Past
		
	
		
   			Archives
   			 Stéphane Thidet — Exposition personnelle
			
			
				
				
					Past: May 16 → June 22, 2013
				
			
			
				The work of Stéphane Thidet shows her vision of reality, impregnating it with fiction and poetry. Drawing on situations in everyday life, they nevertheless depict the notion of instability in the context of erosion over time and the action which leads to their disappearance.
		
		
			
				Stéphane Thidet — Exposition personnelle
			
			
				
				
					Past: May 16 → June 22, 2013
				
			
			
				The work of Stéphane Thidet shows her vision of reality, impregnating it with fiction and poetry. Drawing on situations in everyday life, they nevertheless depict the notion of instability in the context of erosion over time and the action which leads to their disappearance.
			
		
		
	
	
	
	 Stéphane Thidet — Exposition personnelle
			
			
				
				
					Past: May 16 → June 22, 2013
				
			
			
				The work of Stéphane Thidet shows her vision of reality, impregnating it with fiction and poetry. Drawing on situations in everyday life, they nevertheless depict the notion of instability in the context of erosion over time and the action which leads to their disappearance.
		
		
			
				Stéphane Thidet — Exposition personnelle
			
			
				
				
					Past: May 16 → June 22, 2013
				
			
			
				The work of Stéphane Thidet shows her vision of reality, impregnating it with fiction and poetry. Drawing on situations in everyday life, they nevertheless depict the notion of instability in the context of erosion over time and the action which leads to their disappearance.
			
		
		
			
			   Installation, photography, mixed media
			
		      Aline Vidal Gallery
		
	
	
	
		
	
		
   			Archives
   			 A.C.M. — Exposition personnelle
			
			
				
				
					Past: April 4 → May 4, 2013
				
			
			
				A.C.M creates structures which simultaneously trigger a sensation of monumentality and fragility, as though they were miniature “hyper-structures”. These other worldly cathedrals — which lend themselves to wonderment — offer a multitude of facets, as though labyrinths populated with mirrors.
		
		
			
				A.C.M. — Exposition personnelle
			
			
				
				
					Past: April 4 → May 4, 2013
				
			
			
				A.C.M creates structures which simultaneously trigger a sensation of monumentality and fragility, as though they were miniature “hyper-structures”. These other worldly cathedrals — which lend themselves to wonderment — offer a multitude of facets, as though labyrinths populated with mirrors.
			
		
		
	
	
	
	 A.C.M. — Exposition personnelle
			
			
				
				
					Past: April 4 → May 4, 2013
				
			
			
				A.C.M creates structures which simultaneously trigger a sensation of monumentality and fragility, as though they were miniature “hyper-structures”. These other worldly cathedrals — which lend themselves to wonderment — offer a multitude of facets, as though labyrinths populated with mirrors.
		
		
			
				A.C.M. — Exposition personnelle
			
			
				
				
					Past: April 4 → May 4, 2013
				
			
			
				A.C.M creates structures which simultaneously trigger a sensation of monumentality and fragility, as though they were miniature “hyper-structures”. These other worldly cathedrals — which lend themselves to wonderment — offer a multitude of facets, as though labyrinths populated with mirrors.
			
		
		
			
			   Sculpture, mixed media
			
		      Aline Vidal Gallery
		
	
	
	
		
	
		
   			Archives
   			 Pour que les murs se souviennent
			
			
				
				
					Past: May 10 → June 23, 2012
				
			
			
				After 22 years’ work at 70 rue Bonaparte, I’ve decided to move, to change the walls of the gallery. In order to put an end to this amazing adventure I wish to offer an entertaining and atypical exhibition miles away from the commercial and cultural ways for the gallery’s daily activities.
		
		
			
				Pour que les murs se souviennent
			
			
				
				
					Past: May 10 → June 23, 2012
				
			
			
				After 22 years’ work at 70 rue Bonaparte, I’ve decided to move, to change the walls of the gallery. In order to put an end to this amazing adventure I wish to offer an entertaining and atypical exhibition miles away from the commercial and cultural ways for the gallery’s daily activities. 
			
		
		
	
	
	
	 Pour que les murs se souviennent
			
			
				
				
					Past: May 10 → June 23, 2012
				
			
			
				After 22 years’ work at 70 rue Bonaparte, I’ve decided to move, to change the walls of the gallery. In order to put an end to this amazing adventure I wish to offer an entertaining and atypical exhibition miles away from the commercial and cultural ways for the gallery’s daily activities.
		
		
			
				Pour que les murs se souviennent
			
			
				
				
					Past: May 10 → June 23, 2012
				
			
			
				After 22 years’ work at 70 rue Bonaparte, I’ve decided to move, to change the walls of the gallery. In order to put an end to this amazing adventure I wish to offer an entertaining and atypical exhibition miles away from the commercial and cultural ways for the gallery’s daily activities. 
			
		
		
			
			   Drawing, installation
			
		      Aline Vidal Gallery
		
	
	
	
		
	
		
   			Archives
   			 Herman de Vries — Transit
			
			
				
				
					Past: March 3 → April 20, 2012
				
			
			
				After many travels, Herman De Vries has developed a critical way of thinking towards the social context ; now looking for new relations with the nature (exhibitions of plants collected during journeys, stones or dried flowers, scrubbing of earth from various origins on papers), he aims at “objectifying chance” and acts as a revelation of our environment.
		
		
			
				Herman de Vries — Transit
			
			
				
				
					Past: March 3 → April 20, 2012
				
			
			
				After many travels, Herman De Vries has developed a critical way of thinking towards the social context ; now looking for new relations with the nature (exhibitions of plants collected during journeys, stones or dried flowers, scrubbing of earth from various origins on papers), he aims at “objectifying chance” and acts as a revelation of our environment.
			
		
		
	
	
	
	 Herman de Vries — Transit
			
			
				
				
					Past: March 3 → April 20, 2012
				
			
			
				After many travels, Herman De Vries has developed a critical way of thinking towards the social context ; now looking for new relations with the nature (exhibitions of plants collected during journeys, stones or dried flowers, scrubbing of earth from various origins on papers), he aims at “objectifying chance” and acts as a revelation of our environment.
		
		
			
				Herman de Vries — Transit
			
			
				
				
					Past: March 3 → April 20, 2012
				
			
			
				After many travels, Herman De Vries has developed a critical way of thinking towards the social context ; now looking for new relations with the nature (exhibitions of plants collected during journeys, stones or dried flowers, scrubbing of earth from various origins on papers), he aims at “objectifying chance” and acts as a revelation of our environment.
			
		
		
			
			   Drawing, installation
			
		      Aline Vidal Gallery
		
	
	
	
		
	
		
   			Archives
   			 Thibault de Gialluly — Abracadabra
			
			
				
				
					Past: March 3 → April 20, 2012
				
			
			
				Thibault de Gialluly is like a social researcher who would have the energy of a perk teenager. Trying to represent people who act, he depicts a heterogeneous society pervaded by rebellion, onto which he grafts his experiments. His works evoke something to everyone without compelling themselves to follow a single code.
		
		
			
				Thibault de Gialluly — Abracadabra
			
			
				
				
					Past: March 3 → April 20, 2012
				
			
			
				Thibault de Gialluly is like a social researcher who would have the energy of a perk teenager. Trying to represent people who act, he depicts a heterogeneous society pervaded by rebellion, onto which he grafts his experiments. His works evoke something to everyone without compelling themselves to follow a single code.
			
		
		
	
	
	
	 Thibault de Gialluly — Abracadabra
			
			
				
				
					Past: March 3 → April 20, 2012
				
			
			
				Thibault de Gialluly is like a social researcher who would have the energy of a perk teenager. Trying to represent people who act, he depicts a heterogeneous society pervaded by rebellion, onto which he grafts his experiments. His works evoke something to everyone without compelling themselves to follow a single code.
		
		
			
				Thibault de Gialluly — Abracadabra
			
			
				
				
					Past: March 3 → April 20, 2012
				
			
			
				Thibault de Gialluly is like a social researcher who would have the energy of a perk teenager. Trying to represent people who act, he depicts a heterogeneous society pervaded by rebellion, onto which he grafts his experiments. His works evoke something to everyone without compelling themselves to follow a single code.
			
		
		
			
			   Drawing, photography
			
		      Aline Vidal Gallery
		
	
	
	
		
	
		
   			Archives
   			 PACS Again — galerie Aline Vidal / Toolsgalerie
			
			
				
				
					Past: January 28 → February 23, 2012
				
			
			
				Le temps d’une exposition, art et design se pacsent. La galerie Aline Vidal en accueillant les « objets » de la ToolsGalerie, est le territoire d’une union expérimentale. Cette cohabitation temporaire crée un dialogue entre des individualités et à travers elles des techniques qui œuvrent en définitif à un même but : l’art.
		
		
			
				PACS Again — galerie Aline Vidal / Toolsgalerie
			
			
				
				
					Past: January 28 → February 23, 2012
				
			
			
				Le temps d’une exposition, art et design se pacsent. La galerie Aline Vidal en accueillant les « objets » de la ToolsGalerie, est le territoire d’une union expérimentale. Cette cohabitation temporaire crée un dialogue entre des individualités et à travers elles des techniques qui œuvrent en définitif à un même but : l’art.
			
		
		
	
	
	
	 PACS Again — galerie Aline Vidal / Toolsgalerie
			
			
				
				
					Past: January 28 → February 23, 2012
				
			
			
				Le temps d’une exposition, art et design se pacsent. La galerie Aline Vidal en accueillant les « objets » de la ToolsGalerie, est le territoire d’une union expérimentale. Cette cohabitation temporaire crée un dialogue entre des individualités et à travers elles des techniques qui œuvrent en définitif à un même but : l’art.
		
		
			
				PACS Again — galerie Aline Vidal / Toolsgalerie
			
			
				
				
					Past: January 28 → February 23, 2012
				
			
			
				Le temps d’une exposition, art et design se pacsent. La galerie Aline Vidal en accueillant les « objets » de la ToolsGalerie, est le territoire d’une union expérimentale. Cette cohabitation temporaire crée un dialogue entre des individualités et à travers elles des techniques qui œuvrent en définitif à un même but : l’art.
			
		
		
			
			   Ceramic, design, drawing...
			
		      Aline Vidal Gallery
		
	
	
	
		
	
		
   			Archives
   			 au 2ème : le monde de Pierre Henry
			
			
				
				
					Past: September 17 → November 6, 2011
				
			
			
				Pierre Henry is a French composer, considered a pioneer of the musique concrète genre of electronic music. Between 1949 and 1958, Henry worked at the Club d’Essai studio at RTF, which had been founded by Pierre Schaeffer in 1943 (Dhomont 2001). During this period, he wrote the 1950 pieceSymphonie pour un homme seul, in cooperation with Schaeffer.
		
		
			
				au 2ème : le monde de Pierre Henry
			
			
				
				
					Past: September 17 → November 6, 2011
				
			
			
				Pierre Henry is a French composer, considered a pioneer of the musique concrète genre of electronic music. Between 1949 and 1958, Henry worked at the Club d’Essai studio at RTF, which had been founded by Pierre Schaeffer in 1943 (Dhomont 2001). During this period, he wrote the 1950 pieceSymphonie pour un homme seul, in cooperation with Schaeffer.
			
		
		
	
	
	
	 au 2ème : le monde de Pierre Henry
			
			
				
				
					Past: September 17 → November 6, 2011
				
			
			
				Pierre Henry is a French composer, considered a pioneer of the musique concrète genre of electronic music. Between 1949 and 1958, Henry worked at the Club d’Essai studio at RTF, which had been founded by Pierre Schaeffer in 1943 (Dhomont 2001). During this period, he wrote the 1950 pieceSymphonie pour un homme seul, in cooperation with Schaeffer.
		
		
			
				au 2ème : le monde de Pierre Henry
			
			
				
				
					Past: September 17 → November 6, 2011
				
			
			
				Pierre Henry is a French composer, considered a pioneer of the musique concrète genre of electronic music. Between 1949 and 1958, Henry worked at the Club d’Essai studio at RTF, which had been founded by Pierre Schaeffer in 1943 (Dhomont 2001). During this period, he wrote the 1950 pieceSymphonie pour un homme seul, in cooperation with Schaeffer.
			
		
		
			
			   Sound - music, mixed media
			
		      Aline Vidal Gallery
		
	
	
	
		
	
		
   			Archives
   			 Philippe De Gobert
			
			
				
				
					Past: September 17 → October 28, 2011
				
			
			
				From architectures already done, found in news papers, magazines, catalogues of exhibition or born in his imagination, the artist abolishes the border between photographic space and real space. He juggles with two and three dimension. In a stripped and minimum aesthetic, the negatives have a poetic and spiritual atmosphere.
		
		
			
				Philippe De Gobert
			
			
				
				
					Past: September 17 → October 28, 2011
				
			
			
				From architectures already done, found in news papers, magazines, catalogues of exhibition or born in his imagination, the artist abolishes the border between photographic space and real space. He juggles with two and three dimension. In a stripped and minimum aesthetic, the negatives have a poetic and spiritual atmosphere.
			
		
		
	
	
	
	 Philippe De Gobert
			
			
				
				
					Past: September 17 → October 28, 2011
				
			
			
				From architectures already done, found in news papers, magazines, catalogues of exhibition or born in his imagination, the artist abolishes the border between photographic space and real space. He juggles with two and three dimension. In a stripped and minimum aesthetic, the negatives have a poetic and spiritual atmosphere.
		
		
			
				Philippe De Gobert
			
			
				
				
					Past: September 17 → October 28, 2011
				
			
			
				From architectures already done, found in news papers, magazines, catalogues of exhibition or born in his imagination, the artist abolishes the border between photographic space and real space. He juggles with two and three dimension. In a stripped and minimum aesthetic, the negatives have a poetic and spiritual atmosphere.
			
		
		
			
			   Architecture, photography
			
		      Aline Vidal Gallery
		
	
	
	
		
	
		
   			Archives
   			 Balthasar Burkhard — Hommage
			
			
				
				
					Past: May 12 → June 25, 2011
				
			
			
				C’est après de nombreux voyages, dans les années 1970, qu’il expose son travail pour la première fois : œuvres personnelles en noir et blanc contrasté, avec une certaine préférence pour l’ombre qui grignote la lumière. Le cadrage y est rigoureux, serré, frontal. L’échelle est réfléchie et permet de comprendre chaque chose dans son entité.
		
		
			
				Balthasar Burkhard — Hommage
			
			
				
				
					Past: May 12 → June 25, 2011
				
			
			
				C’est après de nombreux voyages, dans les années 1970, qu’il expose son travail pour la première fois : œuvres personnelles en noir et blanc contrasté, avec une certaine préférence pour l’ombre qui grignote la lumière. Le cadrage y est rigoureux, serré, frontal. L’échelle est réfléchie et permet de comprendre chaque chose dans son entité.
			
		
		
	
	
	
	 Balthasar Burkhard — Hommage
			
			
				
				
					Past: May 12 → June 25, 2011
				
			
			
				C’est après de nombreux voyages, dans les années 1970, qu’il expose son travail pour la première fois : œuvres personnelles en noir et blanc contrasté, avec une certaine préférence pour l’ombre qui grignote la lumière. Le cadrage y est rigoureux, serré, frontal. L’échelle est réfléchie et permet de comprendre chaque chose dans son entité.
		
		
			
				Balthasar Burkhard — Hommage
			
			
				
				
					Past: May 12 → June 25, 2011
				
			
			
				C’est après de nombreux voyages, dans les années 1970, qu’il expose son travail pour la première fois : œuvres personnelles en noir et blanc contrasté, avec une certaine préférence pour l’ombre qui grignote la lumière. Le cadrage y est rigoureux, serré, frontal. L’échelle est réfléchie et permet de comprendre chaque chose dans son entité.
			
		
		
			
			   Photography
			
		      Aline Vidal Gallery
		
	
	
	
		
	
		
   			Archives
   			 Sigurdur Arni Sigurdsson — Corrections
			
			
				
				
					Past: May 12 → June 25, 2011
				
			
			
				L’artiste inscrit son travail dans un espace de création abandonné aux non lieux. Tant à travers ses peintures d’ombres, que dans ses Corrections, il invente une narration à des représentations originellement crues du réel. Avec l’utilisation de la carte postale comme point de départ, le réel devient un médium artistique à part entière.
		
		
			
				Sigurdur Arni Sigurdsson — Corrections
			
			
				
				
					Past: May 12 → June 25, 2011
				
			
			
				L’artiste inscrit son travail dans un espace de création abandonné aux non lieux. Tant à travers ses peintures d’ombres, que dans ses Corrections, il invente une narration à des représentations originellement crues du réel. Avec l’utilisation de la carte postale comme point de départ, le réel devient un médium artistique à part entière.
			
		
		
	
	
	
	 Sigurdur Arni Sigurdsson — Corrections
			
			
				
				
					Past: May 12 → June 25, 2011
				
			
			
				L’artiste inscrit son travail dans un espace de création abandonné aux non lieux. Tant à travers ses peintures d’ombres, que dans ses Corrections, il invente une narration à des représentations originellement crues du réel. Avec l’utilisation de la carte postale comme point de départ, le réel devient un médium artistique à part entière.
		
		
			
				Sigurdur Arni Sigurdsson — Corrections
			
			
				
				
					Past: May 12 → June 25, 2011
				
			
			
				L’artiste inscrit son travail dans un espace de création abandonné aux non lieux. Tant à travers ses peintures d’ombres, que dans ses Corrections, il invente une narration à des représentations originellement crues du réel. Avec l’utilisation de la carte postale comme point de départ, le réel devient un médium artistique à part entière.
			
		
		
			
			   Drawing, mixed media
			
		      Aline Vidal Gallery
		
	
	
	
		
	
		
   			Archives
   			 François Morellet — dans ses petits papiers
			
			
				
				
					Past: March 19 → April 30, 2011
				
			
			
				Drawings, in François Morellet’s work, play a large role. They are essential for the construction and the conception of an idea, but also each piece of paper becomes, with the help of artistic gesture, the place where a thought forms and deforms itself. These are not just preparatory drawings but rather art works in their own right.
		
		
			
				François Morellet — dans ses petits papiers
			
			
				
				
					Past: March 19 → April 30, 2011
				
			
			
				Drawings, in François Morellet’s work, play a large role. They are essential for the construction and the conception of an idea, but also each piece of paper becomes, with the help of artistic gesture, the place where a thought forms and deforms itself. These are not just preparatory drawings but rather art works in their own right.
			
		
		
	
	
	
	 François Morellet — dans ses petits papiers
			
			
				
				
					Past: March 19 → April 30, 2011
				
			
			
				Drawings, in François Morellet’s work, play a large role. They are essential for the construction and the conception of an idea, but also each piece of paper becomes, with the help of artistic gesture, the place where a thought forms and deforms itself. These are not just preparatory drawings but rather art works in their own right.
		
		
			
				François Morellet — dans ses petits papiers
			
			
				
				
					Past: March 19 → April 30, 2011
				
			
			
				Drawings, in François Morellet’s work, play a large role. They are essential for the construction and the conception of an idea, but also each piece of paper becomes, with the help of artistic gesture, the place where a thought forms and deforms itself. These are not just preparatory drawings but rather art works in their own right.
			
		
		
			
			   Drawing, screen-printing
			
		      Aline Vidal Gallery
		
	
	
	
		
	
		
   			Archives
   			 Edouard François — Au 2ème
			
			
				
				
					Past: March 19 → April 30, 2011
				
			
			
				Edouard François, recognized architect for his contribution to the social housing, brings his valuation in order to convert a part of these buildings into residential area. Naturally, when the south tower of Notre-Dame will be lived, the bell-ringer will have to adapt his working hours to the pace of the residents.
		
		
			
				Edouard François — Au 2ème
			
			
				
				
					Past: March 19 → April 30, 2011
				
			
			
				Edouard François, recognized architect for his contribution to the social housing, brings his valuation in order to convert a part of these buildings into residential area. Naturally, when the south tower of Notre-Dame will be lived, the bell-ringer will have to adapt his working hours to the pace of the residents.
			
		
		
	
	
	
	 Edouard François — Au 2ème
			
			
				
				
					Past: March 19 → April 30, 2011
				
			
			
				Edouard François, recognized architect for his contribution to the social housing, brings his valuation in order to convert a part of these buildings into residential area. Naturally, when the south tower of Notre-Dame will be lived, the bell-ringer will have to adapt his working hours to the pace of the residents.
		
		
			
				Edouard François — Au 2ème
			
			
				
				
					Past: March 19 → April 30, 2011
				
			
			
				Edouard François, recognized architect for his contribution to the social housing, brings his valuation in order to convert a part of these buildings into residential area. Naturally, when the south tower of Notre-Dame will be lived, the bell-ringer will have to adapt his working hours to the pace of the residents.
			
		
		
			
			   Architecture, urban art, photography...
			
		      Aline Vidal Gallery
		
	
	
	
		
	
		
   			Archives
   			 Elika Hedayat
			
			
				
				
					Past: February 5 → March 12, 2011
				
			
			
				Elika Hedayat, an iranian artist, puts a critical and engaged glance on the political reality of her country. Her threatened identity, drives her to lead a fight against the disparities and the censorship. Elika uses sarcasm and cynicism to ridicule the greediness of the power men.
		
		
			
				Elika Hedayat
			
			
				
				
					Past: February 5 → March 12, 2011
				
			
			
				Elika Hedayat, an iranian artist, puts a critical and engaged glance on the political reality of her country. Her threatened identity, drives her to lead a fight against the disparities and the censorship. Elika uses sarcasm and cynicism to ridicule the greediness of the power men.
			
		
		
	
	
	
	 Elika Hedayat
			
			
				
				
					Past: February 5 → March 12, 2011
				
			
			
				Elika Hedayat, an iranian artist, puts a critical and engaged glance on the political reality of her country. Her threatened identity, drives her to lead a fight against the disparities and the censorship. Elika uses sarcasm and cynicism to ridicule the greediness of the power men.
		
		
			
				Elika Hedayat
			
			
				
				
					Past: February 5 → March 12, 2011
				
			
			
				Elika Hedayat, an iranian artist, puts a critical and engaged glance on the political reality of her country. Her threatened identity, drives her to lead a fight against the disparities and the censorship. Elika uses sarcasm and cynicism to ridicule the greediness of the power men.
			
		
		
			
			   Painting, video
			
		      Aline Vidal Gallery
		
	
	
	
		
	
		
   			Archives
   			 Patrick Everaert
			
			
				
				
					Past: November 6 → December 23, 2010
				
			
			
				Patrick Everaert’s images stem from the human condition. They often evoke anguish, expressed by postures of entrapment, incarceration and also by the state of abandon inherent to sleep, orgasm and death. They also suggest the anonymity of indefinate bodies. These figures, in a way, project themselves into the space.
		
		
			
				Patrick Everaert
			
			
				
				
					Past: November 6 → December 23, 2010
				
			
			
				Patrick Everaert’s images stem from the human condition. They often evoke anguish, expressed by postures of entrapment, incarceration and also by the state of abandon inherent to sleep, orgasm and death. They also suggest the anonymity of indefinate bodies. These figures, in a way, project themselves into the space.
			
		
		
	
	
	
	 Patrick Everaert
			
			
				
				
					Past: November 6 → December 23, 2010
				
			
			
				Patrick Everaert’s images stem from the human condition. They often evoke anguish, expressed by postures of entrapment, incarceration and also by the state of abandon inherent to sleep, orgasm and death. They also suggest the anonymity of indefinate bodies. These figures, in a way, project themselves into the space.
		
		
			
				Patrick Everaert
			
			
				
				
					Past: November 6 → December 23, 2010
				
			
			
				Patrick Everaert’s images stem from the human condition. They often evoke anguish, expressed by postures of entrapment, incarceration and also by the state of abandon inherent to sleep, orgasm and death. They also suggest the anonymity of indefinate bodies. These figures, in a way, project themselves into the space.
			
		
		
			
			   Photography
			
		      Aline Vidal Gallery
		
	
	
	
		
	
		
   			Archives
   			 Impasse — Stéphane Thidet et Elika Hedayat
			
			
				
				
					Past: April 8 → May 29, 2010
				
			
			
				Stéphane Thidet uses paradoxes such as game and rite lack and doubt, disturbing familiarity, reversal of the temporal data. Elika Hedayat Deeply stricken by everyday life in Iran, she deals in her work with engaged thematics : censorship’s weight, fear of repression…
		
		
			
				Impasse — Stéphane Thidet et Elika Hedayat
			
			
				
				
					Past: April 8 → May 29, 2010
				
			
			
				Stéphane Thidet uses paradoxes such as game and rite lack and doubt, disturbing familiarity, reversal of the temporal data. Elika Hedayat Deeply stricken by everyday life in Iran, she deals in her work with engaged thematics : censorship’s weight, fear of repression…
			
		
		
	
	
	 Impasse — Stéphane Thidet et Elika Hedayat
			
			
				
				
					Past: April 8 → May 29, 2010
				
			
			
				Stéphane Thidet uses paradoxes such as game and rite lack and doubt, disturbing familiarity, reversal of the temporal data. Elika Hedayat Deeply stricken by everyday life in Iran, she deals in her work with engaged thematics : censorship’s weight, fear of repression…
		
		
			
				Impasse — Stéphane Thidet et Elika Hedayat
			
			
				
				
					Past: April 8 → May 29, 2010
				
			
			
				Stéphane Thidet uses paradoxes such as game and rite lack and doubt, disturbing familiarity, reversal of the temporal data. Elika Hedayat Deeply stricken by everyday life in Iran, she deals in her work with engaged thematics : censorship’s weight, fear of repression…
			
		
		
			
			   Drawing, installation, sculpture
			
		      Aline Vidal Gallery
		
	
	
	
	
	
	
	
	
		
      
         Paris Intramuros
			
			
      
      
			Paris Intramuros
			
			
		
         
		
			
			
		
		
		
	
		
	
	
	
		
	
	
					
					
					Odéon
			
	Opening hours
	   Tuesday – Saturday, 2 PM – 7 PM
	   Other times by appointment
	   
	
 Venues
Venues