ArtistsPast
Archives
L’usage des richesses
Past: January 24 → March 20, 2021
We find ourselves in front of a lifeless body. Although we’ve just spent a year counting our dead, being in the presence of a corpse is no less of an event. The concealment of death in our society is, above all, part of a strategy that prevents us from becoming aware of…
L’usage des richesses
Past: January 24 → March 20, 2021
We find ourselves in front of a lifeless body. Although we’ve just spent a year counting our dead, being in the presence of a corpse is no less of an event. The concealment of death in our society is, above all, part of a strategy that prevents us from becoming aware of…
Architecture, installation, performance...
Salle Principale — la galerie
Archives
Occupations — Group Show
Past: February 15 → April 27, 2019
L’exposition Occupations n’œuvre pas dans un espace abstrait et intemporel, mais plutôt dans un contexte précis, actuel, sans doute nourri par un regain d’intérêt pour les implications spatiales de la pratique politique collective ou personnelle.
Occupations — Group Show
Past: February 15 → April 27, 2019
L’exposition Occupations n’œuvre pas dans un espace abstrait et intemporel, mais plutôt dans un contexte précis, actuel, sans doute nourri par un regain d’intérêt pour les implications spatiales de la pratique politique collective ou personnelle.
Architecture, urban art, design...
Salle Principale — la galerie
Archives
Matthieu Saladin — Wind is insubstantial: visible and audible only through the objects in its path
Past: December 1, 2017 → February 18, 2018
How much is a cubic metre of air worth?
How do we pay for the wind we need to travel from Europe to America and vice versa? [1]
Perceived by the people affected by them as anonymous and devoid of behaviour that can be seen in advance, air movement and turbulence manifest themselves as ungovernable or hard to cont…
Matthieu Saladin — Wind is insubstantial: visible and audible only through the objects in its path
Past: December 1, 2017 → February 18, 2018
How much is a cubic metre of air worth?
How do we pay for the wind we need to travel from Europe to America and vice versa? [1]
Perceived by the people affected by them as anonymous and devoid of behaviour that can be seen in advance, air movement and turbulence manifest themselves as ungovernable or hard to cont…
Film, installation, sound - music
Salle Principale — la galerie
Archives
Orientation
Past: February 17 → April 15, 2017
L’autoritarisme naturel du Pouvoir s’oppose invariablement aux besoins réels des individus. Nombre d’artistes ont choisis, occasionnellement ou de façon systématique, d’aller « au dehors » critiquant ainsi les institutions sociales et artistiques qui régentent nos vies pour ne plus être sur la « scène » et agir dans la réalité des espaces urbains et naturels.
Orientation
Past: February 17 → April 15, 2017
L’autoritarisme naturel du Pouvoir s’oppose invariablement aux besoins réels des individus. Nombre d’artistes ont choisis, occasionnellement ou de façon systématique, d’aller « au dehors » critiquant ainsi les institutions sociales et artistiques qui régentent nos vies pour ne plus être sur la « scène » et agir dans la réalité des espaces urbains et naturels.
Architecture, installation, performance...
Salle Principale — la galerie
Archives
Matthieu Saladin — La promesse de la dette
Past: February 19 → April 30, 2016
Following in the footsteps of conceptual art, Matthieu Saladin develops a multi-facetted approach that explores contemporary economic mechanisms and the way they shape social relationships and subjectivities. Using sound, printed matter, performance, objects, he uses accumulation, displacement, repurposing or tautology.
Matthieu Saladin — La promesse de la dette
Past: February 19 → April 30, 2016
Following in the footsteps of conceptual art, Matthieu Saladin develops a multi-facetted approach that explores contemporary economic mechanisms and the way they shape social relationships and subjectivities. Using sound, printed matter, performance, objects, he uses accumulation, displacement, repurposing or tautology.
Installation, performance, sound - music...
Salle Principale — la galerie
Archives
D’une main invisible
Past: May 20 → July 25, 2015
It is interesting to draw a comparison between global capitalism and the system within which recent art is evolving: the latter has its own economy of objects and people, of private and public investors, and of quantifiable growth parameters.
D’une main invisible
Past: May 20 → July 25, 2015
It is interesting to draw a comparison between global capitalism and the system within which recent art is evolving: the latter has its own economy of objects and people, of private and public investors, and of quantifiable growth parameters.
Architecture, installation, performance...
Salle Principale — la galerie
Archives
Sextet The Tiger’s Mind Re-iterated
Past: March 23 → April 27, 2013
Sextet The Tiger’s Mind Re-iterated explores the adaptation of Cardew’s score to the screen throughout a series of events, in which new protagonists join the score’s original characters for the presentation of Beatrice’s Gibson’s film in an exhibition format.
Sextet The Tiger’s Mind Re-iterated
Past: March 23 → April 27, 2013
Sextet The Tiger’s Mind Re-iterated explores the adaptation of Cardew’s score to the screen throughout a series of events, in which new protagonists join the score’s original characters for the presentation of Beatrice’s Gibson’s film in an exhibition format.
Architecture, graphic design, installation...
CAC Brétigny
Matthieu Saladin
Contemporary
Performance, sound - music
French artist born in Versailles, France.
- Localisation
- Paris et Rennes, France
- Website
- www.matthieusaladin.org