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Tout dans le cabinet mental
Past: April 9 → July 10, 2022
L’exposition collective Tout dans le cabinet mental au Crédac fait écho à une première session de recherches menée par le bureau d’études performatives TOGETHER UNTIL _ __ (what)? en mars 2021. Cette nouvelle étape opère tel un cabinet de la performance ouvert au public.
Tout dans le cabinet mental
Past: April 9 → July 10, 2022
L’exposition collective Tout dans le cabinet mental au Crédac fait écho à une première session de recherches menée par le bureau d’études performatives TOGETHER UNTIL _ __ (what)? en mars 2021. Cette nouvelle étape opère tel un cabinet de la performance ouvert au public.
Dance, film, performance...
Le Crédac
Archives
Myriam Lefkowitz — The Book Club
Past: October 13 → 14, 2018
Expérience collective conçue par Myriam Lefkowitz et Cécile Lavergne avec Clara Valière / fabriquée par Jean-Philippe Derail, Thierry Grapotte, Catalina Insignares, Julie Laporte, Igor Krtolica, Florian Richaud et Yasmine Youcef.
Myriam Lefkowitz — The Book Club
Past: October 13 → 14, 2018
Expérience collective conçue par Myriam Lefkowitz et Cécile Lavergne avec Clara Valière / fabriquée par Jean-Philippe Derail, Thierry Grapotte, Catalina Insignares, Julie Laporte, Igor Krtolica, Florian Richaud et Yasmine Youcef.
Performance, poetry, mixed media
La Ferme du Buisson
Archives
Akadémia : Performing Life
Past: January 13 → March 24, 2018
The exhibition will look at narratives and themes springing from the Akademia, a community and a school established by Raymond Duncan, American dancer and artist, and co-ran by Aia Bertrand. It existed between the 1920s and 1970s in Paris, offering free courses in dance, arts, and crafts.
Akadémia : Performing Life
Past: January 13 → March 24, 2018
The exhibition will look at narratives and themes springing from the Akademia, a community and a school established by Raymond Duncan, American dancer and artist, and co-ran by Aia Bertrand. It existed between the 1920s and 1970s in Paris, offering free courses in dance, arts, and crafts.
Dance, publishing, installation...
Villa Vassilieff
Archives
Une maison de pierre dans une métropole utilisant tout type d’éclairage habitée par ceux qui invitent les autres
Past: September 22 → December 16, 2017
Curated by Maud Jacquin and Sébastien Pluot, the first exhibition begins with an interpretation of the poem _A House of Dust_, by Alison Knowles, one of the founders of the Fluxus movement in the early 1960s.
Une maison de pierre dans une métropole utilisant tout type d’éclairage habitée par ceux qui invitent les autres
Past: September 22 → December 16, 2017
Curated by Maud Jacquin and Sébastien Pluot, the first exhibition begins with an interpretation of the poem _A House of Dust_, by Alison Knowles, one of the founders of the Fluxus movement in the early 1960s.
Ceramic, drawing, film...
La Galerie, centre d’art contemporain
Archives
Tes mains dans mes chaussures — Une exposition de Vanessa Desclaux et Emilie Renard
Past: September 24, 2016 → August 15, 2017
Titled “Your Hands in My Shoes”, the 2016–2017 season takes the form of a slow morphing within the art centre over the period September 2016 — July 2017.
Tes mains dans mes chaussures — Une exposition de Vanessa Desclaux et Emilie Renard
Past: September 24, 2016 → August 15, 2017
Titled “Your Hands in My Shoes”, the 2016–2017 season takes the form of a slow morphing within the art centre over the period September 2016 — July 2017.
Dance, design, film...
La Galerie, centre d’art contemporain
Archives
Tes mains dans mes chaussures 2 sur 3
Past: January 20 → July 15, 2017
If we think of the art centre as a pair of shoes, as a functional institution which “goes forward”, and if we think of the people who pass through it as hands that slip into these shoes, we soon notice that we are all deflected from our initial route. This image of a stumbling walk seems to be the most appropriate in thinking of the exhibition as an experience of instability.
Tes mains dans mes chaussures 2 sur 3
Past: January 20 → July 15, 2017
If we think of the art centre as a pair of shoes, as a functional institution which “goes forward”, and if we think of the people who pass through it as hands that slip into these shoes, we soon notice that we are all deflected from our initial route. This image of a stumbling walk seems to be the most appropriate in thinking of the exhibition as an experience of instability.
Installation, performance, sculpture...
La Galerie, centre d’art contemporain
Archives
Tes mains dans mes chaussures 3 sur 3 — Curatrices : Vanessa Desclaux et Emilie Renard
Past: April 22 → July 15, 2017
Menée tout au long d’une année sous la forme d’un lent morphing, ce troisième et dernier volet de l’exposition « Tes mains dans mes chaussures » s’étend dans tous les recoins du centre d’art et génère des révolutions délicates au sein même de l’institution.
Tes mains dans mes chaussures 3 sur 3 — Curatrices : Vanessa Desclaux et Emilie Renard
Past: April 22 → July 15, 2017
Menée tout au long d’une année sous la forme d’un lent morphing, ce troisième et dernier volet de l’exposition « Tes mains dans mes chaussures » s’étend dans tous les recoins du centre d’art et génère des révolutions délicates au sein même de l’institution.
Publishing, film, installation...
La Galerie, centre d’art contemporain
Nuit Blanche — Diffusion Tu m’entends là, maintenant ? de Delphine Chapuis Schmitz
Past: Friday, September 23, 2016 6 PM → 9 PM
Diffusion dans le programme sonore « Floating ON AIR » des réseaux Tram et d.c.a lors de la Nuit Blanche à Paris.
Archives
Beyond the End
Past: May 30 → July 27, 2014
“Beyond the End” is an exhibition dedicated to a research and residency program initiated in 2010 in Tierra del Fuego by curator Camila Marambio. Over the years, she has given shape to a dialogue between artists, scientists, local inhabitants and Karukinka Natural Park in a program entitled “Ensayos”.
Beyond the End
Past: May 30 → July 27, 2014
“Beyond the End” is an exhibition dedicated to a research and residency program initiated in 2010 in Tierra del Fuego by curator Camila Marambio. Over the years, she has given shape to a dialogue between artists, scientists, local inhabitants and Karukinka Natural Park in a program entitled “Ensayos”.
Installation, performance, mixed media...
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