ArtistsPast
Archives
Bente Skjøttgaard — Tableaux — 11.01 au/to 15.01.2022 visite sur rendez-vous / visit by appointment only
Past: November 7, 2021 → January 15, 2022
*The _tableau_ or _tableau_ vivant designates a type of theater, where actors are immobilized as a silent image for a brief instant on a set, usually inspired by History. In the science field, the word _tableau_ (table) refers to a structured presentation of a specific topic in images, words or numbers. _Tableaux_ by …
Bente Skjøttgaard — Tableaux — 11.01 au/to 15.01.2022 visite sur rendez-vous / visit by appointment only
Past: November 7, 2021 → January 15, 2022
*The _tableau_ or _tableau_ vivant designates a type of theater, where actors are immobilized as a silent image for a brief instant on a set, usually inspired by History. In the science field, the word _tableau_ (table) refers to a structured presentation of a specific topic in images, words or numbers. _Tableaux_ by …
Ceramic
Maria Lund Gallery
Archives
Grand Mix — Peter Martensen — Marlon Wobst — Bente Skjøttgaard — Farida Le Suavé — Min Jung-Yeon
Past: January 25 → March 7, 2020
We’ve opened doors, windows and hidden corners — and artworks came…
Grand Mix — Peter Martensen — Marlon Wobst — Bente Skjøttgaard — Farida Le Suavé — Min Jung-Yeon
Past: January 25 → March 7, 2020
We’ve opened doors, windows and hidden corners — and artworks came…
Ceramic, drawing, painting...
Maria Lund Gallery
Archives
Bente Skjøttgaard — Look at me!
Past: November 10, 2018 → January 5, 2019
Nature and its phenomena are recurrent sources of inspiration for Bente Skjøttgaard: The tree and its roots, the clouds, the tornadoes and their never-ending transformations have been what triggered many of her works for over a decade. The matter of ceramics itself, clay, comes from nature and inherently bear the history of geological movements.
Bente Skjøttgaard — Look at me!
Past: November 10, 2018 → January 5, 2019
Nature and its phenomena are recurrent sources of inspiration for Bente Skjøttgaard: The tree and its roots, the clouds, the tornadoes and their never-ending transformations have been what triggered many of her works for over a decade. The matter of ceramics itself, clay, comes from nature and inherently bear the history of geological movements.
Ceramic
Maria Lund Gallery
Archives
Bente Skjøttgaard — Espèces Nouvelles
Past: January 30 → March 12, 2016
The passages between categories, in particular those between nature and culture, have always been at the heart of artist-ceramicist Bente Skjøttgaard’s research.
Bente Skjøttgaard — Espèces Nouvelles
Past: January 30 → March 12, 2016
The passages between categories, in particular those between nature and culture, have always been at the heart of artist-ceramicist Bente Skjøttgaard’s research.
Ceramic, sculpture
Maria Lund Gallery
Archives
12 x 12
Past: December 12, 2013 → January 11, 2014
There is no imposed theme or material for this group exhibition which brings together fifteen artists from the gallery and three new artists to discover. The only constraint: the format. The idea is to take a stand against the monumentalization trend in contemporary art. The 12 x 12 exhibition pays homage to the small format.
12 x 12
Past: December 12, 2013 → January 11, 2014
There is no imposed theme or material for this group exhibition which brings together fifteen artists from the gallery and three new artists to discover. The only constraint: the format. The idea is to take a stand against the monumentalization trend in contemporary art. The 12 x 12 exhibition pays homage to the small format.
Drawing, painting, photography...
Maria Lund Gallery
Archives
Bente Skjøttgaard — Aire de repos
Past: September 21 → November 2, 2013
Bente Skøttgaard’s new productions belong to a body of work that spans several years on clouds and traces. They are not only a very free and playful interpretation of phenomena of our environment, but also a pretext to question the notions of rupture and intervention.
Bente Skjøttgaard — Aire de repos
Past: September 21 → November 2, 2013
Bente Skøttgaard’s new productions belong to a body of work that spans several years on clouds and traces. They are not only a very free and playful interpretation of phenomena of our environment, but also a pretext to question the notions of rupture and intervention.
Ceramic, sculpture
Maria Lund Gallery
Archives
Terres — Copenhagen Ceramics invites
Past: June 22 → September 14, 2013
Maria Lund gallery has echoed for nearly ten years a current which has now developed into sizeable proportions: ceramics is receiving renewed interest from contemporary artists. They have freed it from its functional and decorative aspects by considering it from a perspective firmly rooted in the fine arts.
Terres — Copenhagen Ceramics invites
Past: June 22 → September 14, 2013
Maria Lund gallery has echoed for nearly ten years a current which has now developed into sizeable proportions: ceramics is receiving renewed interest from contemporary artists. They have freed it from its functional and decorative aspects by considering it from a perspective firmly rooted in the fine arts.
Ceramic, sculpture
Maria Lund Gallery
Archives
Bente Skjøttgaard — Dans les nuages
Past: September 3 → October 16, 2010
Between earth and sky, or, more specifically between clouds and mud, for a while now, Bente Skjøttgaard has been working both above our heads and below our feet. In the clouds is her fourth exhibition in Paris. It is the fruit of an almost contradictory attempt to materialise in clay the light and ephemeral qualities of clouds.
Bente Skjøttgaard — Dans les nuages
Past: September 3 → October 16, 2010
Between earth and sky, or, more specifically between clouds and mud, for a while now, Bente Skjøttgaard has been working both above our heads and below our feet. In the clouds is her fourth exhibition in Paris. It is the fruit of an almost contradictory attempt to materialise in clay the light and ephemeral qualities of clouds.
Sculpture
Maria Lund Gallery
