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Le vent se lève — Dixième exposition de la collection
Past: June 17, 2020 → March 17, 2021
The exhibition follows a series of themes that connect and dialogue with each other, guiding visitors in their exploration. The works give a glimpse of the imbalance between the very long time-frame that preceded the appearance of Man and human and, recently, chemical time, in which experiments precipitate an impact that is all too often destructive.
Le vent se lève — Dixième exposition de la collection
Past: June 17, 2020 → March 17, 2021
The exhibition follows a series of themes that connect and dialogue with each other, guiding visitors in their exploration. The works give a glimpse of the imbalance between the very long time-frame that preceded the appearance of Man and human and, recently, chemical time, in which experiments precipitate an impact that is all too often destructive.
Mixed media
MAC VAL Musée d'art contemporain du Val-de-Marne
Archives
La Page manquante — Exposition collective dirigée par Renaud Auguste-Dormeuil
Past: March 5 → 14
À la faveur de sa Saison Fractale_Visions Parallaxes — paramétrée par la valeur heuristique du désordre et de la dynamique de la théorie du chaos, le Centre Wallonie-Bruxelles/Paris vous convie à une itération — en mode belgo-français — du projet La Page manquante, implémenté par Renaud Auguste-Dormeuil en 2019. Pour ce second opus, des plasticien.ne.s basé.e.s en Wallonie, à Bruxelles et en France y sont convié.e.s.
La Page manquante — Exposition collective dirigée par Renaud Auguste-Dormeuil
Past: March 5 → 14
À la faveur de sa Saison Fractale_Visions Parallaxes — paramétrée par la valeur heuristique du désordre et de la dynamique de la théorie du chaos, le Centre Wallonie-Bruxelles/Paris vous convie à une itération — en mode belgo-français — du projet La Page manquante, implémenté par Renaud Auguste-Dormeuil en 2019. Pour ce second opus, des plasticien.ne.s basé.e.s en Wallonie, à Bruxelles et en France y sont convié.e.s.
Publishing, mixed media
Centre Wallonie–Bruxelles
Archives
Cœurs — Du romantisme dans l’art contemporain
Past: February 14 → July 12, 2020
Le musée de la Vie romantique présente une sélection de quarante œuvres de trente artistes contemporains autour de la représentation du cœur comme expression du sentiment amoureux, en écho à l’une des thématiques phares du romantisme.
Cœurs — Du romantisme dans l’art contemporain
Past: February 14 → July 12, 2020
Le musée de la Vie romantique présente une sélection de quarante œuvres de trente artistes contemporains autour de la représentation du cœur comme expression du sentiment amoureux, en écho à l’une des thématiques phares du romantisme.
Drawing, painting, photography...
Musée de la Vie Romantique
Archives
Philippe Mayaux — Tableaux 1989–2019
Past: February 1 → April 13, 2019
Philippe Mayaux is like a free-fall parachutist, capable of the craziest pirouettes. Now, this peerless stuntman indulges himself by landing systematically on his front, in a deliberately grotesque posture, copiously splashing the surroundings of the pool. Painter of placebos for domestic use, sculptor of electric logs, Philippe Mayaux is a magnificent traitor.
Philippe Mayaux — Tableaux 1989–2019
Past: February 1 → April 13, 2019
Philippe Mayaux is like a free-fall parachutist, capable of the craziest pirouettes. Now, this peerless stuntman indulges himself by landing systematically on his front, in a deliberately grotesque posture, copiously splashing the surroundings of the pool. Painter of placebos for domestic use, sculptor of electric logs, Philippe Mayaux is a magnificent traitor.
Painting
Loevenbruck Gallery
Archives
Philippe Mayaux / Pierre Molinier — En affinité(s) / Affinities #3
Past: September 22 → October 14, 2017
At first glance, the affinities between Pierre Molinier and Philippe Mayaux do not seem obvious, but rather like an arranged marriage. Indeed, what would a photographer known primarily for his erotic black-and-white images have to do with a painter known especially for his colourful Pop paintings? In theory, not much.
Philippe Mayaux / Pierre Molinier — En affinité(s) / Affinities #3
Past: September 22 → October 14, 2017
At first glance, the affinities between Pierre Molinier and Philippe Mayaux do not seem obvious, but rather like an arranged marriage. Indeed, what would a photographer known primarily for his erotic black-and-white images have to do with a painter known especially for his colourful Pop paintings? In theory, not much.
Painting, photography
Loevenbruck Gallery
Archives
L’Effet Vertigo — Nouvelle exposition des œuvres de la collection
Past: October 24, 2015 → October 24, 2016
The new exhibition of works from the collection explores the relationship between artists and history and its narratives as well as our own relationship as spectator with what has preceded us. Perspective, that which imbues it and constitutes it, is an essential part of this relationship.
L’Effet Vertigo — Nouvelle exposition des œuvres de la collection
Past: October 24, 2015 → October 24, 2016
The new exhibition of works from the collection explores the relationship between artists and history and its narratives as well as our own relationship as spectator with what has preceded us. Perspective, that which imbues it and constitutes it, is an essential part of this relationship.
Installation, painting, sculpture
MAC VAL Musée d'art contemporain du Val-de-Marne
Archives
bOurlesque
Past: March 20 → April 30, 2016
La Galerie municipale Jean-Collet présente, sur une proposition inédite de Jacques Py et Catherine Viollet, une exposition collective d’envergure axée autour du burlesque. L’exposition regroupe une vingtaine d’artistes tels que Michel Blazy, Anna et Bernhard Blume, Erik Dietman, Patrick Van Caeckenbergh…
bOurlesque
Past: March 20 → April 30, 2016
La Galerie municipale Jean-Collet présente, sur une proposition inédite de Jacques Py et Catherine Viollet, une exposition collective d’envergure axée autour du burlesque. L’exposition regroupe une vingtaine d’artistes tels que Michel Blazy, Anna et Bernhard Blume, Erik Dietman, Patrick Van Caeckenbergh…
Drawing, installation, painting...
Galerie municipale Jean-Collet
Archives
Sous influences
Past: February 15 → May 19, 2013
La maison rouge presents a major exhibition which addresses the relationship between artists and psychotropic drugs. Since the advent of humanity our ancestors have stumbled upon psychoactive substances. These encounters have led to mystical insights. Artists, constantly in search of their creative muse, could only be compelled to try out their effects.
Sous influences
Past: February 15 → May 19, 2013
La maison rouge presents a major exhibition which addresses the relationship between artists and psychotropic drugs. Since the advent of humanity our ancestors have stumbled upon psychoactive substances. These encounters have led to mystical insights. Artists, constantly in search of their creative muse, could only be compelled to try out their effects.
Painting, photography, sculpture...
La Maison rouge
Archives
Tous Cannibales
Past: February 12 → May 15, 2011
Despite being largely ignored by art critics and theorists, anthropophagy is an underlying theme of current creation. Leaving aside images of gore, Jeanette Zwingenberger has chosen artists, almost half of whom are women, who address the cruelty of anthropophagy from a critical standpoint and with a certain delicacy.
Tous Cannibales
Past: February 12 → May 15, 2011
Despite being largely ignored by art critics and theorists, anthropophagy is an underlying theme of current creation. Leaving aside images of gore, Jeanette Zwingenberger has chosen artists, almost half of whom are women, who address the cruelty of anthropophagy from a critical standpoint and with a certain delicacy.
Drawing, painting, photography...
La Maison rouge
Philippe Mayaux
Contemporary
Painting, sculpture
French artist born in 1961 in Roubaix, France.
- Localisation
- Montreuil, France