Past
		
	
		
   			Archives
   			 Paris Photo 2015 — Rendez-vous les 28 et 29 novembre dans les galeries parisiennes
			
			
				
				
					Past: November 28 → 29, 2015
				
			
			
				In collaboration and with the support of Paris Photo, participating galleries will be exceptionally open from 10am-8pm Saturday and Sunday November 28-29th. This will be the occasion for collectors and photography aficionados who did not have the opportunity to visit the fair at the Grand Palais, to discover these exceptional artworks within the galleries.
		
		
			
				Paris Photo 2015 — Rendez-vous les 28 et 29 novembre dans les galeries parisiennes
			
			
				
				
					Past: November 28 → 29, 2015
				
			
			
				In collaboration and with the support of Paris Photo, participating galleries will be exceptionally open from 10am-8pm Saturday and Sunday November 28-29th. This will be the occasion for collectors and photography aficionados who did not have the opportunity to visit the fair at the Grand Palais, to discover these exceptional artworks within the galleries.
			
		
		
	
	
	
	 Paris Photo 2015 — Rendez-vous les 28 et 29 novembre dans les galeries parisiennes
			
			
				
				
					Past: November 28 → 29, 2015
				
			
			
				In collaboration and with the support of Paris Photo, participating galleries will be exceptionally open from 10am-8pm Saturday and Sunday November 28-29th. This will be the occasion for collectors and photography aficionados who did not have the opportunity to visit the fair at the Grand Palais, to discover these exceptional artworks within the galleries.
		
		
			
				Paris Photo 2015 — Rendez-vous les 28 et 29 novembre dans les galeries parisiennes
			
			
				
				
					Past: November 28 → 29, 2015
				
			
			
				In collaboration and with the support of Paris Photo, participating galleries will be exceptionally open from 10am-8pm Saturday and Sunday November 28-29th. This will be the occasion for collectors and photography aficionados who did not have the opportunity to visit the fair at the Grand Palais, to discover these exceptional artworks within the galleries.
			
		
		
			   
			      Event  
			   
			
			   Photography
			
		      Multiple venues
		
	
	
	
		
	
		
   			Archives
   			 Didier Mencoboni — Épisode X : Génération ...Etc...
			
			
				
				
					Past: December 7, 2013 → February 22, 2014
				
			
			
				This exhibition is like a story where the main character is absent. All of the works presented are an emanation of the central work entitled …Etc…, a painting consisting of 2132 existing paintings to date. In this exhibition, none of the paintings appear in their entirety, only a selection of the avatars initiated by this pictorial project, over the years.
		
		
			
				Didier Mencoboni — Épisode X : Génération ...Etc...
			
			
				
				
					Past: December 7, 2013 → February 22, 2014
				
			
			
				This exhibition is like a story where the main character is absent. All of the works presented are an emanation of the central work entitled …Etc…, a painting consisting of 2132 existing paintings to date. In this exhibition, none of the paintings appear in their entirety, only a selection of the avatars initiated by this pictorial project, over the years.
			
		
		
	
	
	
	 Didier Mencoboni — Épisode X : Génération ...Etc...
			
			
				
				
					Past: December 7, 2013 → February 22, 2014
				
			
			
				This exhibition is like a story where the main character is absent. All of the works presented are an emanation of the central work entitled …Etc…, a painting consisting of 2132 existing paintings to date. In this exhibition, none of the paintings appear in their entirety, only a selection of the avatars initiated by this pictorial project, over the years.
		
		
			
				Didier Mencoboni — Épisode X : Génération ...Etc...
			
			
				
				
					Past: December 7, 2013 → February 22, 2014
				
			
			
				This exhibition is like a story where the main character is absent. All of the works presented are an emanation of the central work entitled …Etc…, a painting consisting of 2132 existing paintings to date. In this exhibition, none of the paintings appear in their entirety, only a selection of the avatars initiated by this pictorial project, over the years.
			
		
		
			
			   Drawing, photography, sculpture
			
		      Eric Dupont Gallery
		
	
	
	
		
	
		
   			Archives
   			 Lee Friedlander
			
			
				
				
					Past: October 12 → November 30, 2013
				
			
			
				Following in the wake of Robert Frank and Walker Evans, the American urban social landscape becomes Lee Friedlander’s primary focus. This exhibition offers a range of photographs dating from the 1960s until now, retracing the various themes explored throughout his career.
		
		
			
				Lee Friedlander
			
			
				
				
					Past: October 12 → November 30, 2013
				
			
			
				Following in the wake of Robert Frank and Walker Evans, the American urban social landscape becomes Lee Friedlander’s primary focus. This exhibition offers a range of photographs dating from the 1960s until now, retracing the various themes explored throughout his career. 
			
		
		
	
	
	
	 Lee Friedlander
			
			
				
				
					Past: October 12 → November 30, 2013
				
			
			
				Following in the wake of Robert Frank and Walker Evans, the American urban social landscape becomes Lee Friedlander’s primary focus. This exhibition offers a range of photographs dating from the 1960s until now, retracing the various themes explored throughout his career.
		
		
			
				Lee Friedlander
			
			
				
				
					Past: October 12 → November 30, 2013
				
			
			
				Following in the wake of Robert Frank and Walker Evans, the American urban social landscape becomes Lee Friedlander’s primary focus. This exhibition offers a range of photographs dating from the 1960s until now, retracing the various themes explored throughout his career. 
			
		
		
			
			   Photography
			
		      Eric Dupont Gallery
		
	
	
	
		
	
		
   			Archives
   			 Gil & Moti — Available for you
			
			
				
				
					Past: July 11 → September 18, 2013
				
			
			
				In “Available for You”, the Israeli-Dutch artist duo Gil & Moti offer their services to Arab inhabitants. These encounters are then documented in diary entries, photos and videos. The artworks tell the story of a journey, the characters being the protagonists of the project and immigration a question which runs through all European metropolises.
		
		
			
				Gil & Moti — Available for you
			
			
				
				
					Past: July 11 → September 18, 2013
				
			
			
				In “Available for You”, the Israeli-Dutch artist duo Gil & Moti offer their services to Arab inhabitants. These encounters are then documented in diary entries, photos and videos. The artworks tell the story of a journey, the characters being the protagonists of the project and immigration a question which runs through all European metropolises.
			
		
		
	
	
	
	 Gil & Moti — Available for you
			
			
				
				
					Past: July 11 → September 18, 2013
				
			
			
				In “Available for You”, the Israeli-Dutch artist duo Gil & Moti offer their services to Arab inhabitants. These encounters are then documented in diary entries, photos and videos. The artworks tell the story of a journey, the characters being the protagonists of the project and immigration a question which runs through all European metropolises.
		
		
			
				Gil & Moti — Available for you
			
			
				
				
					Past: July 11 → September 18, 2013
				
			
			
				In “Available for You”, the Israeli-Dutch artist duo Gil & Moti offer their services to Arab inhabitants. These encounters are then documented in diary entries, photos and videos. The artworks tell the story of a journey, the characters being the protagonists of the project and immigration a question which runs through all European metropolises.
			
		
		
			
			   Installation, video
			
		      Eric Dupont Gallery
		
	
	
	
		
	
		
		
			Gil & Moti —  Petit-déjeuner israélien 
			
				
				
					Past: Saturday, September 7, 2013 at 10 AM
				
			
				
					The curator and duo will invite the public. Gil & Moti will cook and serve a special dish in a cozy Israeli kibbutz-like atmosphere and will stimulate an informal discussion with a full belly on subjects …
				
			   
			      Event  
			   
		
	
	
	
	
	
	
		
	
		
   			Archives
   			 Damien Cabanes & Yazid Oulab
			
			
				
				
					Past: May 18 → June 22, 2013
				
			
			
				Damien Cabanes’ works lead us from the universe of representation and the object towards something more poetic. Yazid Oulab has produced a series of abstract drawings created with graphite attached to a drill. The result is a myriad of points that elevate itself as whirlwinds reminding him of racing electrons and thus the origin of matter.
		
		
			
				Damien Cabanes & Yazid Oulab
			
			
				
				
					Past: May 18 → June 22, 2013
				
			
			
				Damien Cabanes’ works lead us from the universe of representation and the object towards something more poetic. Yazid Oulab has produced a series of abstract drawings created with graphite attached to a drill. The result is a myriad of points that elevate itself as whirlwinds reminding him of racing electrons and thus the origin of matter.
			
		
		
	
	
	
	 Damien Cabanes & Yazid Oulab
			
			
				
				
					Past: May 18 → June 22, 2013
				
			
			
				Damien Cabanes’ works lead us from the universe of representation and the object towards something more poetic. Yazid Oulab has produced a series of abstract drawings created with graphite attached to a drill. The result is a myriad of points that elevate itself as whirlwinds reminding him of racing electrons and thus the origin of matter.
		
		
			
				Damien Cabanes & Yazid Oulab
			
			
				
				
					Past: May 18 → June 22, 2013
				
			
			
				Damien Cabanes’ works lead us from the universe of representation and the object towards something more poetic. Yazid Oulab has produced a series of abstract drawings created with graphite attached to a drill. The result is a myriad of points that elevate itself as whirlwinds reminding him of racing electrons and thus the origin of matter.
			
		
		
			
			   Drawing, painting, sculpture
			
		      Eric Dupont Gallery
		
	
	
	
		
	
		
   			Archives
   			 Shiobhan Liddell — Among Ancients
			
			
				
				
					Past: February 2 → March 23, 2013
				
			
			
				Throught the roman light, arising from other Times that would be those of a furtive and universal poetry, used to levitate the works of Siobhan Liddell. Like in weighlessness, drawings and sculptures of paper underline the air, in an infinite grace and delicacy, light and deep, intently harmonic.
		
		
			
				Shiobhan Liddell — Among Ancients
			
			
				
				
					Past: February 2 → March 23, 2013
				
			
			
				Throught the roman light, arising from other Times that would be those of a furtive and universal poetry, used to levitate the works of Siobhan Liddell. Like in weighlessness, drawings and sculptures of paper underline the air, in an infinite grace and delicacy, light and deep, intently harmonic.
			
		
		
	
	
	
	 Shiobhan Liddell — Among Ancients
			
			
				
				
					Past: February 2 → March 23, 2013
				
			
			
				Throught the roman light, arising from other Times that would be those of a furtive and universal poetry, used to levitate the works of Siobhan Liddell. Like in weighlessness, drawings and sculptures of paper underline the air, in an infinite grace and delicacy, light and deep, intently harmonic.
		
		
			
				Shiobhan Liddell — Among Ancients
			
			
				
				
					Past: February 2 → March 23, 2013
				
			
			
				Throught the roman light, arising from other Times that would be those of a furtive and universal poetry, used to levitate the works of Siobhan Liddell. Like in weighlessness, drawings and sculptures of paper underline the air, in an infinite grace and delicacy, light and deep, intently harmonic.
			
		
		
			
			   Mixed media
			
		      Eric Dupont Gallery
		
	
	
	
		
	
		
   			Archives
   			 Fouad Bouchoucha — Mes Possibles
			
			
				
				
					Past: December 15, 2012 → January 15, 2013
				
			
			
				For his first solo exhibition at Galerie Eric Dupont, Fouad Bouchoucha questions the Possibles of life through art, and tests these sensitive experiences. The perception — mental, visual, physical or auditory — is at the heart of his work, and he uses the paramount element of a being, the idea of the here and now, the relationship to oneself and to the world.
		
		
			
				Fouad Bouchoucha — Mes Possibles
			
			
				
				
					Past: December 15, 2012 → January 15, 2013
				
			
			
				For his first solo exhibition at Galerie Eric Dupont, Fouad Bouchoucha questions the Possibles of life through art, and tests these sensitive experiences. The perception — mental, visual, physical or auditory — is at the heart of his work, and he uses the paramount element of a being, the idea of the here and now, the relationship to oneself and to the world.
			
		
		
	
	
	
	 Fouad Bouchoucha — Mes Possibles
			
			
				
				
					Past: December 15, 2012 → January 15, 2013
				
			
			
				For his first solo exhibition at Galerie Eric Dupont, Fouad Bouchoucha questions the Possibles of life through art, and tests these sensitive experiences. The perception — mental, visual, physical or auditory — is at the heart of his work, and he uses the paramount element of a being, the idea of the here and now, the relationship to oneself and to the world.
		
		
			
				Fouad Bouchoucha — Mes Possibles
			
			
				
				
					Past: December 15, 2012 → January 15, 2013
				
			
			
				For his first solo exhibition at Galerie Eric Dupont, Fouad Bouchoucha questions the Possibles of life through art, and tests these sensitive experiences. The perception — mental, visual, physical or auditory — is at the heart of his work, and he uses the paramount element of a being, the idea of the here and now, the relationship to oneself and to the world.
			
		
		
			
			   Mixed media
			
		      Eric Dupont Gallery
		
	
	
	
		
	
		
   			Archives
   			 Nicholas Nixon
			
			
				
				
					Past: October 27 → December 8, 2012
				
			
			
				Nicholas Nixon is an American photographer, born in 1947. Since the 70s, he has specialized in portraits and has made photographical documentaries.
Galerie Eric Dupont exhibits Nixon’s work for the first time, through for emblematic sets: the Brown Sisters, People, Bebe and I and Cities.
		
		
			
				Nicholas Nixon
			
			
				
				
					Past: October 27 → December 8, 2012
				
			
			
				Nicholas Nixon is an American photographer, born in 1947. Since the 70s, he has specialized in portraits and has made photographical documentaries.
Galerie Eric Dupont exhibits Nixon’s work for the first time, through for emblematic sets: the Brown Sisters, People, Bebe and I and Cities.
			
		
		
	
	
	
	 Nicholas Nixon
			
			
				
				
					Past: October 27 → December 8, 2012
				
			
			
				Nicholas Nixon is an American photographer, born in 1947. Since the 70s, he has specialized in portraits and has made photographical documentaries.
Galerie Eric Dupont exhibits Nixon’s work for the first time, through for emblematic sets: the Brown Sisters, People, Bebe and I and Cities.
		
		
			
				Nicholas Nixon
			
			
				
				
					Past: October 27 → December 8, 2012
				
			
			
				Nicholas Nixon is an American photographer, born in 1947. Since the 70s, he has specialized in portraits and has made photographical documentaries.
Galerie Eric Dupont exhibits Nixon’s work for the first time, through for emblematic sets: the Brown Sisters, People, Bebe and I and Cities.
			
		
		
			
			   Photography
			
		      Eric Dupont Gallery
		
	
	
	
		
	
		
   			Archives
   			 Mathieu Pernot — Les Migrants
			
			
				
				
					Past: September 8 → October 20, 2012
				
			
			
				This work was inspired by an image by Mathieu Pernot. A photography glimpsed in a community magazine, showing four bodies lying on the ground in a forest in the north of France. The caption indicated that they were Afghans, probably exhausted, taking a nap away from prying eyes. It was a violent image.
		
		
			
				Mathieu Pernot — Les Migrants
			
			
				
				
					Past: September 8 → October 20, 2012
				
			
			
				This work was inspired by an image by Mathieu Pernot. A photography glimpsed in a community magazine, showing four bodies lying on the ground in a forest in the north of France. The caption indicated that they were Afghans, probably exhausted, taking a nap away from prying eyes. It was a violent image.
			
		
		
	
	
	
	 Mathieu Pernot — Les Migrants
			
			
				
				
					Past: September 8 → October 20, 2012
				
			
			
				This work was inspired by an image by Mathieu Pernot. A photography glimpsed in a community magazine, showing four bodies lying on the ground in a forest in the north of France. The caption indicated that they were Afghans, probably exhausted, taking a nap away from prying eyes. It was a violent image.
		
		
			
				Mathieu Pernot — Les Migrants
			
			
				
				
					Past: September 8 → October 20, 2012
				
			
			
				This work was inspired by an image by Mathieu Pernot. A photography glimpsed in a community magazine, showing four bodies lying on the ground in a forest in the north of France. The caption indicated that they were Afghans, probably exhausted, taking a nap away from prying eyes. It was a violent image.
			
		
		
			
			   Photography
			
		      Eric Dupont Gallery
		
	
	
	
		
	
		
   			Archives
   			 Thierry Costesèque — Demain le Nord
			
			
				
				
					Past: June 7 → July 27, 2012
				
			
			
				Since 2006, he has been painting large-format infra-realism works, representing forms, lines and signs from urban life. He creates a rough aspect and an abstract pictorial essence within his paintings, by using tools foreign to the lexicon of a painter — domestic brushes, or waxing gloves, for example.
		
		
			
				Thierry Costesèque — Demain le Nord
			
			
				
				
					Past: June 7 → July 27, 2012
				
			
			
				Since 2006, he has been painting large-format infra-realism works, representing forms, lines and signs from urban life. He creates a rough aspect and an abstract pictorial essence within his paintings, by using tools foreign to the lexicon of a painter — domestic brushes, or waxing gloves, for example.
			
		
		
	
	
	
	 Thierry Costesèque — Demain le Nord
			
			
				
				
					Past: June 7 → July 27, 2012
				
			
			
				Since 2006, he has been painting large-format infra-realism works, representing forms, lines and signs from urban life. He creates a rough aspect and an abstract pictorial essence within his paintings, by using tools foreign to the lexicon of a painter — domestic brushes, or waxing gloves, for example.
		
		
			
				Thierry Costesèque — Demain le Nord
			
			
				
				
					Past: June 7 → July 27, 2012
				
			
			
				Since 2006, he has been painting large-format infra-realism works, representing forms, lines and signs from urban life. He creates a rough aspect and an abstract pictorial essence within his paintings, by using tools foreign to the lexicon of a painter — domestic brushes, or waxing gloves, for example.
			
		
		
			
			   Drawing, painting
			
		      Eric Dupont Gallery
		
	
	
	
		
	
		
   			Archives
   			 Taysir Batniji — Le monde n’est pas arrivé
			
			
				
				
					Past: December 8, 2011 → January 21, 2012
				
			
			
				Galerie Éric Dupont hosts Taysir Batniji’s second exhibition. For the occasion, the Palestinian artist takes possession of the new gallery space with a set of recent works. Taysir Batniji creates a discrepancy between a highly referenced way of representing images and themes peculiar to war reporting.
		
		
			
				Taysir Batniji — Le monde n’est pas arrivé
			
			
				
				
					Past: December 8, 2011 → January 21, 2012
				
			
			
				Galerie Éric Dupont hosts Taysir Batniji’s second exhibition. For the occasion, the Palestinian artist takes possession of the new gallery space with a set of recent works. Taysir Batniji creates a discrepancy between a highly referenced way of representing images and themes peculiar to war reporting.
			
		
		
	
	
	
	 Taysir Batniji — Le monde n’est pas arrivé
			
			
				
				
					Past: December 8, 2011 → January 21, 2012
				
			
			
				Galerie Éric Dupont hosts Taysir Batniji’s second exhibition. For the occasion, the Palestinian artist takes possession of the new gallery space with a set of recent works. Taysir Batniji creates a discrepancy between a highly referenced way of representing images and themes peculiar to war reporting.
		
		
			
				Taysir Batniji — Le monde n’est pas arrivé
			
			
				
				
					Past: December 8, 2011 → January 21, 2012
				
			
			
				Galerie Éric Dupont hosts Taysir Batniji’s second exhibition. For the occasion, the Palestinian artist takes possession of the new gallery space with a set of recent works. Taysir Batniji creates a discrepancy between a highly referenced way of representing images and themes peculiar to war reporting.
			
		
		
			
			   Photography, mixed media
			
		      Eric Dupont Gallery
		
	
	
	
		
	
		
   			Archives
   			 Pascal Convert — Histoire, Enfance
			
			
				
				
					Past: October 15 → November 30, 2011
				
			
			
				Being the child of an important figure is certainly not easy. It is necessary to make, if not a name, at least a first name for oneself. This requires great strength of character but the presence of the father or mother enables a liberating conflict.
		
		
			
				Pascal Convert — Histoire, Enfance
			
			
				
				
					Past: October 15 → November 30, 2011
				
			
			
				Being the child of an important figure is certainly not easy. It is necessary to make, if not a name, at least a first name for oneself. This requires great strength of character but the presence of the father or mother enables a liberating conflict.
			
		
		
	
	
	
	 Pascal Convert — Histoire, Enfance
			
			
				
				
					Past: October 15 → November 30, 2011
				
			
			
				Being the child of an important figure is certainly not easy. It is necessary to make, if not a name, at least a first name for oneself. This requires great strength of character but the presence of the father or mother enables a liberating conflict.
		
		
			
				Pascal Convert — Histoire, Enfance
			
			
				
				
					Past: October 15 → November 30, 2011
				
			
			
				Being the child of an important figure is certainly not easy. It is necessary to make, if not a name, at least a first name for oneself. This requires great strength of character but the presence of the father or mother enables a liberating conflict.
			
		
		
			
			   Sculpture, screen-printing, mixed media
			
		      Eric Dupont Gallery
		
	
	
	
		
	
		
   			Archives
   			 Regina Virserius — Full emotion
			
			
				
				
					Past: May 14 → June 25, 2011
				
			
			
				Régina Virserius travaille sur le très gros plan, sur la spectacularisation des émotions rendues lisibles sur les visages grâce aux puissants moyens techniques d’enregistrement filmique. Les arrêts sur image s’apparentent à des prises de notes rapides de physionomies expressives, décontextualisées et assemblées pour créer une cartographie d’« émotions » possibles.
		
		
			
				Regina Virserius — Full emotion
			
			
				
				
					Past: May 14 → June 25, 2011
				
			
			
				Régina Virserius travaille sur le très gros plan, sur la spectacularisation des émotions rendues lisibles sur les visages grâce aux puissants moyens techniques d’enregistrement filmique. Les arrêts sur image s’apparentent à des prises de notes rapides de physionomies expressives, décontextualisées et assemblées pour créer une cartographie d’« émotions » possibles.
			
		
		
	
	
	
	 Regina Virserius — Full emotion
			
			
				
				
					Past: May 14 → June 25, 2011
				
			
			
				Régina Virserius travaille sur le très gros plan, sur la spectacularisation des émotions rendues lisibles sur les visages grâce aux puissants moyens techniques d’enregistrement filmique. Les arrêts sur image s’apparentent à des prises de notes rapides de physionomies expressives, décontextualisées et assemblées pour créer une cartographie d’« émotions » possibles.
		
		
			
				Regina Virserius — Full emotion
			
			
				
				
					Past: May 14 → June 25, 2011
				
			
			
				Régina Virserius travaille sur le très gros plan, sur la spectacularisation des émotions rendues lisibles sur les visages grâce aux puissants moyens techniques d’enregistrement filmique. Les arrêts sur image s’apparentent à des prises de notes rapides de physionomies expressives, décontextualisées et assemblées pour créer une cartographie d’« émotions » possibles.
			
		
		
			
			   Mixed media
			
		      Eric Dupont Gallery
		
	
	
	
		
	
		
   			Archives
   			 Siobhan Liddell — As it is, as it isn’t
			
			
				
				
					Past: November 6 → December 18, 2010
				
			
			
				Œuvre après œuvre, Liddell révèle les rudiments d’un langage formé par la précarité de la mise en scène et des matériaux, centré sur le papier, à la fois dans sa forme naissante et dans son statut éphémère. Ce travail est le résultat d’un jeu prolongé et engagé, décrivant cette vulnérabilité latente, constitutive de l’expérience humaine.
		
		
			
				Siobhan Liddell — As it is, as it isn’t
			
			
				
				
					Past: November 6 → December 18, 2010
				
			
			
				Œuvre après œuvre, Liddell révèle les rudiments d’un langage formé par la précarité de la mise en scène et des matériaux, centré sur le papier, à la fois dans sa forme naissante et dans son statut éphémère. Ce travail est le résultat d’un jeu prolongé et engagé, décrivant cette vulnérabilité latente, constitutive de l’expérience humaine.
			
		
		
	
	
	
	 Siobhan Liddell — As it is, as it isn’t
			
			
				
				
					Past: November 6 → December 18, 2010
				
			
			
				Œuvre après œuvre, Liddell révèle les rudiments d’un langage formé par la précarité de la mise en scène et des matériaux, centré sur le papier, à la fois dans sa forme naissante et dans son statut éphémère. Ce travail est le résultat d’un jeu prolongé et engagé, décrivant cette vulnérabilité latente, constitutive de l’expérience humaine.
		
		
			
				Siobhan Liddell — As it is, as it isn’t
			
			
				
				
					Past: November 6 → December 18, 2010
				
			
			
				Œuvre après œuvre, Liddell révèle les rudiments d’un langage formé par la précarité de la mise en scène et des matériaux, centré sur le papier, à la fois dans sa forme naissante et dans son statut éphémère. Ce travail est le résultat d’un jeu prolongé et engagé, décrivant cette vulnérabilité latente, constitutive de l’expérience humaine.
			
		
		
			
			   Ceramic, sculpture
			
		      Eric Dupont Gallery
		
	
	
	
		
	
		
   			Archives
   			 Yazid Oulab
			
			
				
				
					Past: September 4 → October 30, 2010
				
			
			
				Pour sa troisième exposition personnelle à la galerie, Yazid Oulab poursuit sa réflexion sur l’Homme et la place qu’il tient dans notre monde au travers d’une série d’œuvres inédites intitulée : Les Confessions négatives.
		
		
			
				Yazid Oulab
			
			
				
				
					Past: September 4 → October 30, 2010
				
			
			
				Pour sa troisième exposition personnelle à la galerie, Yazid Oulab poursuit sa réflexion sur l’Homme et la place qu’il tient dans notre monde au travers d’une série d’œuvres inédites intitulée : Les Confessions négatives.
			
		
		
	
	
	
	 Yazid Oulab
			
			
				
				
					Past: September 4 → October 30, 2010
				
			
			
				Pour sa troisième exposition personnelle à la galerie, Yazid Oulab poursuit sa réflexion sur l’Homme et la place qu’il tient dans notre monde au travers d’une série d’œuvres inédites intitulée : Les Confessions négatives.
		
		
			
				Yazid Oulab
			
			
				
				
					Past: September 4 → October 30, 2010
				
			
			
				Pour sa troisième exposition personnelle à la galerie, Yazid Oulab poursuit sa réflexion sur l’Homme et la place qu’il tient dans notre monde au travers d’une série d’œuvres inédites intitulée : Les Confessions négatives.
			
		
		
			
			   Installation, mixed media
			
		      Eric Dupont Gallery
		
	
	
	
		
	
		
   			Archives
   			 Clément Bagot — Entrée en matière
			
			
				
				
					Past: April 24 → June 5, 2010
				
			
			
				Clément Bagot définit volontiers ses œuvres comme des « paysages mentaux ». Ses dessins apparaissent comme une cartographie cellulaire, dense, dotée de stratifications et librement rythmée. Ses sculptures, évoquant des vaisseaux spatiaux, des villes de science-fiction se bâtissent sur le mode de la prolifération modulaire.
		
		
			
				Clément Bagot — Entrée en matière
			
			
				
				
					Past: April 24 → June 5, 2010
				
			
			
				Clément Bagot définit volontiers ses œuvres comme des « paysages mentaux ». Ses dessins apparaissent comme une cartographie cellulaire, dense, dotée de stratifications et librement rythmée. Ses sculptures, évoquant des vaisseaux spatiaux, des villes de science-fiction se bâtissent sur le mode de la prolifération modulaire.
			
		
		
	
	
	 Clément Bagot — Entrée en matière
			
			
				
				
					Past: April 24 → June 5, 2010
				
			
			
				Clément Bagot définit volontiers ses œuvres comme des « paysages mentaux ». Ses dessins apparaissent comme une cartographie cellulaire, dense, dotée de stratifications et librement rythmée. Ses sculptures, évoquant des vaisseaux spatiaux, des villes de science-fiction se bâtissent sur le mode de la prolifération modulaire.
		
		
			
				Clément Bagot — Entrée en matière
			
			
				
				
					Past: April 24 → June 5, 2010
				
			
			
				Clément Bagot définit volontiers ses œuvres comme des « paysages mentaux ». Ses dessins apparaissent comme une cartographie cellulaire, dense, dotée de stratifications et librement rythmée. Ses sculptures, évoquant des vaisseaux spatiaux, des villes de science-fiction se bâtissent sur le mode de la prolifération modulaire.
			
		
		
			
			   Drawing, mixed media
			
		      Eric Dupont Gallery
		
	
	
	
	
	
	
	
	
		
      
         03 Le Marais
			
			
      
      
			03 Le Marais
			
			
		
         
		
			
			
		
		
		
	
		
	
	
	
		
	
	
					
					
					Arts et Métiers
			
			
					
					Temple
			
	Opening hours
	   Tuesday – Saturday, 11 AM – 7 PM
	   Other times by appointment
	   
	
 Venues
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