ArtistsPast
joie — Majd Abdel Hamid, Diane Cescutti, Hessie, Teresa Lanceta, Liz Magor, Ernesto Sartori, Mira Schor, Suzanne Silver
Ends in 27 days: September 5 → October 5
“ I remember when women wore jabots on their blouses. Sometimes these jabots were quite ornate and were taken off when the blouse was sent to the laundry. Then you would find the jabots in drawers and hanging from belt racks like little creatures that hibernated when they didn’t have anything to be attached to. ” Pat…
Mixed media
Marcelle Alix Gallery
Archives
Ernesto Sartori — Scaffalando
Past: May 24 → July 20
Ernesto Sartori continues his experiments with paintings which he makes while thinking of “planet-forms” or erasers rounded by wear. He envisions them as smooth and, to achieve this, he sands the wooden support to round it off. He imagines a 90° vision or, in any case, a geometry that is, as always, unconventional, wi…
Ernesto Sartori — Scaffalando
Past: May 24 → July 20
Ernesto Sartori continues his experiments with paintings which he makes while thinking of “planet-forms” or erasers rounded by wear. He envisions them as smooth and, to achieve this, he sands the wooden support to round it off. He imagines a 90° vision or, in any case, a geometry that is, as always, unconventional, wi…
Painting
Marcelle Alix Gallery
Archives
Take (a)back the economy
Past: April 13 → July 7, 2019
the name of the exhibition is inspired by the title of the 2013 book Take Back the Economy. The work of JK Gibson-Graham, feminist economists and geographers, no longer considers the economy as a unitary capitalist system and space but as an area of co-existence and contestation containing multiple economic forms — in short, a criticism of what they call “capitalocentrism”.
Take (a)back the economy
Past: April 13 → July 7, 2019
the name of the exhibition is inspired by the title of the 2013 book Take Back the Economy. The work of JK Gibson-Graham, feminist economists and geographers, no longer considers the economy as a unitary capitalist system and space but as an area of co-existence and contestation containing multiple economic forms — in short, a criticism of what they call “capitalocentrism”.
Mixed media
Centre d'Art Contemporain Chanot CACC
Archives
Révolte Logique, part II — Slave to Art
Past: November 21, 2013 → January 18, 2014
At one point during our conversation, he had said jokingly, “Ah, but I have power over you?” Without thinking, I had answered, “No, you don’t, because I would never show you my work” — Adrian Piper, Pontus Hulten’s Slave to Art, 1982.
Révolte Logique, part II — Slave to Art
Past: November 21, 2013 → January 18, 2014
At one point during our conversation, he had said jokingly, “Ah, but I have power over you?” Without thinking, I had answered, “No, you don’t, because I would never show you my work” — Adrian Piper, Pontus Hulten’s Slave to Art, 1982.
Drawing, installation, painting...
Marcelle Alix Gallery
Archives
Ernesto Sartori — Quand deux deviennent un
Past: March 1 → April 22, 2013
The exhibition When two become one gives Ernesto Sartori the possibility to affirm his position as an author. Motivated by what we could call a logical revolt, he coalesces the rationality of the calculations of prospective architecture with the narrative chaos of a fanciful universe.
Ernesto Sartori — Quand deux deviennent un
Past: March 1 → April 22, 2013
The exhibition When two become one gives Ernesto Sartori the possibility to affirm his position as an author. Motivated by what we could call a logical revolt, he coalesces the rationality of the calculations of prospective architecture with the narrative chaos of a fanciful universe.
Painting, sculpture, mixed media
Marcelle Alix Gallery
Archives
La ronde
Past: June 12 → September 25, 2011
L’exposition se fonde sur un postulat formulé par Allan Kaprow : « La ligne entre l’art et la vie devrait être aussi fluide et peut-être même aussi vague que possible ». Si cette confusion affirmée de l’art et de la vie a pu agir comme un précepte en art, elle a aussi généré une fluidité de relation entre acteurs et spectateurs.
La ronde
Past: June 12 → September 25, 2011
L’exposition se fonde sur un postulat formulé par Allan Kaprow : « La ligne entre l’art et la vie devrait être aussi fluide et peut-être même aussi vague que possible ». Si cette confusion affirmée de l’art et de la vie a pu agir comme un précepte en art, elle a aussi généré une fluidité de relation entre acteurs et spectateurs.
Performance
La Ferme du Buisson
Ernesto Sartori
Contemporary
Painting
Italian artist born in 1982.
- Themes
- Architecture, paysage, peinture