Past
		
	
		
   			Archives
   			 A Moveable Feast — Part V
			
			
				
				
					Past: January 25 → February 8, 2014
				
			
			
				“A Moveable Feast” is a year-long series of solo presentations by each represented artist. Exploring the rules of what is defended and forbidden, feasts generate an unorthodox space for production. Each celebration leaves their own traces, a series of marks and objects whose use value is temporarily suspended and which transgress the routine of ordinary time.
		
		
			
				A Moveable Feast — Part V
			
			
				
				
					Past: January 25 → February 8, 2014
				
			
			
				“A Moveable Feast” is a year-long series of solo presentations by each represented artist. Exploring the rules of what is defended and forbidden, feasts generate an unorthodox space for production. Each celebration leaves their own traces, a series of marks and objects whose use value is temporarily suspended and which transgress the routine of ordinary time.
			
		
		
	
	
	
	 A Moveable Feast — Part V
			
			
				
				
					Past: January 25 → February 8, 2014
				
			
			
				“A Moveable Feast” is a year-long series of solo presentations by each represented artist. Exploring the rules of what is defended and forbidden, feasts generate an unorthodox space for production. Each celebration leaves their own traces, a series of marks and objects whose use value is temporarily suspended and which transgress the routine of ordinary time.
		
		
			
				A Moveable Feast — Part V
			
			
				
				
					Past: January 25 → February 8, 2014
				
			
			
				“A Moveable Feast” is a year-long series of solo presentations by each represented artist. Exploring the rules of what is defended and forbidden, feasts generate an unorthodox space for production. Each celebration leaves their own traces, a series of marks and objects whose use value is temporarily suspended and which transgress the routine of ordinary time.
			
		
		
			
			   Painting
			
		      Campoli Presti Gallery
		
	
	
	
		
	
		
   			Archives
   			 A Moveable Feast — Part IV
			
			
				
				
					Past: November 23 → December 7, 2013
				
			
			
				Comme métaphore d’une expérience du passé qui est en mouvement constant, A Moveable Feast opère comme une chronique continue du programme de la galerie, en même temps qu’elle offre un aperçu dynamique de la pratique de chaque artiste.
		
		
			
				A Moveable Feast — Part IV
			
			
				
				
					Past: November 23 → December 7, 2013
				
			
			
				Comme métaphore d’une expérience du passé qui est en mouvement constant, A Moveable Feast opère comme une chronique continue du programme de la galerie, en même temps qu’elle offre un aperçu dynamique de la pratique de chaque artiste.
			
		
		
	
	
	
	 A Moveable Feast — Part IV
			
			
				
				
					Past: November 23 → December 7, 2013
				
			
			
				Comme métaphore d’une expérience du passé qui est en mouvement constant, A Moveable Feast opère comme une chronique continue du programme de la galerie, en même temps qu’elle offre un aperçu dynamique de la pratique de chaque artiste.
		
		
			
				A Moveable Feast — Part IV
			
			
				
				
					Past: November 23 → December 7, 2013
				
			
			
				Comme métaphore d’une expérience du passé qui est en mouvement constant, A Moveable Feast opère comme une chronique continue du programme de la galerie, en même temps qu’elle offre un aperçu dynamique de la pratique de chaque artiste.
			
		
		
			
			   Installation, painting
			
		      Campoli Presti Gallery
		
	
	
	
		
	
		
   			Archives
   			 A Moveable Feast — Part III
			
			
				
				
					Past: October 24 → November 16, 2013
				
			
			
				Comme métaphore d’une expérience du passé qui est en mouvement constant, cette série d’expositions opère comme une chronique continue du programme de la galerie, en même temps qu’elle offre un aperçu dynamique de la pratique de chaque artiste.
		
		
			
				A Moveable Feast — Part III
			
			
				
				
					Past: October 24 → November 16, 2013
				
			
			
				Comme métaphore d’une expérience du passé qui est en mouvement constant, cette série d’expositions opère comme une chronique continue du programme de la galerie, en même temps qu’elle offre un aperçu dynamique de la pratique de chaque artiste. 
			
		
		
	
	
	
	 A Moveable Feast — Part III
			
			
				
				
					Past: October 24 → November 16, 2013
				
			
			
				Comme métaphore d’une expérience du passé qui est en mouvement constant, cette série d’expositions opère comme une chronique continue du programme de la galerie, en même temps qu’elle offre un aperçu dynamique de la pratique de chaque artiste.
		
		
			
				A Moveable Feast — Part III
			
			
				
				
					Past: October 24 → November 16, 2013
				
			
			
				Comme métaphore d’une expérience du passé qui est en mouvement constant, cette série d’expositions opère comme une chronique continue du programme de la galerie, en même temps qu’elle offre un aperçu dynamique de la pratique de chaque artiste. 
			
		
		
			
			   Photography
			
		      Campoli Presti Gallery
		
	
	
	
		
	
		
   			Archives
   			 A Moveable Feast — Part II
			
			
				
				
					Past: October 5 → 19, 2013
				
			
			
				Feasts have always involved the deployment of all sorts of artistic resources. Exploring the rules of what is defended and forbidden, they generate an unorthodox space for production. Each celebration leaves their own traces, a series of marks and objects whose use value is temporarily suspended and which transgress the routine of ordinary time.
		
		
			
				A Moveable Feast — Part II
			
			
				
				
					Past: October 5 → 19, 2013
				
			
			
				Feasts have always involved the deployment of all sorts of artistic resources. Exploring the rules of what is defended and forbidden, they generate an unorthodox space for production. Each celebration leaves their own traces, a series of marks and objects whose use value is temporarily suspended and which transgress the routine of ordinary time.
			
		
		
	
	
	
	 A Moveable Feast — Part II
			
			
				
				
					Past: October 5 → 19, 2013
				
			
			
				Feasts have always involved the deployment of all sorts of artistic resources. Exploring the rules of what is defended and forbidden, they generate an unorthodox space for production. Each celebration leaves their own traces, a series of marks and objects whose use value is temporarily suspended and which transgress the routine of ordinary time.
		
		
			
				A Moveable Feast — Part II
			
			
				
				
					Past: October 5 → 19, 2013
				
			
			
				Feasts have always involved the deployment of all sorts of artistic resources. Exploring the rules of what is defended and forbidden, they generate an unorthodox space for production. Each celebration leaves their own traces, a series of marks and objects whose use value is temporarily suspended and which transgress the routine of ordinary time.
			
		
		
			
			   Painting
			
		      Campoli Presti Gallery
		
	
	
	
		
	
		
   			Archives
   			 Death by water. Death by fire. — Curated by David Lewis
			
			
				
				
					Past: May 17 → June 22, 2013
				
			
			
				Four artists: Four elements. Four walls, too. But the exhibit emphasizes mainly two: Water and fire. Water first-then fire. Not to the exclusion of earth or air, ever (how would that even be possible?) but the final fantasy here is the ringing sea. The idea being to associate the technologies of writing, and with them all the related technologies of painting.
		
		
			
				Death by water. Death by fire. — Curated by David Lewis
			
			
				
				
					Past: May 17 → June 22, 2013
				
			
			
				Four artists: Four elements. Four walls, too. But the exhibit emphasizes mainly two: Water and fire. Water first-then fire. Not to the exclusion of earth or air, ever (how would that even be possible?) but the final fantasy here is the ringing sea. The idea being to associate the technologies of writing, and with them all the related technologies of painting.
			
		
		
	
	
	
	 Death by water. Death by fire. — Curated by David Lewis
			
			
				
				
					Past: May 17 → June 22, 2013
				
			
			
				Four artists: Four elements. Four walls, too. But the exhibit emphasizes mainly two: Water and fire. Water first-then fire. Not to the exclusion of earth or air, ever (how would that even be possible?) but the final fantasy here is the ringing sea. The idea being to associate the technologies of writing, and with them all the related technologies of painting.
		
		
			
				Death by water. Death by fire. — Curated by David Lewis
			
			
				
				
					Past: May 17 → June 22, 2013
				
			
			
				Four artists: Four elements. Four walls, too. But the exhibit emphasizes mainly two: Water and fire. Water first-then fire. Not to the exclusion of earth or air, ever (how would that even be possible?) but the final fantasy here is the ringing sea. The idea being to associate the technologies of writing, and with them all the related technologies of painting.
			
		
		
			
			   Mixed media
			
		      Campoli Presti Gallery
		
	
	
	
		
	
		
   			Archives
   			 Amy Sillman — A shape that listens: new drawings
			
			
				
				
					Past: October 18 → December 15, 2012
				
			
			
				Sillman’s drawings are open-ended investigations that use the straightforward materiality of form: shape, line, silhouette, cut… While this practice offers the pleasures of the formal language, she works at the same time with a psychological procedure of constant contradiction, building, destroying and rebuilding again in a restless ongoing course of action.
		
		
			
				Amy Sillman — A shape that listens: new drawings
			
			
				
				
					Past: October 18 → December 15, 2012
				
			
			
				Sillman’s drawings are open-ended investigations that use the straightforward materiality of form: shape, line, silhouette, cut… While this practice offers the pleasures of the formal language, she works at the same time with a psychological procedure of constant contradiction, building, destroying and rebuilding again in a restless ongoing course of action.
			
		
		
	
	
	 Amy Sillman — A shape that listens: new drawings
			
			
				
				
					Past: October 18 → December 15, 2012
				
			
			
				Sillman’s drawings are open-ended investigations that use the straightforward materiality of form: shape, line, silhouette, cut… While this practice offers the pleasures of the formal language, she works at the same time with a psychological procedure of constant contradiction, building, destroying and rebuilding again in a restless ongoing course of action.
		
		
			
				Amy Sillman — A shape that listens: new drawings
			
			
				
				
					Past: October 18 → December 15, 2012
				
			
			
				Sillman’s drawings are open-ended investigations that use the straightforward materiality of form: shape, line, silhouette, cut… While this practice offers the pleasures of the formal language, she works at the same time with a psychological procedure of constant contradiction, building, destroying and rebuilding again in a restless ongoing course of action.
			
		
		
			
			   Drawing
			
		      Campoli Presti Gallery
		
	
	
	
	
	
	
	
	
		
      
         03 Le Marais
			
			
      
      
			03 Le Marais
			
			
		
         
		
			
			
		
		
		
	
		
	
	
	
		
	
	
					
					Rambuteau
			
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	   Tuesday – Saturday, 11 AM – 7 PM
	   Other times by appointment
	   
	
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