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L’amitié : ce tremble — Au Crédac
Past: April 28 → July 13
Situated in two different geographic, social and artistic contexts — one of them being the rural territory, on the border between Switzerland and Germany, the other one being on the other Parisian periphery — the Alsatian CRAC and the Crédac share a commitment : accompany and valorize experimentation and contemporary creation prioritizing the encounter between the audience, artists, and artworks.
L’amitié : ce tremble — Au Crédac
Past: April 28 → July 13
Situated in two different geographic, social and artistic contexts — one of them being the rural territory, on the border between Switzerland and Germany, the other one being on the other Parisian periphery — the Alsatian CRAC and the Crédac share a commitment : accompany and valorize experimentation and contemporary creation prioritizing the encounter between the audience, artists, and artworks.
Mixed media
Le Crédac
Archives
L’amitié : ce tremble
Past: February 27 → May 12
From February 18 to May 12, 2024, Friendship : That Shiver, That Aspen, a group exhibition organized in collaboration with Centre d’art contemporain d’Ivry—le Crédac.
At CRAC Alsace and Crédac, we are really motivated by sharing ideas, collaborating and pooling methods. One day, we brought to the table the Temple d…
L’amitié : ce tremble
Past: February 27 → May 12
From February 18 to May 12, 2024, Friendship : That Shiver, That Aspen, a group exhibition organized in collaboration with Centre d’art contemporain d’Ivry—le Crédac.
At CRAC Alsace and Crédac, we are really motivated by sharing ideas, collaborating and pooling methods. One day, we brought to the table the Temple d…
Mixed media
CRAC Alsace Centre rhénan d'art contemporain
Archives
40 ans du Frac ! — Gunaikeîon
Past: October 15, 2023 → February 24, 2024
Pour les 40 ans des Frac, il s’agit à la fois de repenser l’histoire de l’institution, écrite notamment par le biais de sa collection, et de tendre vers des futurs communs et désirables. L’exposition Gunaikeîon invite plusieurs commissaires à écrire leur propre récit à partir des œuvres de la collection et dans la ren…
40 ans du Frac ! — Gunaikeîon
Past: October 15, 2023 → February 24, 2024
Pour les 40 ans des Frac, il s’agit à la fois de repenser l’histoire de l’institution, écrite notamment par le biais de sa collection, et de tendre vers des futurs communs et désirables. L’exposition Gunaikeîon invite plusieurs commissaires à écrire leur propre récit à partir des œuvres de la collection et dans la ren…
Mixed media
Frac île-de-france, les Réserves
Archives
Antéfutur
Past: April 7 → September 3, 2023
Faced with the consequences of a past whose teachings we struggle to assimilate, and a looming fate which threatens to overwhelm us, we are collectively stuck in the rut of a present haunted with the paradoxical images of futureless prospects.
Antefuture, however, formulates the hypothesis that other scenarios are …
Antéfutur
Past: April 7 → September 3, 2023
Faced with the consequences of a past whose teachings we struggle to assimilate, and a looming fate which threatens to overwhelm us, we are collectively stuck in the rut of a present haunted with the paradoxical images of futureless prospects.
Antefuture, however, formulates the hypothesis that other scenarios are …
Mixed media
CAPC
Archives
Le vent se lève — Dixième exposition de la collection
Past: June 17, 2020 → March 17, 2021
The exhibition follows a series of themes that connect and dialogue with each other, guiding visitors in their exploration. The works give a glimpse of the imbalance between the very long time-frame that preceded the appearance of Man and human and, recently, chemical time, in which experiments precipitate an impact that is all too often destructive.
Le vent se lève — Dixième exposition de la collection
Past: June 17, 2020 → March 17, 2021
The exhibition follows a series of themes that connect and dialogue with each other, guiding visitors in their exploration. The works give a glimpse of the imbalance between the very long time-frame that preceded the appearance of Man and human and, recently, chemical time, in which experiments precipitate an impact that is all too often destructive.
Mixed media
MAC VAL Musée d'art contemporain du Val-de-Marne
Archives
Anticorps
Past: October 23, 2020 → January 3, 2021
The worldwide experience of lockdown and the adoption of social and physical distancing have made us reconsider the idea that our bodies are sealed units. Did we forget how porous we actually are?
Anticorps
Past: October 23, 2020 → January 3, 2021
The worldwide experience of lockdown and the adoption of social and physical distancing have made us reconsider the idea that our bodies are sealed units. Did we forget how porous we actually are?
Mixed media
Palais de Tokyo
Archives
Sans réserve — Nouvelle exposition des œuvres de la collection
Past: June 30, 2017 → June 30, 2018
Conceived around historic artworks from the museum collection as well as new acquisitions, this 8th exhibition of the museum collection artworks revolves around the construction of narratives.
Sans réserve — Nouvelle exposition des œuvres de la collection
Past: June 30, 2017 → June 30, 2018
Conceived around historic artworks from the museum collection as well as new acquisitions, this 8th exhibition of the museum collection artworks revolves around the construction of narratives.
Drawing, installation, painting...
MAC VAL Musée d'art contemporain du Val-de-Marne
Archives
Manif d’art — La biennale de Québec
Past: October 21, 2017 → January 28, 2018
Pour ce deuxième temps d’accrochage de l’exposition des œuvres de la collection « Sans réserve », le MAC VAL accueille une sélection d’œuvres exposées à l’occasion de la 8e édition de Manif d’art — La biennale de Québec, qui s’est tenue du 17 février au 14 mai 2017 et dont Alexia Fabre, Conservatrice en chef du MAC …
Manif d’art — La biennale de Québec
Past: October 21, 2017 → January 28, 2018
Pour ce deuxième temps d’accrochage de l’exposition des œuvres de la collection « Sans réserve », le MAC VAL accueille une sélection d’œuvres exposées à l’occasion de la 8e édition de Manif d’art — La biennale de Québec, qui s’est tenue du 17 février au 14 mai 2017 et dont Alexia Fabre, Conservatrice en chef du MAC …
Drawing, installation, painting...
MAC VAL Musée d'art contemporain du Val-de-Marne
Archives
Les Bons Sentiments — 19ème Prix Fondation d’entreprise Ricard
Past: September 5 → November 10, 2017
On the occasion of the 19th Fondation d’entreprise Ricard Prize, the exhibition Les Bons Sentiments brings together the six nominated artists: Deborah Bowmann, Pauline Curnier Jardin, Lola Gonzàlez, Thomas Jeppe, Caroline Mesquita and Zin Taylor.
Les Bons Sentiments — 19ème Prix Fondation d’entreprise Ricard
Past: September 5 → November 10, 2017
On the occasion of the 19th Fondation d’entreprise Ricard Prize, the exhibition Les Bons Sentiments brings together the six nominated artists: Deborah Bowmann, Pauline Curnier Jardin, Lola Gonzàlez, Thomas Jeppe, Caroline Mesquita and Zin Taylor.
Urban art, film, installation...
Fondation d’entreprise Pernod Ricard
Archives
Lola Gonzàlez — Rappelle-toi de la couleur des fraises
Past: January 20 → April 2, 2017
Whether in her writing, her process or her choice to collaborate with other artists, Lola Gonzàlez’s works tend toward authenticity, spontaneity and fluidity, the chore values of emotional relationships. The artist mostly produces videos in which she repeatedly stages a group of young people evolving in wild environments set around big family houses.
Lola Gonzàlez — Rappelle-toi de la couleur des fraises
Past: January 20 → April 2, 2017
Whether in her writing, her process or her choice to collaborate with other artists, Lola Gonzàlez’s works tend toward authenticity, spontaneity and fluidity, the chore values of emotional relationships. The artist mostly produces videos in which she repeatedly stages a group of young people evolving in wild environments set around big family houses.
Mixed media, video
Le Crédac
Archives
L’état du ciel — Troisième partie
Past: June 6 → September 7, 2014
“L’état du ciel — 3ème partie” displays monographic exhibitions of work by Ed Atkins, a troubling testament, and also Eduardo Basualdo, the Argentine artist of the massive meteorite, and artist collaborations around the central themes such as time or the fall.
L’état du ciel — Troisième partie
Past: June 6 → September 7, 2014
“L’état du ciel — 3ème partie” displays monographic exhibitions of work by Ed Atkins, a troubling testament, and also Eduardo Basualdo, the Argentine artist of the massive meteorite, and artist collaborations around the central themes such as time or the fall.
Drawing, film, new media...
Palais de Tokyo
Archives
Adieu tristesse, désir, ennui, appétit, plaisir
Past: February 22 → April 19, 2014
‘Goodbye Sadness, Desire, Lassitude, Appetite, Pleasure’ is the follow-up to the exhibition whose near-identical title began with ‘Hello’, the two bookending a season devoted to “forms of affects”. By contrast, the artist involves other people, raising the issue of defining oneself in relation to others in terms of common shared affects.
Adieu tristesse, désir, ennui, appétit, plaisir
Past: February 22 → April 19, 2014
‘Goodbye Sadness, Desire, Lassitude, Appetite, Pleasure’ is the follow-up to the exhibition whose near-identical title began with ‘Hello’, the two bookending a season devoted to “forms of affects”. By contrast, the artist involves other people, raising the issue of defining oneself in relation to others in terms of common shared affects.
Film, photography, sculpture...
La Galerie, centre d’art contemporain
Archives
Bonjour tristesse, désir, ennui, appétit, plaisir — Saison : Les formes des affects
Past: September 21 → November 16, 2013
“Work Here! says John from Cincinnati, in the TV series bearing his name, striking his heart with his clenched fist and looking his interlocutor straight in the eyes. This is the gesture I’m looking for in the works in this exhibition — or at least its direction, its intention and its intensity” — Emilie Renard, director, La Galerie.
Bonjour tristesse, désir, ennui, appétit, plaisir — Saison : Les formes des affects
Past: September 21 → November 16, 2013
“Work Here! says John from Cincinnati, in the TV series bearing his name, striking his heart with his clenched fist and looking his interlocutor straight in the eyes. This is the gesture I’m looking for in the works in this exhibition — or at least its direction, its intention and its intensity” — Emilie Renard, director, La Galerie.
Installation, painting, performance...
La Galerie, centre d’art contemporain
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