Pierre Creton — Crédac, Ivry-sur-Seine
With an almost subterranean gentleness, Sambucus nigra by Pierre Creton unfolds at the Crédac as an exhibition deeply rooted in one of the art centre’s enduring concerns: the way artistic invention can shape and accompany our lives.
Throughout his work, landscapes exist alongside memories, the dead remain in conversation with the living, and everyday objects seem to respond to plants and organic forms. The personal gradually expands into a broader sense of community where farmers, writers, filmmakers and friends all coexist within the same sensitive space.
Carefully conceived in a manner that reflects the artist’s own restraint and precision, the exhibition moves through shifting states of attention and emotion. Touching, cutting, wandering and observing become part of a shared rhythm in which the viewer passes from contemplation to surprise, from reflection to reverie, from imagination to collective remembrance.
Films, drawings, vegetal presences and fragments of daily life come together here as a dense constellation of experiences, both lived and experimented with, shaped by gestures whose resonance grows unexpectedly profound. Everything belongs to the same organic movement where growth, transformation and sensuality continuously intertwine. The exhibition ultimately reveals an artist capable of turning the outside world into the natural ground of an art form inseparable from life itself.
Each work reinvents its own visual language while remaining faithful to a process guided above all by openness: an attention to traces, to shared moments and to the subtle marks left by existence. Even in its quietest moments, the exhibition gives extraordinary emotional force to the smallest details, whether a shadow, a voice or the cut of a form in space.