Slash Universe III: Finissage et performance — Dana Michel & Yoan Sorin — CAC Brétigny — Performance — Slash Paris

Past: Sunday, December 15, 2019 at 4 PM

Dana Michel et Yoan Sorin — CAC Brétigny Le Cac Brétigny présente jusqu'au 15 décembre l'exposition Slash Universe, une collaboration entre deux artistes dont les routes se croisent depuis plusieurs années et qui dessinent pour la première fois un projet commun.

Free Paris-Brétigny shuttle is available by request at reservation@cacbretigny.com or +33 (0)1 60 85 20 76

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For the last day of the exhibition, Dana Michel and Yoan Sorin propose a new performance in the space of the art center.
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Yoan Sorin lives and works in Douarnenez, France. He is a graduate of the School of Fine Arts in Nantes and the universities of Montreal and Cuenca. His drawings, paintings, videos, and performances break down the distinctions between popular culture and art. His work has been featured at La Friche Belle de Mai (Marseille, 2015), Frac des Pays de la Loire (Nantes, 2016), A-Frame (La Courneuve, 2017), MNAC (Bucharest, 2016), Nada lokal (Vienna, 2018), Hunter East Harlem Gallery (New York, 2018) and 40mcube (Rennes, 2019). He joined the company nadaproductions as a dancer and designer in 2017, and collaborates with 14N61W Gallery in Fort-de-France (Haiti) since 2018.

Dana Michel is a Montreal-based choreographer and performer. She earned a BFA in contemporary dance from Concordia University and in 2011 was the recipient of a “danceWeb” grant (Vienna). She was a resident of Usine C (Montreal) and the National Center for Dance in Ottawa. In 2014, Dana Michel was awarded the ImPuls Tanz Prize (Vienna). Her solo piece Mercurial George was performed at the Festival TransAmériques (Montreal) in 2016. In 2017, she was awarded the Silver Lion for innovative dance at the Venice Biennale. In 2018, she became the first artist in residence for dance at the National Arts Centre of Ottawa. Dana Michel is an associate artist with Par B.L.eux, a contemporary dance company founded and directed by Benoît Lachambre.