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Georges Goldfayn — Assistant et ami d’André Breton ; une destinée, une collection
Past: September 5 → November 30
Pour célébrer le centenaire du surréalisme, la galerie Berthet-Aittouarès propose une immersion dans la collection de Georges Goldfayn (1933-2019) assistant et ami d’André Breton. L’exposition que propose aujourd’hui Michèle et Odile Aittouarès témoigne de la manière dont Georges Goldfayn a su faire de sa vie une œuvre et est aussi une façon de rendre hommage à un ami.
Georges Goldfayn — Assistant et ami d’André Breton ; une destinée, une collection
Past: September 5 → November 30
Pour célébrer le centenaire du surréalisme, la galerie Berthet-Aittouarès propose une immersion dans la collection de Georges Goldfayn (1933-2019) assistant et ami d’André Breton. L’exposition que propose aujourd’hui Michèle et Odile Aittouarès témoigne de la manière dont Georges Goldfayn a su faire de sa vie une œuvre et est aussi une façon de rendre hommage à un ami.
Painting, sculpture, mixed media
Berthet – Aittouarès Gallery
Archives
Hommage à Georges Goldfayn — Conversation entre Pierre Wat et Odile Aittouarès
Past: Thursday, September 26 7 PM → 9 PM
Pierre Wat est historien de l’art, il a participé avec Annie Le Brun à la rédaction du catalogue édité à l’occasion de cette exposition.
Hommage à Georges Goldfayn — Conversation entre Pierre Wat et Odile Aittouarès
Past: Thursday, September 26 7 PM → 9 PM
Pierre Wat est historien de l’art, il a participé avec Annie Le Brun à la rédaction du catalogue édité à l’occasion de cette exposition.
Painting, sculpture, mixed media
Berthet – Aittouarès Gallery
Archives
La hardiesse — Dans la collection d’art contemporain d’agnès b.
Past: February 2 → August 1, 2020
Over the years, agnès b. has assembled a major contemporary art collection now comprising nearly 5,000 pieces. Through affinities and encounters with extremely diverse people, groups and cultures — an organic network of chain reactions — her collection is one of a kind.
La hardiesse — Dans la collection d’art contemporain d’agnès b.
Past: February 2 → August 1, 2020
Over the years, agnès b. has assembled a major contemporary art collection now comprising nearly 5,000 pieces. Through affinities and encounters with extremely diverse people, groups and cultures — an organic network of chain reactions — her collection is one of a kind.
Mixed media
La Fab.
Archives
Les noirs du blanc, les blancs du noir
Past: October 13, 2019 → March 21, 2020
Hantaï is best known for originating the technique of pliage (folding), in which a canvas is crumpled and knotted, uniformly painted over, and then spread out to reveal a matrix of abstract alternations between pigment and ground.
Les noirs du blanc, les blancs du noir
Past: October 13, 2019 → March 21, 2020
Hantaï is best known for originating the technique of pliage (folding), in which a canvas is crumpled and knotted, uniformly painted over, and then spread out to reveal a matrix of abstract alternations between pigment and ground.
Painting
Gagosian, Le Bourget Gallery
Archives
Blanc sur Blanc — Group show
Past: January 16 → March 7, 2020
A century ago, Kazimir Malevich’s Suprematist paintings heralded a revolutionary new interpretation of white, in which total abstraction suggests the utopian and the infinite. Since then, artists have deployed the achromatism of whiteness in an endless range of formal and symbolic ways.
Blanc sur Blanc — Group show
Past: January 16 → March 7, 2020
A century ago, Kazimir Malevich’s Suprematist paintings heralded a revolutionary new interpretation of white, in which total abstraction suggests the utopian and the infinite. Since then, artists have deployed the achromatism of whiteness in an endless range of formal and symbolic ways.
Ceramic, painting, sculpture
Gagosian Gallery
Archives
Simon Hantaï — Paris, 1948 — 1955
Past: December 14, 2017 → January 20, 2018
Galerie Jean Fournier has opted for a focus on a relatively little-known segment of the Hantaï oeuvre. These works from the late 1940s and the 1950s are fundamental in more than one respect, embodying everything that was to come in terms of media, methods and the personal ethos of someone who sensed that “everything [was] already there, but neither seen nor thought through”.
Simon Hantaï — Paris, 1948 — 1955
Past: December 14, 2017 → January 20, 2018
Galerie Jean Fournier has opted for a focus on a relatively little-known segment of the Hantaï oeuvre. These works from the late 1940s and the 1950s are fundamental in more than one respect, embodying everything that was to come in terms of media, methods and the personal ethos of someone who sensed that “everything [was] already there, but neither seen nor thought through”.
Collage, painting
Jean Fournier Gallery
Archives
Petits & grands tableaux en souvenir de Jean Fournier
Past: June 9 → July 21, 2016
"Big and Small Paintings in Memory of Jean Fournier" is a tribute to the gallery's founder and the choices he made between his initial venture on Avenue Kléber in 1954 and his death in 2006. The exhibition has been designed as a dialogue between the different generations of artists who crossed paths at the galler…
Petits & grands tableaux en souvenir de Jean Fournier
Past: June 9 → July 21, 2016
"Big and Small Paintings in Memory of Jean Fournier" is a tribute to the gallery's founder and the choices he made between his initial venture on Avenue Kléber in 1954 and his death in 2006. The exhibition has been designed as a dialogue between the different generations of artists who crossed paths at the galler…
Painting
Jean Fournier Gallery
Archives
Simon Hantaï — Regard sur quelques Tabulas
Past: October 15 → November 28, 2015
Galerie Jean Fournier presents “A Look Back at the Tabulas”, an exhibition devoted to Simon Hantaï’s “Tabulas” series. The exhibition takes the form of a selection of major works, two of them remarkable, large-scale pieces only ever shown at the Museum Ludwig retrospective in Budapest in 2014.
Simon Hantaï — Regard sur quelques Tabulas
Past: October 15 → November 28, 2015
Galerie Jean Fournier presents “A Look Back at the Tabulas”, an exhibition devoted to Simon Hantaï’s “Tabulas” series. The exhibition takes the form of a selection of major works, two of them remarkable, large-scale pieces only ever shown at the Museum Ludwig retrospective in Budapest in 2014.
Painting
Jean Fournier Gallery
Archives
Avec et sans peinture — Exposition des œuvres de la collection
Past: February 15, 2014 → July 5, 2015
“Avec et sans peinture” (“With and without painting”) reveals the diversity of contemporary painting by grouping works according to common themes. In total, over 130 works by over 60 artists of different generations employing several techniques will mark the course of the exhibition and enter in dialogue over the course of the year.
Avec et sans peinture — Exposition des œuvres de la collection
Past: February 15, 2014 → July 5, 2015
“Avec et sans peinture” (“With and without painting”) reveals the diversity of contemporary painting by grouping works according to common themes. In total, over 130 works by over 60 artists of different generations employing several techniques will mark the course of the exhibition and enter in dialogue over the course of the year.
Archives
(im)matériel — Pierre Buraglio — Simon Hantaï — Kacha Legrand — Florindo Nanni — Michel Parmentier — Adrien Vescovi
Past: December 4, 2014 → January 17, 2015
“(im)material” comprises works that make use of the properties of their materials — the density or fragility of fabric, tracing paper, wrapping paper, glassine, recycled envelopes — to reveal the picture space through simple acts: folding and unfolding, juxtaposition, assemblage and discolouration.
(im)matériel — Pierre Buraglio — Simon Hantaï — Kacha Legrand — Florindo Nanni — Michel Parmentier — Adrien Vescovi
Past: December 4, 2014 → January 17, 2015
“(im)material” comprises works that make use of the properties of their materials — the density or fragility of fabric, tracing paper, wrapping paper, glassine, recycled envelopes — to reveal the picture space through simple acts: folding and unfolding, juxtaposition, assemblage and discolouration.
Drawing, installation, painting...
Jean Fournier Gallery
Archives
Accrochage collectif d’artistes — Hors-champ. De la pensée à l’œuvre
Past: April 11 → May 17, 2014
This exhibition is a selection that uses the concept of experience as a pretext for showing more intimate, hitherto unseen aspects of the work of these artists.The participating artists have provided previously unshown works, together with sketchbooks, studies and other material potentially sustaining for the creative process, although sometimes having no direct link with what they usually exhibit.
Accrochage collectif d’artistes — Hors-champ. De la pensée à l’œuvre
Past: April 11 → May 17, 2014
This exhibition is a selection that uses the concept of experience as a pretext for showing more intimate, hitherto unseen aspects of the work of these artists.The participating artists have provided previously unshown works, together with sketchbooks, studies and other material potentially sustaining for the creative process, although sometimes having no direct link with what they usually exhibit.
Ceramic, drawing, painting...
Jean Fournier Gallery
Archives
Presque noire et blanche
Past: October 10 → November 16, 2013
Galerie Jean Fournier presents Almost Black and White, an exhibition in the form of a conversation between works having in common their use of black — a regularly recurring subject and a perfect excuse for bringing these works together for the first time.
Presque noire et blanche
Past: October 10 → November 16, 2013
Galerie Jean Fournier presents Almost Black and White, an exhibition in the form of a conversation between works having in common their use of black — a regularly recurring subject and a perfect excuse for bringing these works together for the first time.
Drawing, lithography / engraving, painting
Jean Fournier Gallery
Archives
Simon Hantaï
Past: May 22 → September 9, 2013
Five years after the death of the artist, the Centre Pompidou dedicates an original exhibition to Hantaï’s work — the first in over thirty-five years. Through more than 130 paintings, this exhibition, unprecedented in its scale and retrospective character, bears witness to the importance of a body of work that has today gained international recognition.
Simon Hantaï
Past: May 22 → September 9, 2013
Five years after the death of the artist, the Centre Pompidou dedicates an original exhibition to Hantaï’s work — the first in over thirty-five years. Through more than 130 paintings, this exhibition, unprecedented in its scale and retrospective character, bears witness to the importance of a body of work that has today gained international recognition.
Painting
Centre Georges Pompidou
Archives
Panses 1964-1965
Past: October 11 → November 24, 2012
La galerie Jean Fournier présente une exposition consacrée à une des séries rarement exposées de Simon Hantaï, les « Panses ». À la veille de la rétrospective qui sera consacrée à l’artiste au Centre Georges Pompidou de mai à septembre 2013, cette exposition permettra de prendre toute la mesure de l’importance de cette série dans l’Œuvre de Simon Hantaï.
Panses 1964-1965
Past: October 11 → November 24, 2012
La galerie Jean Fournier présente une exposition consacrée à une des séries rarement exposées de Simon Hantaï, les « Panses ». À la veille de la rétrospective qui sera consacrée à l’artiste au Centre Georges Pompidou de mai à septembre 2013, cette exposition permettra de prendre toute la mesure de l’importance de cette série dans l’Œuvre de Simon Hantaï.
Painting
Jean Fournier Gallery
Archives
Entre le cristal et la fumée (Part II)
Past: June 11 → July 23, 2011
Après un premier volet en mars dernier, le second volet présente les travaux de dix nouveaux artistes qui oscillent entre ces deux états extrêmes de la matière que sont le cristal et la fumée, entre ordre et désordre, cause et effet, logique et hasard, forme et intention, entre opacité et transparence, apparition et disparition.
Entre le cristal et la fumée (Part II)
Past: June 11 → July 23, 2011
Après un premier volet en mars dernier, le second volet présente les travaux de dix nouveaux artistes qui oscillent entre ces deux états extrêmes de la matière que sont le cristal et la fumée, entre ordre et désordre, cause et effet, logique et hasard, forme et intention, entre opacité et transparence, apparition et disparition.
Installation, painting, photography...
Poggi Gallery
Archives
Simon Hantaï
Past: April 8 → May 22, 2010
Exposition en hommage à Simon Hantaï, disparu en 2008.
Sont réunis à la fois un ensemble important d’œuvres inédites peintes par Simon Hantaï avant 1960, soit avant la période du pliage et un choix d’œuvres de trois des périodes les plus emblématiques des œuvres réalisées avec le pliage comme méthode.
Simon Hantaï
Past: April 8 → May 22, 2010
Exposition en hommage à Simon Hantaï, disparu en 2008.
Sont réunis à la fois un ensemble important d’œuvres inédites peintes par Simon Hantaï avant 1960, soit avant la période du pliage et un choix d’œuvres de trois des périodes les plus emblématiques des œuvres réalisées avec le pliage comme méthode.
Painting
Jean Fournier Gallery
Simon Hantaï
Modern
Painting
French artist born in 1922 in Hungary. Dead in 2008 in Paris, France.
- Themes
- Abstraction
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