephanie, John Beech Recent Sculpture and Large Scale Drawings, The Brooklyn Rail, 7—8.2005
• Finch, Charlie, Buffalo Soldier, Extreme Abstraction, Artnet 8.2005
• Huntington, Richard, To the Extreme, The Buffalo News Gusto, 7.15.2005
• Johnson, Ken, John Beech at Peter Blum, The New York Times, 7.1.2005
• Beech at Blum, Listing with image reproduced, Modern Painters, 7.2005
• Boykoff, Joan and Baron, Reuben M., The Forman Collection, Artcritical.com 7.2005
• Huntington, Richard, Blues Clues, The Forman Collection, The Buffalo News Gusto 6.10.2005
• Gassch, Cynnie, A Meditative Spirit, The Forman Collection, Buffalo AV, 5.12.2005
• Gassch, Cynnie, Monochromes, Buffalo AV, 5.5.2005
• The Natalie and Irving Forman Collection, Albright-Knox Now 5-6.2005
• Lorent, Claude, Les Voies Multiples de l’Abstraction, La Libre Belgique, 5.4.2005
• King, Sarah, John Beech at Charlotte Jackson, Art in America, 2.2005
• MacAdam, Barbara, MinimalPop, ARTnews, 2.2005
• Dreher, Sabine, Subtiler Hinterhof-Charme, Reutlingen General-Anzeiger, 1.13.2005
• Zu Mecklemberg, Christina, @proximus, bonner initiative verbindet kunstwelten, Junge Kunst # 61, 1.2005
• Loire, Cedric, Less is Pop, L’Art Meme, Paris, 1.2005

2004

• Kuebler, Gabriele, Zwei Kunstler Vor Ort, Reutlinger General-Anzeiger, 12.3.2004
• Benz, Marion, Von der Farbe, John Beech und John Meyer in der Galerie Linder, Baz, Basel, Switzerland, 11.14.2004
• John Beech from the Collection, Albright-Knox Now, 3–4. 2004
• The Forman Collection, Albright-Knox Now, 1-2.2004

2003

• Bakke, Erik, The history of the world vs. your aesthetic, NY Arts Magazine, 6.2003
• Worth, Alexi, John Beech at Peter Blum, The New Yorker, 4.21-28.2003

2002

• Weiderman, Paul, Necessary Roughness, Santa Fe New Mexican Pasatiempo, 10.11.2002
• Becker, Helena Kanyar, Painting on the Move, Basel, Atelier 16-17, 8.28.2002
• Benz, Marion, Ein Rhythmus sucht sein Bild, Basler Agenda, 6.6.2002
• Bollen, Christopher, Surfaces and Support Systems, Time Out New York, 1.3.2002
• Pierogi Press, Number 8, image reproduced, Brooklyn, 2002

2001

• Carel, Sari, John Beech at Stark Gallery, Zingmagazine Issue 15, 6.2001
• Knepp, Gregorio, From Idea to Matter, Sculpture Magazine, 5.2001
• Chinati Foundation newsletter Volume 6, image reproduced, 2001

2000

• Levin, Kim, John Beech at Stark Gallery, The Village Voice, 12.26.2000
• Everett, Deborah, Trajectories, Brooklyn, New York Arts Magazine, 11.2000
• McLeod, Deborah, Running on Empty, Richmond Virginia Style Weekly, 10.31.2000
• Rand, Harry, Catalogue essay From Idea to Matter, 10.2000
• Bonetti, David, Charting 35 years of California Art, San Francisco Examiner, 1.6.2000

1999

• Vandendries, Jean, L’art et les matieres de Fernandez, Le Soir (Belgium), 11.4.1999
• McFadden, Sarah, Text, Tourinnes-La-Grosse exhibition catalogue, 11.1999
• Baker, Kenneth, John Beech at Paule Anglim, ARTnews, 6.1999
• Hickson, Patricia, Into the 21st Century: San Jose Museum of Art, Catalogue essay, 5.1999
• Johnson, Ken, John Beech & Christopher Lesnewski, New York Times, 4.30.1999
• Smith, Roberta, Upper East Side, New York Times, 4.30.1999
• Newhall, Edith, Texas Two-Step, New York Magazine, 4.19.1999
• Maclay, Catherine, Material Issues, San Jose Mercury News, 4.11.1999
• Bakke, Erik, Studio Visit : John Beech, New York Arts Magazine, 4.1999
• Everett, Deborah, Beech & Lesnewski, New York Arts Magazine, 4.1999
• Bonetti, David, Bay City Best, San Francisco Examiner Magazine, 3.14.1999
• Scherr, Apollinaire, Stranded in Marfa, Oakland East Bay Express, 2.19.1999
• Baker, Kenneth, Sculptures With Delayed Punch Lines, San Francisco Chronicle, 2.5.1999 Chinati Foundation newsletter Volume 4, image reproduced, 1999

1998

• Estep, Jan, Blunt Object, New Art Examiner, 12.1998
• Big Bend Sentinel, Marfa, Texas, 10.1998
• Smith, Courtenay, Blunt Object Exhibition Catalogue essay, 9.1998
• Sillen, Kim, Here & Now, New York Arts Magazine, 6.1998
• Freedman, Matt, Here & Now, Exhibition Catalogue essay, 4.1998

1997

• Damianovic, Maia, Painting Beyond Limits, Tema Celeste, 4.1997

1996

• Bensley, Lis, John Beech & James Hyde, Santa Fe New Mexican Pasatiempo, 6.7.1996

1995

• Smith, Roberta, Corcoran Biennial, New York Times, 12.1995
• Baker, Kenneth, Details Know Their Importance, San Francisco Chronicle, 12.5.1995
• Bonetti, David, John Beech at Paule Anglim, San Francisco Examiner, 12.1.1995
• Kelley, Jeff, text for Corcoran Biennial Catalogue, 12.1995
• Sultan, Terrie, Off the Wall and Beyond the Frame, Catalogue essay 44th Biennial Exhibition of Contemporary American Painting, The Corcoran Gallery. 11.1995
• Taplin, Robert, John Beech at Miles Bellamy, Art in America, 2.1995

1993

• Baker, Kenneth, Sculpture With Poise and Humor, San Francisco Chronicle, 11.10.1993
• Roby, Dianne, Beech at Anglim, Artweek, 11.4.1993
• Baker, Kenneth, Things Good From Spectator’s View, San Francisco Chronicle, 3.14.1993
• Bonetti, David, Mills College, San Francisco Examiner, 3.12.1993

1992

• Watten, Barrett, Cultural Strategists: 1992 SECA Art Award at SFMOMA, Artweek, 11.5.1992
• Bonetti, David, SFMOMA SECA Exhibit, 10.1992
• Baker, Kenneth, John Beech at Upaya, ARTnews, 9.1992
• Baker, Kenneth, SECA Award Show, San Francisco Chronicle, 9.27.1992
• Caldwell, John and Bishop, Janet, essay and interview, SECA Art Award Catalogue,
• San Francisco Museum of Modern Art, 9.1992
• Zyzzyva Literary Journal, cover + 27 pages of drawings reproduced, summer 1992
• Fazzolari, Bruno, Auto Conceptual, Artweek, 5.21.1992
• Baker, Kenneth, John Beech Builds a Show at Upaya, San Francisco Chronicle, 4.27.1992

1991

• Porges, Maria, San Francisco Fax_, Artissues, 11.1991
• Bonetti, David, Door-Opening Readymade, San Francisco Examiner, 9.17.1991
• Levi-Strauss, David, John Beech, California Magazine, 9.1991
• Tin Nyo, Paula, No Pencils, Selections Bay Area Drawing, Artweek, 5.1991
• LaPalma, Marina, (Con-Text), New Art Examiner, 3.1991

1990

• Levy, Mark, Evans, Art International, Winter 1990

1989

• Baker, Kenneth, Promising Debut of John Beech, San Francisco Chronicle, 7.29.1989

COLLECTIONS PUBLIQUES

• Albright- Knox Art Gallery, Buffalo, New York
• San Francisco Museum of Modern Art, San Francisco, California
• Manfred Wandel / Stiftung fur Konkrete Kunst, Reutlingen, Germany
• Oakland Museum, Oakland, California
• San Jose Museum of Art, San Jose, California
• University Art Museum, Berkeley, California
• Laguna Art Museum, Laguna Beach, California
• Museum of Art, Fort Lauderdale, Florida
• de Saisset Museum, Santa Clara University, California
• The Martin Z.Margulies Collection, Miami, Florida
• Kunstmuseum, Basel, Switzerland
• Microsoft Corporation, Seattle, Washington
• Sidley and Austin, New York, New York
• Pfizer Corporation, New York, New York
• Bank of America, Los Angeles, California
• Robertson Stevens & Co., San Francisco, California
• Roche, Switzerland
• Swiss Re, New York, New York
• KFW Bank, Frankfurt / Berlin, Germany
• Shoes or no Shoes? Ghent, Belgium

SELECTION DE COLLECTIONS PRIVEES

• Edward Albee, New York, New York
• Pamela Anderson, Los Angeles, California
• Agnes Bourne, San Francisco, California
• Matthew & Nancy Browar, La Jolla, California
• Natalie and Irving Forman, Santa Fe, New Mexico
• Ann Hatch, San Francisco, California
• Michael and Roberta Joseph, Williamsville, New York
• Marilyn Minter, New York
• Verena and Niklaus Mueller, Zurich, Switzerland
• Steven Oliver, San Francisco, California
• Ms. Panza, Switzerland
• Robert Storr, New York, New York
• David White, New York, New York