William Kentridge, Drawing for Waiting for the Sibyl (Composite of Trees I), 2019
Courtesy Kentridge Studio and Marian Goodman Gallery — Photo credit: Rebecca Fanuele
William Kentridge, Roses in the Big Glass, 2020
Courtesy Kentridge Studio and Marian Goodman Gallery — Photo credit: Rebecca Fanuele
William Kentridge, Finally Memory Yields, Galerie Marian Goodman, Paris
Courtesy Kentridge Studio and Marian Goodman Gallery Photo credit: Rebecca Fanuele
William Kentridge, Leaf, 2019 Coffee-lift aquatint with drypoint Paper: 16 7/8 x 12 5/8 in. (43 x 32 cm) Edition of 40
Courtesy Kentridge Studio and Marian Goodman Gallery — Photo credit: Rebecca Fanuele
William Kentridge, The Pool Ahead is Not To Be Trusted, 2019
Courtesy Kentridge Studio and Marian Goodman Gallery — Photo credit: Rebecca Fanuele
William Kentridge, Drawing for Waiting for the Sibyl (Geometry of Colour), 2021
Courtesy Kentridge Studio and Marian Goodman Gallery — Photo credit: Rebecca Fanuele
William Kentridge, Drawing for Waiting for the Sibyl (24 Leaves), 2021
Courtesy Kentridge Studio and Marian Goodman Gallery — Photo credit: Rebecca Fanuele