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Paris Gallery Weekend — 2022
Past: May 19 → 22, 2022
h3. Modern and contemporary art through gallery walks
Paris Gallery Weekend 2022 invites you to discover modern and contemporary art through gallery walks in Paris. For four days, follow the routes through one gallery to another, discover a large number of exhibitions, meet and talk with artists and key art players…
Paris Gallery Weekend — 2022
Past: May 19 → 22, 2022
h3. Modern and contemporary art through gallery walks
Paris Gallery Weekend 2022 invites you to discover modern and contemporary art through gallery walks in Paris. For four days, follow the routes through one gallery to another, discover a large number of exhibitions, meet and talk with artists and key art players…
Event
Mixed media
Multiple venues
Archives
Restons unis
Past: May 23 → August 14, 2020
From May 23rd to August 14th, Perrotin will invite 26 Paris-based galleries to present a selection of work from their artists. Debuting in our Saint-Claude space, the exhibition will be comprised of four consecutive two-week-long presentations, with each one inclusive of six to seven independent galleries.
Restons unis
Past: May 23 → August 14, 2020
From May 23rd to August 14th, Perrotin will invite 26 Paris-based galleries to present a selection of work from their artists. Debuting in our Saint-Claude space, the exhibition will be comprised of four consecutive two-week-long presentations, with each one inclusive of six to seven independent galleries.
Mixed media
Emmanuel Perrotin Gallery
Archives
Paris Gallery Weekend — 2020
Past: July 2 → 5, 2020
Paris Gallery Weekend are pleased to announce the participation of 57 Parisian modern and contemporary art galleries for its next edition that will take place from July 2 — 5, 2020.
Paris Gallery Weekend — 2020
Past: July 2 → 5, 2020
Paris Gallery Weekend are pleased to announce the participation of 57 Parisian modern and contemporary art galleries for its next edition that will take place from July 2 — 5, 2020.
Event
Film, installation, painting...
Multiple venues
Archives
Paris Gallery Weekend — Édition 2019
Past: May 17 → 19, 2019
Over the course of its 5 previous editions, Paris Gallery Weekend marked itself as the Springtime “rendez-vous” for Paris and its art scene. The 6th edition of Paris Gallery Weekend will take place from Friday 17 May to Sunday 19 May 2019 and 48 galleries have already confirmed their participation so far (see list below).
Paris Gallery Weekend — Édition 2019
Past: May 17 → 19, 2019
Over the course of its 5 previous editions, Paris Gallery Weekend marked itself as the Springtime “rendez-vous” for Paris and its art scene. The 6th edition of Paris Gallery Weekend will take place from Friday 17 May to Sunday 19 May 2019 and 48 galleries have already confirmed their participation so far (see list below).
Event
Architecture, ceramic, collage...
Multiple venues
Archives
Post-Op. Perceptual Gone Painterly 1958-2014
Past: March 8 → April 19, 2014
The title “Post-Op”, seeks to define a little known pictorial movement. Numerous paintings, wall drawings and other works on paper by over twenty artists, who have been invited by curator Matthieu Poirier at the gallery, have been borrowed from collections or produced for the occasion.
Post-Op. Perceptual Gone Painterly 1958-2014
Past: March 8 → April 19, 2014
The title “Post-Op”, seeks to define a little known pictorial movement. Numerous paintings, wall drawings and other works on paper by over twenty artists, who have been invited by curator Matthieu Poirier at the gallery, have been borrowed from collections or produced for the occasion.
Painting
Emmanuel Perrotin Gallery
Archives
Ivan Argote — Strengthlessness
Past: January 18 → March 1, 2014
If Ivan Argote makes obelisks go limp, removes the roar out of imperial lions as they play ball (reviving their instincts as funny cats) or warms up Spanish statues with Peruvian ponchos made in China, it’s because in these days where symbols of domination have become roundabout decorations, that monument-fellers must change their methods.
Ivan Argote — Strengthlessness
Past: January 18 → March 1, 2014
If Ivan Argote makes obelisks go limp, removes the roar out of imperial lions as they play ball (reviving their instincts as funny cats) or warms up Spanish statues with Peruvian ponchos made in China, it’s because in these days where symbols of domination have become roundabout decorations, that monument-fellers must change their methods.
Installation, photography, video
Emmanuel Perrotin Gallery
Archives
Bernard Frize — Hello, My Name is Bernard Frize
Past: January 18 → March 1, 2014
In “Diola”, Bernard Frieze’s gesture is evident. There is a saturation of colour at the top and bottom of the canvas, at the edges of the brushstrokes. Throughout the main field of the painting, colour is also saturated at the edges of the brushstrokes, where the paint became ever so slightly heavier from the friction between the brush and the canvas.
Bernard Frize — Hello, My Name is Bernard Frize
Past: January 18 → March 1, 2014
In “Diola”, Bernard Frieze’s gesture is evident. There is a saturation of colour at the top and bottom of the canvas, at the edges of the brushstrokes. Throughout the main field of the painting, colour is also saturated at the edges of the brushstrokes, where the paint became ever so slightly heavier from the friction between the brush and the canvas.
Painting
Emmanuel Perrotin Gallery
Archives
Ryan McGinley — Body Loud
Past: November 13, 2013 → January 11, 2014
Body Loud, an exhibition by Ryan McGinley, is comprised of twenty brand new, primarily large-format photographs taken over the course of last summer. The situations are meticulously staged, although the resultant images are not: McGinley’s practice still allows for and thrives upon spontaneity.
Ryan McGinley — Body Loud
Past: November 13, 2013 → January 11, 2014
Body Loud, an exhibition by Ryan McGinley, is comprised of twenty brand new, primarily large-format photographs taken over the course of last summer. The situations are meticulously staged, although the resultant images are not: McGinley’s practice still allows for and thrives upon spontaneity.
Photography
Emmanuel Perrotin Gallery
Archives
Sophie Calle — Dérobés
Past: November 13, 2013 → January 11, 2014
The solo exhibition by Sophie Calle Dérobés is presented at Galerie Perrotin. Two series What Do You See? and Purloined as well as the artwork Le Major Davel are being displayed.
Sophie Calle — Dérobés
Past: November 13, 2013 → January 11, 2014
The solo exhibition by Sophie Calle Dérobés is presented at Galerie Perrotin. Two series What Do You See? and Purloined as well as the artwork Le Major Davel are being displayed.
Photography
Emmanuel Perrotin Gallery
Archives
Claude Rutault — Actualités de la peinture
Past: September 12 → November 9, 2013
Claude Rutault’s work uses a set of rules that was established in 1973 in de-finition/method 1: “A canvas braced on a stretcher, painted the same colour as the wall on which it is hung. All commercially available formats can be used, whether rectangular, square, round or oval.”
Claude Rutault — Actualités de la peinture
Past: September 12 → November 9, 2013
Claude Rutault’s work uses a set of rules that was established in 1973 in de-finition/method 1: “A canvas braced on a stretcher, painted the same colour as the wall on which it is hung. All commercially available formats can be used, whether rectangular, square, round or oval.”
Painting
Emmanuel Perrotin Gallery
Archives
Michael Sailstorfer — Freedom Fries am Arbeitsplatz
Past: September 12 → November 9, 2013
Galerie Perrotin, Paris is pleased to present a solo exhibition by Michael Sailstorfer entiltled _Freedom Fries am Arbeitsplatz_ gathering seven _Mazes_ paintings and two Statues of Liberty.
Michael Sailstorfer — Freedom Fries am Arbeitsplatz
Past: September 12 → November 9, 2013
Galerie Perrotin, Paris is pleased to present a solo exhibition by Michael Sailstorfer entiltled _Freedom Fries am Arbeitsplatz_ gathering seven _Mazes_ paintings and two Statues of Liberty.
Installation, painting
Emmanuel Perrotin Gallery
Archives
Sun Yuan & Peng Yu — Dear
Past: September 12 → November 9, 2013
Galerie Perrotin present the exhibition Dear by Sun Yuan & Peng Yu. Their works come across as provocative takes on complex issues of our contemporary era. Although they are among the most controversial artists in China, their installations express a vision of the human condition set in the modern world.
Sun Yuan & Peng Yu — Dear
Past: September 12 → November 9, 2013
Galerie Perrotin present the exhibition Dear by Sun Yuan & Peng Yu. Their works come across as provocative takes on complex issues of our contemporary era. Although they are among the most controversial artists in China, their installations express a vision of the human condition set in the modern world.
Installation
Emmanuel Perrotin Gallery
Archives
It Means It Means! — Curated by Tom Morton
Past: June 22 → July 27, 2013
It Means It Means! is a “drawn group exhibition” that will be staged in two locations simultaneously. The first location is on The Island, a fictional realm that has provided the backdrop to Charles Avery’s artistic investigations. The second location is Galerie Perrotin.
It Means It Means! — Curated by Tom Morton
Past: June 22 → July 27, 2013
It Means It Means! is a “drawn group exhibition” that will be staged in two locations simultaneously. The first location is on The Island, a fictional realm that has provided the backdrop to Charles Avery’s artistic investigations. The second location is Galerie Perrotin.
Drawing
Emmanuel Perrotin Gallery
Archives
Souvenir
Past: June 22 → July 27, 2013
Galerie Perrotin, Lucie Fontaine and their employees are pleased to present Souvenir, a project based on a word that is exceptionally present, with slightly different meanings, in the French, American and Italian dictionaries. A souvenir is an object that serves as a reminder.
Souvenir
Past: June 22 → July 27, 2013
Galerie Perrotin, Lucie Fontaine and their employees are pleased to present Souvenir, a project based on a word that is exceptionally present, with slightly different meanings, in the French, American and Italian dictionaries. A souvenir is an object that serves as a reminder.
Installation, painting, photography
Emmanuel Perrotin Gallery
Archives
Où est jack Goldstein ?
Past: June 22 → July 27, 2013
Jack Goldstein staged performances, minimalist sculptures — but also vinyl records designed to be art objects that recreate archetypal, often disturbing sound bites. Goldstein’s 16 mm short-films — which he hired Hollywood technicians to make — emphasize the clichés of American cinema through repetitive emblematic scenes.
Où est jack Goldstein ?
Past: June 22 → July 27, 2013
Jack Goldstein staged performances, minimalist sculptures — but also vinyl records designed to be art objects that recreate archetypal, often disturbing sound bites. Goldstein’s 16 mm short-films — which he hired Hollywood technicians to make — emphasize the clichés of American cinema through repetitive emblematic scenes.
Film, painting
Emmanuel Perrotin Gallery
Archives
Gianni Motti
Past: April 20 → June 15, 2013
Gianni Motti’s practice has questioned authority at every turn over the years by fully exploiting humour’s potentials as a truth-revealing weapon. If examined at closed range, what surprisingly emerges from his corrosive outlook and scepticism is in fact a fundamental faith in the individual qualities of the human being.
Gianni Motti
Past: April 20 → June 15, 2013
Gianni Motti’s practice has questioned authority at every turn over the years by fully exploiting humour’s potentials as a truth-revealing weapon. If examined at closed range, what surprisingly emerges from his corrosive outlook and scepticism is in fact a fundamental faith in the individual qualities of the human being.
Installation
Emmanuel Perrotin Gallery
Archives
Jesper Just — Exposition personnelle
Past: April 20 → June 15, 2013
Jesper Just takes inspiration from the aesthetic of great film directors such as Dreyer and Bergman, Melville and Kazan. In his enigmatic films, devoid of dialogue, mastery of cinematic strategy is placed in the service of a narrative based on the panoply of human emotions, amplified by the masterly use of music.
Jesper Just — Exposition personnelle
Past: April 20 → June 15, 2013
Jesper Just takes inspiration from the aesthetic of great film directors such as Dreyer and Bergman, Melville and Kazan. In his enigmatic films, devoid of dialogue, mastery of cinematic strategy is placed in the service of a narrative based on the panoply of human emotions, amplified by the masterly use of music.
Archives
Groupshow
Past: March 2 → April 13, 2013
This group show focuses on process and hybridity in abstract painting today. Performance in painting, non-traditional techniques and materials, crafts and design, symbolism, current technology — the works presented in the exhibition are evidence of the renewal of pictorial research beyond the traditional concept of the medium.
Groupshow
Past: March 2 → April 13, 2013
This group show focuses on process and hybridity in abstract painting today. Performance in painting, non-traditional techniques and materials, crafts and design, symbolism, current technology — the works presented in the exhibition are evidence of the renewal of pictorial research beyond the traditional concept of the medium.
Painting
Emmanuel Perrotin Gallery
Archives
Johan Creten — The Vivisector
Past: January 12 → February 23, 2013
Johan Creten discovers the hidden power of earth behind ceramic’s apparent fragility. Johan Creten’s works seem to have escaped from fairytales and become symbolist wonders. They suggest the grottos of the Renaissance, where rules an artificial Nature, Arcimboldo’s and Bernard Palissy’s mannerism and also the curiosity cabinets.
Johan Creten — The Vivisector
Past: January 12 → February 23, 2013
Johan Creten discovers the hidden power of earth behind ceramic’s apparent fragility. Johan Creten’s works seem to have escaped from fairytales and become symbolist wonders. They suggest the grottos of the Renaissance, where rules an artificial Nature, Arcimboldo’s and Bernard Palissy’s mannerism and also the curiosity cabinets.
Ceramic
Emmanuel Perrotin Gallery
Archives
Jean-Michel Othoniel — Les Nœuds de Babel
Past: January 12 → February 23, 2013
For this exhibition, Jean-Michel Othoniel presents four new monumental sculptures and watercolour sketches inspired by Brancusi as well as the colours and forms of Italian Mannerism to the Baroque, developping the question of the lost body. It’s a matter of creating a volume of absence, constructions with variable dimensions where bodies could nest.
Jean-Michel Othoniel — Les Nœuds de Babel
Past: January 12 → February 23, 2013
For this exhibition, Jean-Michel Othoniel presents four new monumental sculptures and watercolour sketches inspired by Brancusi as well as the colours and forms of Italian Mannerism to the Baroque, developping the question of the lost body. It’s a matter of creating a volume of absence, constructions with variable dimensions where bodies could nest.
Installation, sculpture
Emmanuel Perrotin Gallery
Archives
Pieter Vermeersch
Past: January 12 → February 23, 2013
Pieter Vermeersch photographs the sky, usually at night, sometimes providing information as to the urban context, but without clouds, which might induce an overly narrative quality in the image. These vague, “negative” colours in the photographs are then reproduced in Vermeersch’s new paintings, showing us colour from “the other side of reality.”
Pieter Vermeersch
Past: January 12 → February 23, 2013
Pieter Vermeersch photographs the sky, usually at night, sometimes providing information as to the urban context, but without clouds, which might induce an overly narrative quality in the image. These vague, “negative” colours in the photographs are then reproduced in Vermeersch’s new paintings, showing us colour from “the other side of reality.”
Drawing, painting
Emmanuel Perrotin Gallery
Archives
Sophie Calle — Pour la dernière et pour la première fois
Past: September 8 → October 27, 2012
A set of 14 recent films entitled “Voir la mer” and a new series “The Last Image” shot in 2010 in Istanbul are displayed, alongside with older photographs, Blind, 1986. “I went to Istanbul. I spoke to blind people, most of whom had lost their sight suddenly. I asked them to describe the last thing they saw.” S.C
Sophie Calle — Pour la dernière et pour la première fois
Past: September 8 → October 27, 2012
A set of 14 recent films entitled “Voir la mer” and a new series “The Last Image” shot in 2010 in Istanbul are displayed, alongside with older photographs, Blind, 1986. “I went to Istanbul. I spoke to blind people, most of whom had lost their sight suddenly. I asked them to describe the last thing they saw.” S.C
Film, photography
Emmanuel Perrotin Gallery
Archives
Klara Kristalova Wild Thought
Past: September 8 → October 27, 2012
Kristalova’s universe, inspired by the popular imagination of Northern Europe, the tradition of fairy tales and the observation and direct contact with nature, is peopled with solitary figures, often young girls and animals (hares, donkeys, birds, peppered moths) and chimera that are half way between the Animal and Plant Kingdoms.
Klara Kristalova Wild Thought
Past: September 8 → October 27, 2012
Kristalova’s universe, inspired by the popular imagination of Northern Europe, the tradition of fairy tales and the observation and direct contact with nature, is peopled with solitary figures, often young girls and animals (hares, donkeys, birds, peppered moths) and chimera that are half way between the Animal and Plant Kingdoms.
Installation, sculpture
Emmanuel Perrotin Gallery
Archives
Hernan Bas — Thirty-six Unknown Poets (or, decorative objects for the homosexual home)
Past: September 8 → 27, 2012
Galerie Perrotin, Paris is organising a solo show entitled by the Detroit-based artist, Hernan Bas. His new works presented at the Gallery explore the relationship between art and décor, celebrating 36 ‘poètes maudits’. For the first time he is using goldleaf in his drawings with ‘Klimtian’ accents and is also unveiling Japanese-like screens.
Hernan Bas — Thirty-six Unknown Poets (or, decorative objects for the homosexual home)
Past: September 8 → 27, 2012
Galerie Perrotin, Paris is organising a solo show entitled by the Detroit-based artist, Hernan Bas. His new works presented at the Gallery explore the relationship between art and décor, celebrating 36 ‘poètes maudits’. For the first time he is using goldleaf in his drawings with ‘Klimtian’ accents and is also unveiling Japanese-like screens.
Drawing, painting
Emmanuel Perrotin Gallery
Archives
Farhad Moshiri — Fire of Joy
Past: June 23 → July 28, 2012
Inspired by Pop Art, Farhad Moshiri has developed a remarkable and hybrid visual language that draws at once from popular Iranian and Western cultures. In the exhibition Fire of Joy, the artist is playing upon the concept of “happiness”, which for him leaves greater place for sarcasm and cynicism.
Farhad Moshiri — Fire of Joy
Past: June 23 → July 28, 2012
Inspired by Pop Art, Farhad Moshiri has developed a remarkable and hybrid visual language that draws at once from popular Iranian and Western cultures. In the exhibition Fire of Joy, the artist is playing upon the concept of “happiness”, which for him leaves greater place for sarcasm and cynicism.
Installation, painting
Emmanuel Perrotin Gallery
Archives
Aya Takano — To Lose Is To Gain
Past: June 23 → July 28, 2012
Aya Takano is a painter, artist, creator of Mangas and author of science-fiction novels. We find surprising and sundry references in her paintings : Italian Renaissance, animes, art from the world of Ukiyo-e (Hokusai for example), particularly that of Shunga and the erotic prints in her work.
Aya Takano — To Lose Is To Gain
Past: June 23 → July 28, 2012
Aya Takano is a painter, artist, creator of Mangas and author of science-fiction novels. We find surprising and sundry references in her paintings : Italian Renaissance, animes, art from the world of Ukiyo-e (Hokusai for example), particularly that of Shunga and the erotic prints in her work.
Painting
Emmanuel Perrotin Gallery
Archives
Wim Delvoye Rorschach
Past: May 12 → June 16, 2012
Galerie Perrotin presents Wim Delvoye’s third solo show entitled Rorschach. The artist has developed an art that offers a reinterpretation of artworks of the past while laying down a lucid and amused glance at contemporary society. Between homage and irreverence, he appropriates and deforms the motifs that inspire him.
Wim Delvoye Rorschach
Past: May 12 → June 16, 2012
Galerie Perrotin presents Wim Delvoye’s third solo show entitled Rorschach. The artist has developed an art that offers a reinterpretation of artworks of the past while laying down a lucid and amused glance at contemporary society. Between homage and irreverence, he appropriates and deforms the motifs that inspire him.
Installation, sculpture
Emmanuel Perrotin Gallery
Archives
Gelitin — The voulez vous chaud
Past: March 10 → April 21, 2012
Galerie Perrotin features a series of fresh new Gelatin paintings. Like in their installations and this list of titles, Gelatin is not afraid of switching styles. From realistic to monochrome, from gracious art to everything, from everything to minimal and back again.
Gelitin — The voulez vous chaud
Past: March 10 → April 21, 2012
Galerie Perrotin features a series of fresh new Gelatin paintings. Like in their installations and this list of titles, Gelatin is not afraid of switching styles. From realistic to monochrome, from gracious art to everything, from everything to minimal and back again.
Collage, painting, performance
Emmanuel Perrotin Gallery
Archives
Dan Flavin — An Installation
Past: January 14 → March 3, 2012
In a constant dialogue with painting, sculpture and architecture, Dan Flavin’s three-dimensional monochromes with fluorescent tubes or light bulbs became his only medium in 1961. Though he refuses all ecstatic interpretation, he introduced the presence of the immaterial in the sensorial and physical experience of transforming colour and light into matter.
Dan Flavin — An Installation
Past: January 14 → March 3, 2012
In a constant dialogue with painting, sculpture and architecture, Dan Flavin’s three-dimensional monochromes with fluorescent tubes or light bulbs became his only medium in 1961. Though he refuses all ecstatic interpretation, he introduced the presence of the immaterial in the sensorial and physical experience of transforming colour and light into matter.
Installation
Emmanuel Perrotin Gallery
Archives
Lionel Estève
Past: January 14 → March 3, 2012
For his third exhibition at Galerie Perrotin, Lionel Estève has developed an empirical, sensual environment comprised of 10 to 15 metre long sculptures in acid colours, with strange serpents and doors in trompe-l’oeil. Beyond the real, his enigmatic works envelop the visitor with their fantasized secrets and recreate a fictional realm.
Lionel Estève
Past: January 14 → March 3, 2012
For his third exhibition at Galerie Perrotin, Lionel Estève has developed an empirical, sensual environment comprised of 10 to 15 metre long sculptures in acid colours, with strange serpents and doors in trompe-l’oeil. Beyond the real, his enigmatic works envelop the visitor with their fantasized secrets and recreate a fictional realm.
Installation, mixed media
Emmanuel Perrotin Gallery
Archives
JR — Encrages
Past: November 19, 2011 → January 7, 2012
The Galerie Perrotin announce the first major solo show by JR, “Encrages”. After displaying his work in the biggest Museum of the world, the walls of the cities, JR faces the walls of the Gallery. JR creates monumental photographs that he pastes around the world, infiltrating in urban life anonymous portraits, witnesses of the present and the past.
JR — Encrages
Past: November 19, 2011 → January 7, 2012
The Galerie Perrotin announce the first major solo show by JR, “Encrages”. After displaying his work in the biggest Museum of the world, the walls of the cities, JR faces the walls of the Gallery. JR creates monumental photographs that he pastes around the world, infiltrating in urban life anonymous portraits, witnesses of the present and the past.
Installation, photography
Emmanuel Perrotin Gallery
Archives
Xavier Veilhan — Orchestra
Past: September 10 → November 12, 2011
« Orchestra » sonne sous la direction de l’artiste Xavier Veilhan telle une polyphonie d’objets renouvelant la perception de l’espace de la Galerie Perrotin. Cet événement marque un tournant, les nouvelles formes présentées ne sont pas une négation des travaux antérieurs, mais plutôt inscrites dans leur continuité.
Xavier Veilhan — Orchestra
Past: September 10 → November 12, 2011
« Orchestra » sonne sous la direction de l’artiste Xavier Veilhan telle une polyphonie d’objets renouvelant la perception de l’espace de la Galerie Perrotin. Cet événement marque un tournant, les nouvelles formes présentées ne sont pas une négation des travaux antérieurs, mais plutôt inscrites dans leur continuité.
Sculpture, mixed media
Emmanuel Perrotin Gallery
Archives
Giuseppe Gabellone
Past: September 10 → October 15, 2011
Giuseppe Gabellone often associates sculpture with photography creating a relationship of dependence and ambiguity between the two languages. The first room features a collection of 32 photographs and 14 bas-reliefs in aluminium placed at irregular intervals. In the second room, four screen prints on paper reveal images on glass.
Giuseppe Gabellone
Past: September 10 → October 15, 2011
Giuseppe Gabellone often associates sculpture with photography creating a relationship of dependence and ambiguity between the two languages. The first room features a collection of 32 photographs and 14 bas-reliefs in aluminium placed at irregular intervals. In the second room, four screen prints on paper reveal images on glass.
Photography, mixed media
Emmanuel Perrotin Gallery
Archives
A History of Editions — Marcel Duchamp, Joseph Beuys, Takashi Murakami
Past: June 24 → July 30, 2011
L’exposition réunit les multiples de Duchamp, Beuys et Murakami qui ont consacré une large part de leur création artistique à la réalisation d’éditions. D’autres artistes du XXè siècle se sont adonnés à cette pratique, Andy Warhol bien sûr mais aussi Roy Lichtenstein, Robert Rauschenberg, Claes Oldenburg…
A History of Editions — Marcel Duchamp, Joseph Beuys, Takashi Murakami
Past: June 24 → July 30, 2011
L’exposition réunit les multiples de Duchamp, Beuys et Murakami qui ont consacré une large part de leur création artistique à la réalisation d’éditions. D’autres artistes du XXè siècle se sont adonnés à cette pratique, Andy Warhol bien sûr mais aussi Roy Lichtenstein, Robert Rauschenberg, Claes Oldenburg…
Mixed media
Emmanuel Perrotin Gallery
Archives
Elmgreen & Dragset — The Afterlife of the Mysterious Mr. B.
Past: May 7 → June 18, 2011
Elmgreen & Dragset prolongent leurs recherches sur la transformation des lieux en espaces narratifs aux multiples interprétations. Les 3 salles dévoilent les différentes étapes de la vie du personnage fictionnel Mr. B.
Elmgreen & Dragset — The Afterlife of the Mysterious Mr. B.
Past: May 7 → June 18, 2011
Elmgreen & Dragset prolongent leurs recherches sur la transformation des lieux en espaces narratifs aux multiples interprétations. Les 3 salles dévoilent les différentes étapes de la vie du personnage fictionnel Mr. B.
Installation, painting, sculpture
Emmanuel Perrotin Gallery
Archives
Bernard Frize — Ad Nauseam
Past: February 26 → April 30, 2011
Bernard Frize a conçu pour cette exposition un ensemble d’œuvres qui doivent être appréhendées comme un tout : quinze toiles récentes et trois inédites datant de 1993.
Bernard Frize — Ad Nauseam
Past: February 26 → April 30, 2011
Bernard Frize a conçu pour cette exposition un ensemble d’œuvres qui doivent être appréhendées comme un tout : quinze toiles récentes et trois inédites datant de 1993.
Painting
Emmanuel Perrotin Gallery
Archives
Daniel Firman — Backflip
Past: February 26 → April 30, 2011
À travers des objets du quotidien et des corps moulés, l’exposition articule des visions de retournement, d’inversion et d’attraction. A l’image du backflip, figure de freestyle complexe qui consiste à produire un saut arrière sur soi-même, l’exposition réunit des œuvres dont le sujet d’origine se voit renversé où le dedans devient dehors et inversement.
Daniel Firman — Backflip
Past: February 26 → April 30, 2011
À travers des objets du quotidien et des corps moulés, l’exposition articule des visions de retournement, d’inversion et d’attraction. A l’image du backflip, figure de freestyle complexe qui consiste à produire un saut arrière sur soi-même, l’exposition réunit des œuvres dont le sujet d’origine se voit renversé où le dedans devient dehors et inversement.
Sculpture
Emmanuel Perrotin Gallery
Archives
Paola Pivi — What goes round — art comes round
Past: November 6 → December 23, 2010
Après avoir installé des zèbres sur des sommets enneigés, des autruches et des ânes sur un bateau naviguant en mer Méditerranée, Paola Pivi nous montre des ours polaires, des ours bruns et des grizzlis dans l’espace même où erraient un mouton blanc et d’autres animaux à robe blanche lors de lors de la performance « Interesting ».
Paola Pivi — What goes round — art comes round
Past: November 6 → December 23, 2010
Après avoir installé des zèbres sur des sommets enneigés, des autruches et des ânes sur un bateau naviguant en mer Méditerranée, Paola Pivi nous montre des ours polaires, des ours bruns et des grizzlis dans l’espace même où erraient un mouton blanc et d’autres animaux à robe blanche lors de lors de la performance « Interesting ».
Drawing, installation, photography
Emmanuel Perrotin Gallery
Archives
Peter Coffin — The Colors are Bright
Past: March 20 → May 7, 2010
When we met last month, we discussed a fairly rare rhetorical device known as prosopopoeia : a process by which objects are personified as if they could think. Contemporary art is full of unintentional prosopopoeiae — to such an extent that we could describe its most innovative aspect as if haunted by the idea of the “speech of things".
Peter Coffin — The Colors are Bright
Past: March 20 → May 7, 2010
When we met last month, we discussed a fairly rare rhetorical device known as prosopopoeia : a process by which objects are personified as if they could think. Contemporary art is full of unintentional prosopopoeiae — to such an extent that we could describe its most innovative aspect as if haunted by the idea of the “speech of things".
Installation, sculpture
Emmanuel Perrotin Gallery
Archives
Daniel Arsham — Animal Architecture
Past: March 20 → May 7, 2010
“Animals have a unique relationship with architecture because it is not built for them. When we are confronted with the animal’s ambiguous connection to a world designed for humans, we are better equipped to ask questions about our own relationships to architecture. ” Arsham has said.
Daniel Arsham — Animal Architecture
Past: March 20 → May 7, 2010
“Animals have a unique relationship with architecture because it is not built for them. When we are confronted with the animal’s ambiguous connection to a world designed for humans, we are better equipped to ask questions about our own relationships to architecture. ” Arsham has said.
Architecture, drawing, sculpture...
Emmanuel Perrotin Gallery
03 Le Marais
03 Le Marais
Saint-Sébastien – Froissart
Opening hours
Tuesday – Saturday, 11 AM – 7 PM