Liselor Perez — Galerie sans titre — Point de vue — Slash Paris

Here, the everyday object, the strangeness of dream, and the harshness of reality collide in a total installation that moves across techniques and indulges in a romantic preciousness that questions its own fetishization.

In this pastel world, hard and soft confront each other in an organic blend where the human figure is pushed into corners, unrealized and as if defying its condition. Through the folds of stacked quilts drawn in the hollow of a wardrobe, hands emerge as though rising from sleep to absorb the air they lack. That same air is padded by sachets of lavender sprigs referenced in the titles and embedded here and there. Who then, among our dreams, our memories, or our nightmares, hides them in the recesses of the imagination?

Liselor Perez, garde-robe, vue de l’exposition, galerie sans titre, Paris, 2026 Courtesy de l’artiste et galerie sans titre, Paris © DR

Despite its apparent division into chapters, the exhibition unfolds as a complete experience in which media become moments within a reflection that gives reality to reflection itself, that turns plastic representation into the narrative formalization of feelings whose intensity can only perform truth, and restore their blunt force to the gentlest dreams.

Caught in this fertile ambiguity, a drawing and a sculpture both impetuous and, in some respects, restrained and frozen, the cold neutrality displayed by these bodies, puppets without masters, suggests their porosity. The wardrobe (garde-robe in french) that gives the exhibition its title becomes a border guard, equally plastic, between interiors and exteriors that nothing can separate.

Liselor Perez, garde-robe, March 12 to April 25, 2026, sans titre gallery, 13 rue Michel Le Comte, 75003 Paris, France.

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Read our article on Liselor Perez’s exhibition at Saint Eustache Church