ArtistsPast
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O! Watt Up — De Watteau et du theatre
Past: May 18 → July 23, 2017
Through the prism of this legend and leaving the Fêtes Galantes aside — the location of the Maison d’Art Bernard Anthonioz being enough a reference — the invited artists directly or indirectly explore the topic of the theatron — as did Watteau about three centuries earlier.
O! Watt Up — De Watteau et du theatre
Past: May 18 → July 23, 2017
Through the prism of this legend and leaving the Fêtes Galantes aside — the location of the Maison d’Art Bernard Anthonioz being enough a reference — the invited artists directly or indirectly explore the topic of the theatron — as did Watteau about three centuries earlier.
Installation, painting, performance
La MABA
Archives
Quand fondra la neige, où ira le blanc
Past: July 4 → 25, 2015
When white disappears what comes next? A different colour or several colours appearing implicitly? A single other colour is synonymous with the monochrome and it’s mainly this which is the subject of the exhibition.
Quand fondra la neige, où ira le blanc
Past: July 4 → 25, 2015
When white disappears what comes next? A different colour or several colours appearing implicitly? A single other colour is synonymous with the monochrome and it’s mainly this which is the subject of the exhibition.
Installation, painting
Les filles du calvaire Gallery
Archives
Avec et sans peinture — Exposition des œuvres de la collection
Past: February 15, 2014 → July 5, 2015
“Avec et sans peinture” (“With and without painting”) reveals the diversity of contemporary painting by grouping works according to common themes. In total, over 130 works by over 60 artists of different generations employing several techniques will mark the course of the exhibition and enter in dialogue over the course of the year.
Avec et sans peinture — Exposition des œuvres de la collection
Past: February 15, 2014 → July 5, 2015
“Avec et sans peinture” (“With and without painting”) reveals the diversity of contemporary painting by grouping works according to common themes. In total, over 130 works by over 60 artists of different generations employing several techniques will mark the course of the exhibition and enter in dialogue over the course of the year.
Archives
Peinture, arsenic et vieilles dentelles
Past: September 4 → October 25, 2014
As a painter, Emmanuelle Villard cherishes practice and experimentation, her motif of choice includes the notion of seduction, but also a certain ambivalence. Emmanuelle Villard is currently working on a show called “Objet Spectacle” in which she reprises the motives of her pictorial works. The other pieces in this exhibition echo this production.
Peinture, arsenic et vieilles dentelles
Past: September 4 → October 25, 2014
As a painter, Emmanuelle Villard cherishes practice and experimentation, her motif of choice includes the notion of seduction, but also a certain ambivalence. Emmanuelle Villard is currently working on a show called “Objet Spectacle” in which she reprises the motives of her pictorial works. The other pieces in this exhibition echo this production.
Painting, mixed media
Les filles du calvaire Gallery
Archives
Emmanuelle Villard — Peinture, arsenic et vieilles dentelles
Past: September 4 → October 25, 2014
Emmanuelle Villard est peintre, elle chérit la pratique et les expérimentations, et son « motif » de prédilection recouvre la notion de séduction, ambivalence comprise. Elle établit à ce propos un étrange va et vient entre la séduction de la peinture, celle du tableau, et celle d’une féminité un tantinet racoleuse.
Emmanuelle Villard — Peinture, arsenic et vieilles dentelles
Past: September 4 → October 25, 2014
Emmanuelle Villard est peintre, elle chérit la pratique et les expérimentations, et son « motif » de prédilection recouvre la notion de séduction, ambivalence comprise. Elle établit à ce propos un étrange va et vient entre la séduction de la peinture, celle du tableau, et celle d’une féminité un tantinet racoleuse.
Collage, painting, performance...
Les filles du calvaire Gallery
Archives
A posteriori — 10 ans d’art à La Maréchalerie
Past: January 22 → March 22, 2014
This anniversary exhibition is the occasion, “a posteriori”, to reunite those artists who have been invited since 2004 in a collective demonstration dedicated to their most recent work. The exhibition offers a landscape of works of different sensibilities through the prism of choices made in the last 10 years.
A posteriori — 10 ans d’art à La Maréchalerie
Past: January 22 → March 22, 2014
This anniversary exhibition is the occasion, “a posteriori”, to reunite those artists who have been invited since 2004 in a collective demonstration dedicated to their most recent work. The exhibition offers a landscape of works of different sensibilities through the prism of choices made in the last 10 years.
Architecture, urban art, ceramic...
La Maréchalerie
Archives
Artifici finti #2
Past: November 30, 2011 → May 28, 2012
En intervenant à l’abbaye de Maubuisson, ancienne abbaye cistercienne de femmes édifiée au début du XIIIe siècle, Emmanuelle Villard propose un monde aux premiers abords séduisant, féminin et baroque, qui va à l’encontre du mode de vie des anciennes moniales, du dépouillement et de l’épure caractéristiques de la sobriété cistercienne.
Artifici finti #2
Past: November 30, 2011 → May 28, 2012
En intervenant à l’abbaye de Maubuisson, ancienne abbaye cistercienne de femmes édifiée au début du XIIIe siècle, Emmanuelle Villard propose un monde aux premiers abords séduisant, féminin et baroque, qui va à l’encontre du mode de vie des anciennes moniales, du dépouillement et de l’épure caractéristiques de la sobriété cistercienne.
Collage, installation, painting...
Abbaye de Maubuisson
Archives
Emmanuelle Villard — Artifici finti # 1
Past: November 25, 2011 → January 21, 2012
Emmanuelle Villard’s work cannot be taken out of context or even outside of the artist’s own era. Her work is brimming with art history, problematic debates and pictorial references. But nevertheless it remains directly linked to how the artist perceives the society in which she evolves; that is, a divided society resting upon values of power, luxury and appearances.
Emmanuelle Villard — Artifici finti # 1
Past: November 25, 2011 → January 21, 2012
Emmanuelle Villard’s work cannot be taken out of context or even outside of the artist’s own era. Her work is brimming with art history, problematic debates and pictorial references. But nevertheless it remains directly linked to how the artist perceives the society in which she evolves; that is, a divided society resting upon values of power, luxury and appearances.
Painting, mixed media
Les filles du calvaire Gallery
Emmanuelle Villard
Contemporary
Painting
French artist born in 1970 in Montpellier, France.
- Localisation
- Paris, France
- Website
- www.emmanuellevillard.com
- Themes
- Abstraction