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  • William Kentridge, Drawing for Waiting for the Sibyl (Composite of Trees I), 2019 Courtesy Kentridge Studio and Marian Goodman Gallery — Photo credit: Rebecca Fanuele
    William Kentridge, Roses in the Big Glass, 2020 Courtesy Kentridge Studio and Marian Goodman Gallery — Photo credit: Rebecca Fanuele
    William Kentridge, Finally Memory Yields, Galerie Marian Goodman, Paris Courtesy Kentridge Studio and Marian Goodman Gallery Photo credit: Rebecca Fanuele
    William Kentridge, Leaf, 2019 Coffee-lift aquatint with drypoint Paper: 16 7/8 x 12 5/8 in. (43 x 32 cm) Edition of 40 Courtesy Kentridge Studio and Marian Goodman Gallery — Photo credit: Rebecca Fanuele
    William Kentridge, The Pool Ahead is Not To Be Trusted, 2019 Courtesy Kentridge Studio and Marian Goodman Gallery — Photo credit: Rebecca Fanuele
    William Kentridge, Drawing for Waiting for the Sibyl (Geometry of Colour), 2021 Courtesy Kentridge Studio and Marian Goodman Gallery — Photo credit: Rebecca Fanuele
    William Kentridge, Drawing for Waiting for the Sibyl (24 Leaves), 2021 Courtesy Kentridge Studio and Marian Goodman Gallery — Photo credit: Rebecca Fanuele

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