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Un hiver à Paris — Exposition collective
Past: February 7 → 27, 2021
Almine Rech is delighted to present ‘Un hiver à Gstaad Paris’, a group exhibition focused on the act of painting in the 21st century.
Un hiver à Paris — Exposition collective
Past: February 7 → 27, 2021
Almine Rech is delighted to present ‘Un hiver à Gstaad Paris’, a group exhibition focused on the act of painting in the 21st century.
Painting
Almine Rech Gallery
Archives
Summer — Group show
Past: June 13 → August 1, 2020
Echoing the Spring group show held at Almine Rech Shanghai, this new Paris exhibition focuses on some of the gallery’s most iconic artists: Karel Appel, John M Armleder, Jean-Baptiste Bernadet, Brian Calvin, Johan Creten, Gregor Hildebrandt, Allen Jones, Alexandre Lenoir, Taryn Simon, Tamuna Sirbiladze, Thu Van Tran, and Tursic & Mille.
Summer — Group show
Past: June 13 → August 1, 2020
Echoing the Spring group show held at Almine Rech Shanghai, this new Paris exhibition focuses on some of the gallery’s most iconic artists: Karel Appel, John M Armleder, Jean-Baptiste Bernadet, Brian Calvin, Johan Creten, Gregor Hildebrandt, Allen Jones, Alexandre Lenoir, Taryn Simon, Tamuna Sirbiladze, Thu Van Tran, and Tursic & Mille.
Painting, photography, sculpture...
Almine Rech Gallery
Archives
Cœurs — Du romantisme dans l’art contemporain
Past: February 14 → July 12, 2020
Le musée de la Vie romantique présente une sélection de quarante œuvres de trente artistes contemporains autour de la représentation du cœur comme expression du sentiment amoureux, en écho à l’une des thématiques phares du romantisme.
Cœurs — Du romantisme dans l’art contemporain
Past: February 14 → July 12, 2020
Le musée de la Vie romantique présente une sélection de quarante œuvres de trente artistes contemporains autour de la représentation du cœur comme expression du sentiment amoureux, en écho à l’une des thématiques phares du romantisme.
Drawing, painting, photography...
Musée de la Vie Romantique
Archives
Sans Clou ni Vis — Une exposition à fort coefficient de main d’œuvre
Past: October 18, 2018 → March 17, 2019
Les œuvres présentées sont toutes peintes directement sur les murs : elles n’ont fait l’objet d’aucun emballage ni en papier ni plastique ni en bois. ces œuvres sont toutes programmatiques : c’est-à-dire qu’elles reposent sur un énoncé transmissible, qu’il est possible pour le visiteur d’interpréter et de s’approprier.
Sur une proposition de Sylvain Sorgato.
Sans Clou ni Vis — Une exposition à fort coefficient de main d’œuvre
Past: October 18, 2018 → March 17, 2019
Les œuvres présentées sont toutes peintes directement sur les murs : elles n’ont fait l’objet d’aucun emballage ni en papier ni plastique ni en bois. ces œuvres sont toutes programmatiques : c’est-à-dire qu’elles reposent sur un énoncé transmissible, qu’il est possible pour le visiteur d’interpréter et de s’approprier.
Sur une proposition de Sylvain Sorgato.
Mixed media
Hôtel Elysées Mermoz
Archives
John M Armleder
Past: June 6 → July 28, 2018
Among the works on display for the John M Armleder exhibition at Almine Rech Gallery Paris, alongside murals and “Furniture Sculptures” from 2018, is a new series of “Puddles Paintings”. The paintings are made by spilling various materials directly onto the canvas (acrylic paint, varnish, liquids for exterior surfaces, but also powders, confetti, glitter and small ormaments).
John M Armleder
Past: June 6 → July 28, 2018
Among the works on display for the John M Armleder exhibition at Almine Rech Gallery Paris, alongside murals and “Furniture Sculptures” from 2018, is a new series of “Puddles Paintings”. The paintings are made by spilling various materials directly onto the canvas (acrylic paint, varnish, liquids for exterior surfaces, but also powders, confetti, glitter and small ormaments).
Painting
Almine Rech Gallery
Archives
John M Armleder / Morgane Tschiember — En affinité(s) #5
Past: December 1, 2017 → January 20, 2018
The ceramics in the show “JOHN M ARMLEDER/MORGANE TSCHIEMBER” were made at Cercco, the Experimentation and Research Centre for Contemporary Ceramics of the Geneva University of Art and Design (HEAD) from a selection of molds, dating from the 19th century to the present, belonging to the NUOVE//Residency collection.
John M Armleder / Morgane Tschiember — En affinité(s) #5
Past: December 1, 2017 → January 20, 2018
The ceramics in the show “JOHN M ARMLEDER/MORGANE TSCHIEMBER” were made at Cercco, the Experimentation and Research Centre for Contemporary Ceramics of the Geneva University of Art and Design (HEAD) from a selection of molds, dating from the 19th century to the present, belonging to the NUOVE//Residency collection.
Painting, sculpture
Loevenbruck Gallery
Archives
A personal sonic geology — Une exposition de Philippe Decrauzat et Mathieu Copeland
Past: May 13 → July 26, 2015
“A Personal Sonic Geology” gathers together the films co-directed by Mathieu Copeland and Philippe Decrauzat since 2012. Stemming from a desire to film sound, capture places, and dive into the subject matter of the process of construction and destruction, these films are screened using a method of projection which incorporates the monochrome screen paintings on exhibition.
A personal sonic geology — Une exposition de Philippe Decrauzat et Mathieu Copeland
Past: May 13 → July 26, 2015
“A Personal Sonic Geology” gathers together the films co-directed by Mathieu Copeland and Philippe Decrauzat since 2012. Stemming from a desire to film sound, capture places, and dive into the subject matter of the process of construction and destruction, these films are screened using a method of projection which incorporates the monochrome screen paintings on exhibition.
Film, installation, painting...
Frac île-de-france, le Plateau
Archives
Seuls quelques fragments de nous toucheront quelques fragments d’autrui
Past: November 30, 2012 → January 19, 2013
Covering twenty years of artistic practice, the works featured in the exhibition are all related to collage, montage and fragmentation. The display is itself conceived as a collage in space by the juxtaposition of several mediums, the superimposition of works and the presence of works composed of mirrors, fragmenting the exhibition and the public.
Seuls quelques fragments de nous toucheront quelques fragments d’autrui
Past: November 30, 2012 → January 19, 2013
Covering twenty years of artistic practice, the works featured in the exhibition are all related to collage, montage and fragmentation. The display is itself conceived as a collage in space by the juxtaposition of several mediums, the superimposition of works and the presence of works composed of mirrors, fragmenting the exhibition and the public.
Collage, film, sculpture...
Thaddaeus Ropac Marais Gallery
Archives
Close Encounters
Past: September 8 → October 13, 2012
For it’s new group show, gallery Jeanrochdard is pleased to present works from the new artists joining us and thus marking the begining of new exchanges and dialogues. In addition to welcoming new artists, this group show is also the occasion to strengthen the ties with artists the gallery has been representing over the years.
Close Encounters
Past: September 8 → October 13, 2012
For it’s new group show, gallery Jeanrochdard is pleased to present works from the new artists joining us and thus marking the begining of new exchanges and dialogues. In addition to welcoming new artists, this group show is also the occasion to strengthen the ties with artists the gallery has been representing over the years.
Installation, painting, screen-printing...
Jeanrochdard Gallery
Archives
Carte blanche à John M. Armleder — All of the Above
Past: October 18 → December 31, 2011
As a way of mapping the artist’s brain, desires, and influences, offering carte blanche to an artist provides the opportunity to approach the creative process and the forging of aesthetic links from a novel angle. All of the Above is the rerun in reverse of “None of the Above”, an idiomatic expression.
Carte blanche à John M. Armleder — All of the Above
Past: October 18 → December 31, 2011
As a way of mapping the artist’s brain, desires, and influences, offering carte blanche to an artist provides the opportunity to approach the creative process and the forging of aesthetic links from a novel angle. All of the Above is the rerun in reverse of “None of the Above”, an idiomatic expression.
Installation, mixed media
Palais de Tokyo
Archives
Already Made? — Exposition de groupe
Past: February 4 → March 24, 2011
In 1913, Marcel Duchamp came up with the artistic concept of ready-made, defining it as an “ordinary object elevated to the dignity of a work of art by the mere choice of an artist”. The original attitude consists of choosing a manufactured object and designating it as a work of art.
Already Made? — Exposition de groupe
Past: February 4 → March 24, 2011
In 1913, Marcel Duchamp came up with the artistic concept of ready-made, defining it as an “ordinary object elevated to the dignity of a work of art by the mere choice of an artist”. The original attitude consists of choosing a manufactured object and designating it as a work of art.
Mixed media
Jérôme de Noirmont Gallery
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