ArtistsPast
Archives
Ground Control — (and the stars look very different today)
Past: November 24, 2023 → January 11, 2024
Face à des futurs envisagés de façon abstraite et désincarnée, l’exposition collective Ground Control à Topographie de l’art construit des mondes potentiels devant et dans lesquels nous pouvons encore nous éblouir et naviguer en quasi liberté. Les œuvres présentées se tiennent dans cet écart ténu entre des prospectives envisageables et une certaine mélancolie pour des utopies inaccomplies mais encore porteuses de sens.
Ground Control — (and the stars look very different today)
Past: November 24, 2023 → January 11, 2024
Face à des futurs envisagés de façon abstraite et désincarnée, l’exposition collective Ground Control à Topographie de l’art construit des mondes potentiels devant et dans lesquels nous pouvons encore nous éblouir et naviguer en quasi liberté. Les œuvres présentées se tiennent dans cet écart ténu entre des prospectives envisageables et une certaine mélancolie pour des utopies inaccomplies mais encore porteuses de sens.
Mixed media
Topographie de l’art
Archives
Espaces Témoins
Past: June 28 → July 28, 2018
Praz-Delavallade Paris presents “Espaces Témoins”, an exhibition featuring a selection of artists working both in France and abroad, with Vincent Chenut (Paris-Brussels), Thomas Fougeirol (Paris-New York), Alice Guittard (Paris-Istanbul), Lucas Jardin (Brussels) and Manoela Medeiros (Paris-Rio de Janeiro).…
Espaces Témoins
Past: June 28 → July 28, 2018
Praz-Delavallade Paris presents “Espaces Témoins”, an exhibition featuring a selection of artists working both in France and abroad, with Vincent Chenut (Paris-Brussels), Thomas Fougeirol (Paris-New York), Alice Guittard (Paris-Istanbul), Lucas Jardin (Brussels) and Manoela Medeiros (Paris-Rio de Janeiro).…
Installation, painting, sculpture...
Praz-Delavallade Gallery
Archives
Thomas Fougeirol — OP’s
Past: February 13 → March 26, 2016
Thomas Fougeirol’s playground is the surface of the painting and, having many years ago rid himself of the painter’s traditional tools, he envisages the act of painting and his contact with the canvas through the intermediary of imprints using pieces of fabrics and metal grids.
Thomas Fougeirol — OP’s
Past: February 13 → March 26, 2016
Thomas Fougeirol’s playground is the surface of the painting and, having many years ago rid himself of the painter’s traditional tools, he envisages the act of painting and his contact with the canvas through the intermediary of imprints using pieces of fabrics and metal grids.
Painting
Praz-Delavallade Gallery
Archives
Thirty Shades of White — Curated by René-Julien Praz
Past: November 28, 2015 → January 23, 2016
When considering this exhibition designed to give the artists carte blanche, I thought point blank of a titled, but I won’t say that black is white: perhaps “Thirty Shades of White” was a rather predictable one.
Thirty Shades of White — Curated by René-Julien Praz
Past: November 28, 2015 → January 23, 2016
When considering this exhibition designed to give the artists carte blanche, I thought point blank of a titled, but I won’t say that black is white: perhaps “Thirty Shades of White” was a rather predictable one.
Ceramic, collage, drawing...
Praz-Delavallade Gallery
Archives
L’arbre de vie — Exposition collective en deux temps
Past: February 15 → July 28, 2013
In all cultures the tree symbolises life, its force, longevity, beauty and fecundity. This exposition fills the different spaces of the Collège des Bernardin — the nave, the old sacristy, the moat and the garden — and presents works which manifest the richness and complexity of this greatly symbolic subject.
L’arbre de vie — Exposition collective en deux temps
Past: February 15 → July 28, 2013
In all cultures the tree symbolises life, its force, longevity, beauty and fecundity. This exposition fills the different spaces of the Collège des Bernardin — the nave, the old sacristy, the moat and the garden — and presents works which manifest the richness and complexity of this greatly symbolic subject.
Architecture, design, drawing...
Collège des Bernardins
Archives
Forming the Loss in Darkness — curated by Jo-ey Tang
Past: June 22 → July 24, 2013
In the super-8 film by David Wojnarowicztitled, the black-and-white film turns into color at precisely the moment when its central character came into contact with an upstate New York lake in what appears to be a suicide attempt. Tracking the journey from slumber to death, nine artists’ works set an alternative mise-en-scène of the rarely-screened film.
Forming the Loss in Darkness — curated by Jo-ey Tang
Past: June 22 → July 24, 2013
In the super-8 film by David Wojnarowicztitled, the black-and-white film turns into color at precisely the moment when its central character came into contact with an upstate New York lake in what appears to be a suicide attempt. Tracking the journey from slumber to death, nine artists’ works set an alternative mise-en-scène of the rarely-screened film.
Drawing, installation, painting...
Praz-Delavallade Gallery
Archives
Thomas Fougeirol
Past: April 20 → June 15, 2013
Thomas Fougeirol would like us to see the thing for the thing, when the moment the absorption of the images by materials, such as raw linen, wool and cashmere, crosses over as mental absorption. The instant when the physicality of abstraction is blown apart at the point of impact. The images recognize us, not the other way around.
Thomas Fougeirol
Past: April 20 → June 15, 2013
Thomas Fougeirol would like us to see the thing for the thing, when the moment the absorption of the images by materials, such as raw linen, wool and cashmere, crosses over as mental absorption. The instant when the physicality of abstraction is blown apart at the point of impact. The images recognize us, not the other way around.
Painting
Praz-Delavallade Gallery
Archives
Thomas Fougeirol, Black Sun
Past: April 2 → May 7, 2011
For a number of years now, Thomas Fougeirol has been using flat-surfaced materials dipped in paint and applied to usually large scale canvases, in order to effect some sort of contact, or imprint so to speak, that brings the work in contact with an actual substance.
Thomas Fougeirol, Black Sun
Past: April 2 → May 7, 2011
For a number of years now, Thomas Fougeirol has been using flat-surfaced materials dipped in paint and applied to usually large scale canvases, in order to effect some sort of contact, or imprint so to speak, that brings the work in contact with an actual substance.
Drawing, painting
Praz-Delavallade Gallery
Thomas Fougeirol
Contemporary
Drawing, painting
French artist born in 1965 in France.
- Localisation
- Paris & New york
- Website
- www.thomasfougeirol.com