ArtistsPast
Archives
Or, Encens & Myrrhe
Past: December 11, 2020 → April 17, 2021
The Dohyang Lee Gallery was not imagined as an inanimate place, but as a living organism that evolves. For the tenth anniversary, which is special in a global context marked by the pandemic, artists from the gallery come with gifts to share with the public and art lovers.
Or, Encens & Myrrhe
Past: December 11, 2020 → April 17, 2021
The Dohyang Lee Gallery was not imagined as an inanimate place, but as a living organism that evolves. For the tenth anniversary, which is special in a global context marked by the pandemic, artists from the gallery come with gifts to share with the public and art lovers.
Architecture, urban art, ceramic...
Dohyang Lee Gallery
Archives
Persona grata ? — 9e exposition de la collection
Past: March 30, 2019 → January 5, 2020
If the city of tomorrow is taking form on the coasts, frontiers and jungles of today’s Europe, then gratitude and hospitality are not its founding pillars. Just as the fact of welcoming the other can be envisaged only because it is prevented, then hospitality today is countered, or even illegal.
Persona grata ? — 9e exposition de la collection
Past: March 30, 2019 → January 5, 2020
If the city of tomorrow is taking form on the coasts, frontiers and jungles of today’s Europe, then gratitude and hospitality are not its founding pillars. Just as the fact of welcoming the other can be envisaged only because it is prevented, then hospitality today is countered, or even illegal.
Collage, drawing, installation...
MAC VAL Musée d'art contemporain du Val-de-Marne
Archives
Le Pouvoir du dedans
Past: September 22 → December 15, 2018
Now it’s the turn of the “power from within”. Curator Élise Atangana has borrowed the exhibition title from Starhawk, militant American ecofeminist and self-styled witch. In her “Truth or Dare” she speaks of the “power-over” that rules the world and the counter-culture of the “power-from-within”.
Le Pouvoir du dedans
Past: September 22 → December 15, 2018
Now it’s the turn of the “power from within”. Curator Élise Atangana has borrowed the exhibition title from Starhawk, militant American ecofeminist and self-styled witch. In her “Truth or Dare” she speaks of the “power-over” that rules the world and the counter-culture of the “power-from-within”.
Installation, performance, video
La Galerie, centre d’art contemporain
Archives
Hands, Spells and Papers — Mains, Sorts et Papiers
Past: May 19 → July 21, 2018
« Mains, Sorts, Papiers » ressemble à une variante du jeu de main à trois choix « Pierre, Feuille, Ciseaux ». Les « théories du pierre-feuille-ciseaux » livrent des analyses éclairantes sur les collisions entre hasard et prédiction.
Hands, Spells and Papers — Mains, Sorts et Papiers
Past: May 19 → July 21, 2018
« Mains, Sorts, Papiers » ressemble à une variante du jeu de main à trois choix « Pierre, Feuille, Ciseaux ». Les « théories du pierre-feuille-ciseaux » livrent des analyses éclairantes sur les collisions entre hasard et prédiction.
Drawing, installation, painting...
La Galerie, centre d’art contemporain
Archives
Intoto 6
Past: April 26 → 28, 2018
For each edition of Intoto, Thomas Fougeirol, Julien Carreyn and Pepo Salazar methodically scour a selection of artist studios in search of found objects: a test pressing, fragmentary products of studio work, domestic remnants. In these, they see evidence of a primitive practice, below all manufactured completion.
Intoto 6
Past: April 26 → 28, 2018
For each edition of Intoto, Thomas Fougeirol, Julien Carreyn and Pepo Salazar methodically scour a selection of artist studios in search of found objects: a test pressing, fragmentary products of studio work, domestic remnants. In these, they see evidence of a primitive practice, below all manufactured completion.
Mixed media
Fondation d’entreprise Pernod Ricard
Archives
Tes mains dans mes chaussures — Une exposition de Vanessa Desclaux et Emilie Renard
Past: September 24, 2016 → August 15, 2017
Titled “Your Hands in My Shoes”, the 2016–2017 season takes the form of a slow morphing within the art centre over the period September 2016 — July 2017.
Tes mains dans mes chaussures — Une exposition de Vanessa Desclaux et Emilie Renard
Past: September 24, 2016 → August 15, 2017
Titled “Your Hands in My Shoes”, the 2016–2017 season takes the form of a slow morphing within the art centre over the period September 2016 — July 2017.
Dance, design, film...
La Galerie, centre d’art contemporain
Archives
Tes mains dans mes chaussures 2 sur 3
Past: January 20 → July 15, 2017
If we think of the art centre as a pair of shoes, as a functional institution which “goes forward”, and if we think of the people who pass through it as hands that slip into these shoes, we soon notice that we are all deflected from our initial route. This image of a stumbling walk seems to be the most appropriate in thinking of the exhibition as an experience of instability.
Tes mains dans mes chaussures 2 sur 3
Past: January 20 → July 15, 2017
If we think of the art centre as a pair of shoes, as a functional institution which “goes forward”, and if we think of the people who pass through it as hands that slip into these shoes, we soon notice that we are all deflected from our initial route. This image of a stumbling walk seems to be the most appropriate in thinking of the exhibition as an experience of instability.
Installation, performance, sculpture...
La Galerie, centre d’art contemporain
Archives
Tes mains dans mes chaussures 3 sur 3 — Curatrices : Vanessa Desclaux et Emilie Renard
Past: April 22 → July 15, 2017
Menée tout au long d’une année sous la forme d’un lent morphing, ce troisième et dernier volet de l’exposition « Tes mains dans mes chaussures » s’étend dans tous les recoins du centre d’art et génère des révolutions délicates au sein même de l’institution.
Tes mains dans mes chaussures 3 sur 3 — Curatrices : Vanessa Desclaux et Emilie Renard
Past: April 22 → July 15, 2017
Menée tout au long d’une année sous la forme d’un lent morphing, ce troisième et dernier volet de l’exposition « Tes mains dans mes chaussures » s’étend dans tous les recoins du centre d’art et génère des révolutions délicates au sein même de l’institution.
Publishing, film, installation...
La Galerie, centre d’art contemporain
Nuit Blanche — Diffusion Tu m’entends là, maintenant ? de Delphine Chapuis Schmitz
Past: Friday, September 23, 2016 6 PM → 9 PM
Diffusion dans le programme sonore « Floating ON AIR » des réseaux Tram et d.c.a lors de la Nuit Blanche à Paris.
Archives
Savoir Faire Savoir
Past: June 17 → July 23, 2016
Memory and language, feeling and expression are all notions which exist together in the collective creative experience conceived by Orange rouge and the artworks based on it, encapsulating it and embodying its (in)visible and/or (in)audible traces — and other (un)readable interpretations.
Savoir Faire Savoir
Past: June 17 → July 23, 2016
Memory and language, feeling and expression are all notions which exist together in the collective creative experience conceived by Orange rouge and the artworks based on it, encapsulating it and embodying its (in)visible and/or (in)audible traces — and other (un)readable interpretations.
Installation, photography, sculpture
ENSAPC YGREC
Archives
Une deuxième image
Past: March 19 → May 8, 2016
Après l’exposition « Time Capsule », en 2012 à la Maison des Arts, dans laquelle nous montrions des œuvres qui rassemblaient plusieurs temps dans une même image, nous nous sommes interrogés, en guise de deuxième volet d’un diptyque d’expositions, sur le fait que certains artistes activent plusieurs images dans une même image.
Une deuxième image
Past: March 19 → May 8, 2016
Après l’exposition « Time Capsule », en 2012 à la Maison des Arts, dans laquelle nous montrions des œuvres qui rassemblaient plusieurs temps dans une même image, nous nous sommes interrogés, en guise de deuxième volet d’un diptyque d’expositions, sur le fait que certains artistes activent plusieurs images dans une même image.
Installation, new media, photography...
La maison des arts, centre d'art contemporain de Malakoff
Archives
Turns: Possibilities of Performance — Parfums pourpres du soleil des pôles
Past: November 7 → December 21, 2013
This exhibition will focus upon the peripheral aspect of the performance, the before, the after, the potential, the simultaneity and also the offspring of a performative action. The artists expose a certain position upon perform ative acts, from music, readings, science and the circus and the varied medium of sculpture, sound, printmaking and video.
Turns: Possibilities of Performance — Parfums pourpres du soleil des pôles
Past: November 7 → December 21, 2013
This exhibition will focus upon the peripheral aspect of the performance, the before, the after, the potential, the simultaneity and also the offspring of a performative action. The artists expose a certain position upon perform ative acts, from music, readings, science and the circus and the varied medium of sculpture, sound, printmaking and video.
Installation, sculpture, screen-printing...
Galerie Allen
Archives
Quel travail ?! — Manières de faire, manières de voir
Past: April 14 → June 30, 2013
Photography was conceived and developed during the industrial movement of the 19th century. A so called mechanical art, photography has helped define our perception of work. Photographers have denounced inhumane work practice just as they have glorified individuals’ bodies in the name of progress.
Quel travail ?! — Manières de faire, manières de voir
Past: April 14 → June 30, 2013
Photography was conceived and developed during the industrial movement of the 19th century. A so called mechanical art, photography has helped define our perception of work. Photographers have denounced inhumane work practice just as they have glorified individuals’ bodies in the name of progress.
Photography
CPIF — Centre photographique d’Ile-de-France
Archives
Le Tamis et le sable 1/3: Mélodies en sous-sol
Past: January 16 → March 30, 2013
Premier volet du cycle Le tamis et le sable, « Mélodies en sous-sol » évoque par son titre un répertoire dont ne parviennent à la surface que de sourdes vibrations, les sous-sols constituant le territoire du remisé, d’un passé laissé derrière soi, peu à peu oublié.
Le Tamis et le sable 1/3: Mélodies en sous-sol
Past: January 16 → March 30, 2013
Premier volet du cycle Le tamis et le sable, « Mélodies en sous-sol » évoque par son titre un répertoire dont ne parviennent à la surface que de sourdes vibrations, les sous-sols constituant le territoire du remisé, d’un passé laissé derrière soi, peu à peu oublié.
Sculpture, sound - music, video
Maison populaire
Archives
Into The Woods — Une exposition de Daria de Beauvais
Past: January 26 → March 17, 2012
Between contemporary romanticism and a gloomy minimalism, “Into the Woods” offers visitors an enigmatic aesthetic experience. Dreamed up as a walk in the woods, the show limns a phantasmagoric mental landscape through the work of eleven women artists.
Into The Woods — Une exposition de Daria de Beauvais
Past: January 26 → March 17, 2012
Between contemporary romanticism and a gloomy minimalism, “Into the Woods” offers visitors an enigmatic aesthetic experience. Dreamed up as a walk in the woods, the show limns a phantasmagoric mental landscape through the work of eleven women artists.
Installation, painting, photography...
La Galerie des Galeries
Archives
Pièce pour le Pavillon
Past: January 20 → 21, 2012
The Pavillon Neuflize OBC, the creative laboratory of the Palais de Tokyo, has invited the director and set designer Philippe Quesne to invent a theatrical event in collaboration with ten artists and curators from all over the world. The piece is a collective composition, derived from an interplay of associations and parasitic borrowings which each person can originate or act out.
Pièce pour le Pavillon
Past: January 20 → 21, 2012
The Pavillon Neuflize OBC, the creative laboratory of the Palais de Tokyo, has invited the director and set designer Philippe Quesne to invent a theatrical event in collaboration with ten artists and curators from all over the world. The piece is a collective composition, derived from an interplay of associations and parasitic borrowings which each person can originate or act out.
Performance, mixed media
Ménagerie de verre
Archives
Laëtitia Badaut Haussmann — Working Backwards
Past: November 13 → December 23, 2010
Faire résonner des pianos qui ne sont plus là, jouer avec les couleurs d’une œuvre, préserver de toute atteinte un objet par sa muséification… Le travail de Laetitia Badaut Haussmann s’initie souvent sur des prétextes.
Laëtitia Badaut Haussmann — Working Backwards
Past: November 13 → December 23, 2010
Faire résonner des pianos qui ne sont plus là, jouer avec les couleurs d’une œuvre, préserver de toute atteinte un objet par sa muséification… Le travail de Laetitia Badaut Haussmann s’initie souvent sur des prétextes.
Installation, sculpture
Dohyang Lee Gallery
Archives
Dynasty — 1 exposition, 2 lieux, 40 artistes, 80 propositions
Past: June 11 → September 5, 2010
An exceptional collaboration between the Palais de Tokyo and the Musée d’Art moderne de la Ville de Paris/ARC. Dynasty gathers over forty artists in nearly 5000 m2, and indicates the strong commitment of these two institutions to emergent talent as well as a new phase of collaboration between the building’s two wings.
Dynasty — 1 exposition, 2 lieux, 40 artistes, 80 propositions
Past: June 11 → September 5, 2010
An exceptional collaboration between the Palais de Tokyo and the Musée d’Art moderne de la Ville de Paris/ARC. Dynasty gathers over forty artists in nearly 5000 m2, and indicates the strong commitment of these two institutions to emergent talent as well as a new phase of collaboration between the building’s two wings.
Drawing, installation, painting...
Palais de Tokyo Musée d’Art Moderne de la ville de Paris
Laëtitia Badaut Haussmann
Contemporary
Architecture, film, installation, sound - music, mixed media, video
French artist born in 1980 in Paris, France.
- Localisation
- Paris, France
- Website
- www.laetitiabadauthaussmann.com
- Themes
- Fiction, in situ, mémoire