VenuesPast
Laurent Mareschal — La Forêt pensante
Ends in 14 days: October 12 → November 16
La Forêt Pensante was the nickname of the Université de Vincennes, at the same time experimental, revolutionary in its operation, but also in its aims… If Laurent Mareschal has chosen this title for his exhibition in the Dohyang Lee Gallery, it is firstly to highlight the speed of action taken by political power to displace and/or shut down the revolutionary voices that rose there.
Publishing, film, installation...
Dohyang Lee Gallery
Archives
Marta Skoczeń — Attachements
Past: April 13 → May 11
For *Marta Skoczeń*’s first solo exhibition, Galerie Dohyang Lee presents a selection of works by the artist, from her earliest creations to her most recent, synthesising her work around the notion of attachment.
With the support for the galleries / exhibition of CNAP Centre national des arts plastiques (National Centre for Visual Arts).
Marta Skoczeń — Attachements
Past: April 13 → May 11
For *Marta Skoczeń*’s first solo exhibition, Galerie Dohyang Lee presents a selection of works by the artist, from her earliest creations to her most recent, synthesising her work around the notion of attachment.
With the support for the galleries / exhibition of CNAP Centre national des arts plastiques (National Centre for Visual Arts).
Publishing, film, new media...
Dohyang Lee Gallery
Archives
Namhee Kwon — Eternity Shop
Past: July 8 → August 5, 2023
I feel I discovered the past of the artist *Namhee Kwon* on the day of my visit to her exhibition “ _A Writer’s Diary_ ” at the Cité des Arts in Paris in 2015. I had noticed her project “ _A Writer’s Diary_ ”, which is a 295-page manuscript, in which she reproduced Virginia Woolf’s (1882 — 1941) first diary…
Namhee Kwon — Eternity Shop
Past: July 8 → August 5, 2023
I feel I discovered the past of the artist *Namhee Kwon* on the day of my visit to her exhibition “ _A Writer’s Diary_ ” at the Cité des Arts in Paris in 2015. I had noticed her project “ _A Writer’s Diary_ ”, which is a 295-page manuscript, in which she reproduced Virginia Woolf’s (1882 — 1941) first diary…
Publishing, installation, books...
Dohyang Lee Gallery
Archives
Dorian Gray
Past: April 29 → May 27, 2023
Under the pen of Oscar Wilde, Dorian Gray[1] is a metaphor for our perennial and vain quest for eternal youth, but above all a portrait and finally a self-portrait of our profound nature, a duel between good and evil, youth and old, material and immaterial, moral and immorality…
Dorian Gray
Past: April 29 → May 27, 2023
Under the pen of Oscar Wilde, Dorian Gray[1] is a metaphor for our perennial and vain quest for eternal youth, but above all a portrait and finally a self-portrait of our profound nature, a duel between good and evil, youth and old, material and immaterial, moral and immorality…
Drawing, publishing, film...
Dohyang Lee Gallery
Archives
Violaine Lochu — 1987
Past: March 11 → April 15, 2023
There is no love story that isn’t political, neither is there a struggle that isn’t intimate. Five years after _Hinterland_ at the Dohyang Lee Gallery, Violaine Lochu shares her personal story once again to reflect upon the metamorphoses initiated by traumas and the forms of care that respond to them.
Violaine Lochu — 1987
Past: March 11 → April 15, 2023
There is no love story that isn’t political, neither is there a struggle that isn’t intimate. Five years after _Hinterland_ at the Dohyang Lee Gallery, Violaine Lochu shares her personal story once again to reflect upon the metamorphoses initiated by traumas and the forms of care that respond to them.
Drawing, film, installation...
Dohyang Lee Gallery
O Child
Past: Saturday, March 11, 2023 6:30 PM → 7:30 PM
There is no love story that isn’t political, neither is there a struggle that isn’t intimate. Five years after _Hinterland_ at the Dohyang Lee Gallery, Violaine Lochu shares her personal story once again …
Performance
Archives
éco (…..) éco (…..) éco (…….) — volet II
Past: December 3 → 30, 2022
The Dohyang Lee Gallery invites you to the second part of its collective exhibition éco (…..) éco (…..) éco (…….). éco is a prefix that comes from the ancient Greek oîkos (house). Unlike the first part, where we dealt with material and social notions, this time we want to ponder upon spiritual notions.
éco (…..) éco (…..) éco (…….) — volet II
Past: December 3 → 30, 2022
The Dohyang Lee Gallery invites you to the second part of its collective exhibition éco (…..) éco (…..) éco (…….). éco is a prefix that comes from the ancient Greek oîkos (house). Unlike the first part, where we dealt with material and social notions, this time we want to ponder upon spiritual notions.
Architecture, urban art, ceramic...
Dohyang Lee Gallery
Archives
éco (…..) éco (…..) éco (…….) — volet I
Past: October 15 → November 19, 2022
*“ Our home is burning and we are still looking somewhere else ”*[1]
The Dohyang Lee Gallery invites you to the first part of the collective exhibition _éco (…..) éco (…..) éco (…….)_.
éco (…..) éco (…..) éco (…….) — volet I
Past: October 15 → November 19, 2022
*“ Our home is burning and we are still looking somewhere else ”*[1]
The Dohyang Lee Gallery invites you to the first part of the collective exhibition _éco (…..) éco (…..) éco (…….)_.
Architecture, urban art, jewellery...
Dohyang Lee Gallery
Archives
Jetsam & Flotsam
Past: July 9 → August 13, 2022
The Dohyang Lee gallery presents the solo show of the artist Yue Yuan, entitled Jetsam & Flotsam curated by Franck Balland.
Jetsam & Flotsam
Past: July 9 → August 13, 2022
The Dohyang Lee gallery presents the solo show of the artist Yue Yuan, entitled Jetsam & Flotsam curated by Franck Balland.
Installation, performance, mixed media
Dohyang Lee Gallery
Archives
S O R I
Past: May 28 → July 2, 2022
The exhibition _S O R I_ (sound) evokes the vividness of life via two routes: digital condensation of sounds of individuals pronouncing their own name and projection of landscape images taken through lens covered with the artist’s blood drop…
S O R I
Past: May 28 → July 2, 2022
The exhibition _S O R I_ (sound) evokes the vividness of life via two routes: digital condensation of sounds of individuals pronouncing their own name and projection of landscape images taken through lens covered with the artist’s blood drop…
Collage, drawing, publishing...
Dohyang Lee Gallery
Archives
Try
Past: March 12 → April 16, 2022
For this exhibition, I’ve worked as a reporter: I’ve seen — I show.
Doing so, when I could identify them, the substance and form observed became isolated.
[1]Micromégas in his wanderings, also came across this problem.
Try
Past: March 12 → April 16, 2022
For this exhibition, I’ve worked as a reporter: I’ve seen — I show.
Doing so, when I could identify them, the substance and form observed became isolated.
[1]Micromégas in his wanderings, also came across this problem.
Ceramic, collage, drawing...
Dohyang Lee Gallery
Archives
Radouan Zeghidour — Spleen le maudit
Past: October 16 → November 20, 2021
Paris.
On the millenary cobblestones saturated with cameras, heightened individuals are now beeping everywhere. Not only at work, but also in cafés, trains and hospitals. In this dull décor, a sad, awkward, antisocial, solitary outsider wanders about in search of paradise lost.
Radouan Zeghidour — Spleen le maudit
Past: October 16 → November 20, 2021
Paris.
On the millenary cobblestones saturated with cameras, heightened individuals are now beeping everywhere. Not only at work, but also in cafés, trains and hospitals. In this dull décor, a sad, awkward, antisocial, solitary outsider wanders about in search of paradise lost.
Urban art, ceramic, drawing...
Dohyang Lee Gallery
Archives
Parquet Flottant — Stéfan Tulépo
Past: June 5 → July 24, 2021
Stéfan Tulépo uses everyday, mass-produced items intended to be abandoned, destroyed or disintegrated. They evoke contemporary archaeology, ways of life, and aesthetics…
Parquet Flottant — Stéfan Tulépo
Past: June 5 → July 24, 2021
Stéfan Tulépo uses everyday, mass-produced items intended to be abandoned, destroyed or disintegrated. They evoke contemporary archaeology, ways of life, and aesthetics…
Ceramic, collage, lithography / engraving...
Dohyang Lee Gallery
Archives
C A N V A S 73 — volet I (REUNION)
Past: May 3 → 29, 2021
The project ” C A N V A S 73 ” is a new project of the Dohyang Lee Gallery, which gives the artists the opportunity to enjoy the large windows of the place. The show window serves to maintain the link between artists and the public despite all possible contexts, as well as the new practice of non face-to-face.
C A N V A S 73 — volet I (REUNION)
Past: May 3 → 29, 2021
The project ” C A N V A S 73 ” is a new project of the Dohyang Lee Gallery, which gives the artists the opportunity to enjoy the large windows of the place. The show window serves to maintain the link between artists and the public despite all possible contexts, as well as the new practice of non face-to-face.
Collage, drawing
Dohyang Lee Gallery
Archives
Or, Encens & Myrrhe
Past: December 11, 2020 → April 17, 2021
The Dohyang Lee Gallery was not imagined as an inanimate place, but as a living organism that evolves. For the tenth anniversary, which is special in a global context marked by the pandemic, artists from the gallery come with gifts to share with the public and art lovers.
Or, Encens & Myrrhe
Past: December 11, 2020 → April 17, 2021
The Dohyang Lee Gallery was not imagined as an inanimate place, but as a living organism that evolves. For the tenth anniversary, which is special in a global context marked by the pandemic, artists from the gallery come with gifts to share with the public and art lovers.
Architecture, urban art, ceramic...
Dohyang Lee Gallery
Archives
Le bruit des choses — Charlotte Seidel
Past: October 10 → November 14, 2020
Sometimes we wake up in the middle of the night, with eyes full of sand, persuaded that the entire earth is against us. Starting with those famous " things ": the clock’s unbearable tick-tock that decided to creep into our latest dream…
Le bruit des choses — Charlotte Seidel
Past: October 10 → November 14, 2020
Sometimes we wake up in the middle of the night, with eyes full of sand, persuaded that the entire earth is against us. Starting with those famous " things ": the clock’s unbearable tick-tock that decided to creep into our latest dream…
Collage, film, installation...
Dohyang Lee Gallery
Archives
Madeleine
Past: May 23 → July 25, 2020
The exhibition entitled “madeleine”, approaches the notions of memory, past time, present time, future time, material and intangible. Each presented artist proposes his or her interpretation in his or her own way, from which we can draw certain encounters.
Madeleine
Past: May 23 → July 25, 2020
The exhibition entitled “madeleine”, approaches the notions of memory, past time, present time, future time, material and intangible. Each presented artist proposes his or her interpretation in his or her own way, from which we can draw certain encounters.
Architecture, ceramic, collage...
Dohyang Lee Gallery
Madeleine
Past: Saturday, July 25, 2020 2 PM → 7 PM
The exhibition entitled madeleine, approaches the notions of memory, past time, present time, future time, material and intangible. Each presented artist proposes his or her interpretation in his or her o…
Closing
Archives
Presque
Past: January 24 → March 7, 2020
In a world in which performance is the main goal and one has to be oneself or have only number tens in one’s team, Thomas Wattebled takes hold of the representational symbols of champions, winners and conquerors, and diverts them, in order to pay tribute to the “looser.”
Presque
Past: January 24 → March 7, 2020
In a world in which performance is the main goal and one has to be oneself or have only number tens in one’s team, Thomas Wattebled takes hold of the representational symbols of champions, winners and conquerors, and diverts them, in order to pay tribute to the “looser.”
Installation, new media, painting...
Dohyang Lee Gallery
Archives
Là où les eaux se mèlent — 15ème Biennale de Lyon
Past: September 18, 2019 → January 5, 2020
Participation de l’artiste Jenny Feal à la 15ème Biennale de Lyon.
Là où les eaux se mèlent — 15ème Biennale de Lyon
Past: September 18, 2019 → January 5, 2020
Participation de l’artiste Jenny Feal à la 15ème Biennale de Lyon.
Archives
Sainte Chapelle — Radouan Zeghidour
Past: October 12 → November 30, 2019
Cité, the largest of the Parisian islands, has been radically transformed in the space of a year. One badly extinguished cigarette butt, and the millenary forest went up in flames…
Sainte Chapelle — Radouan Zeghidour
Past: October 12 → November 30, 2019
Cité, the largest of the Parisian islands, has been radically transformed in the space of a year. One badly extinguished cigarette butt, and the millenary forest went up in flames…
Architecture, drawing, film...
Dohyang Lee Gallery
Archives
Marcos Avila Forero — 21ème Prix de la Fondation Ricard
Past: September 10 → October 26, 2019
Marcos Avila Forero, artiste représenté par la galerie Dohyang Lee est nominé pour le 21ème Prix de la Fondation Ricard.
Marcos Avila Forero — 21ème Prix de la Fondation Ricard
Past: September 10 → October 26, 2019
Marcos Avila Forero, artiste représenté par la galerie Dohyang Lee est nominé pour le 21ème Prix de la Fondation Ricard.
Archives
Meat Me — Performance de Violaine Lochu au Centre Pompidou
Past: Thursday, September 12, 2019
Performance dans le cadre de l’exposition « Bacon en toutes lettres », Festival Extra, Centre Pompidou, Paris.
Commissariat de Jean-Max Colard.
Meat Me — Performance de Violaine Lochu au Centre Pompidou
Past: Thursday, September 12, 2019
Performance dans le cadre de l’exposition « Bacon en toutes lettres », Festival Extra, Centre Pompidou, Paris.
Commissariat de Jean-Max Colard.
Archives
Jenny Feal — Mar oculto
Past: May 18 → July 20, 2019
The exhibition starts with a text written by the artist: the story of the Cococitizens, a fictional narrative of sand dunes and the inhabitants of an island who paradoxically have never seen the sea.
Jenny Feal — Mar oculto
Past: May 18 → July 20, 2019
The exhibition starts with a text written by the artist: the story of the Cococitizens, a fictional narrative of sand dunes and the inhabitants of an island who paradoxically have never seen the sea.
Ceramic, drawing, film...
Dohyang Lee Gallery
Archives
Protopoème : Sol, Sono & Urubus
Past: December 8, 2018 → February 2, 2019
How can language construct a sense of closeness with the world? How can it translate an awareness of the surrounding space? And what could be said if this language were to become inaudible, having dispensed with words? These are the questions posed by Clarissa Baumann in her monographic exhibition at the Dohyang Lee Gallery.
Protopoème : Sol, Sono & Urubus
Past: December 8, 2018 → February 2, 2019
How can language construct a sense of closeness with the world? How can it translate an awareness of the surrounding space? And what could be said if this language were to become inaudible, having dispensed with words? These are the questions posed by Clarissa Baumann in her monographic exhibition at the Dohyang Lee Gallery.
Architecture, urban art, dance...
Dohyang Lee Gallery
Passarada
Past: Saturday, December 8, 2018 7 PM → 8 PM
Performance by Clarissa Baumann, Passarada, with Kidows Kim et Olavo Vianna, on Saturday December 08th 2018 at 7 pm, for the solo show Protopoème : Sol, Sono & Urubus
Twenty four wooden craft duck call…
Performance
Archives
Hinterland
Past: October 6 → November 17, 2018
The title of the exhibition, _Hinterland_, refers to the inland, a territory sheltered from wind and sea. A place where it is possible to take your time and reconstruct yourself. From a metaphorical point of view, _Hinterland_ sends us back to what is not immediately visible. Behind the landscape, backstage, inside th…
Hinterland
Past: October 6 → November 17, 2018
The title of the exhibition, _Hinterland_, refers to the inland, a territory sheltered from wind and sea. A place where it is possible to take your time and reconstruct yourself. From a metaphorical point of view, _Hinterland_ sends us back to what is not immediately visible. Behind the landscape, backstage, inside th…
Dance, drawing, film...
Dohyang Lee Gallery
Hinterland
Past: Friday, November 9, 2018 7 PM → 7:30 PM
Performance de Violaine Lochu, Fabula, avec Joëlle Lèandre
Performance
Archives
Le Temps des Pommes
Past: September 15 → October 6, 2018
Collaboration between the Dohyang Lee and the contemporay art space ETE 78, Ixelles, Belgium
Exhibtion place address :
78 rue de l’Été, B -1050 Ixelles, Belgium
Saturdays 22.09, 29.09, 06.10 / 2pm — 6pm and on rendez vous
www.ete78.com
With the support of Korea Arts Management Service, South Korea
The title…
Le Temps des Pommes
Past: September 15 → October 6, 2018
Collaboration between the Dohyang Lee and the contemporay art space ETE 78, Ixelles, Belgium
Exhibtion place address :
78 rue de l’Été, B -1050 Ixelles, Belgium
Saturdays 22.09, 29.09, 06.10 / 2pm — 6pm and on rendez vous
www.ete78.com
With the support of Korea Arts Management Service, South Korea
The title…
Architecture, ceramic, design...
Dohyang Lee Gallery
Magnetic Song — Performance de Violaine Lochu, Magnetic Song, avec Chloé Breillot
Past: Saturday, October 6, 2018 at 7 PM
Performance of Violaine Lochu, Magnetic Song, with Chloé Breillot
Performance
Archives
STILL . . . LIFE
Past: June 30 → August 4, 2018
The theorist and painter of Symbolism Maurice Denis told that three apples changed the face of the world ; Eve’s Apple, Newton’s Apple and finally Cézanne’s Apple. We could add the Apple of the Judgment of Paris or Steeve Jobs’s Apple.
STILL . . . LIFE
Past: June 30 → August 4, 2018
The theorist and painter of Symbolism Maurice Denis told that three apples changed the face of the world ; Eve’s Apple, Newton’s Apple and finally Cézanne’s Apple. We could add the Apple of the Judgment of Paris or Steeve Jobs’s Apple.
Architecture, collage, drawing...
Dohyang Lee Gallery
Archives
I never knew that sand had so many colours
Past: April 7 → May 26, 2018
For ten years, Elisabeth S. Clark has been orchestrating what she calls ‘Book Concertos’ — a performance which explores the possibility for a whole novel to be read in under ten minutes, involving as many people as there are leaves in a chosen book.
I never knew that sand had so many colours
Past: April 7 → May 26, 2018
For ten years, Elisabeth S. Clark has been orchestrating what she calls ‘Book Concertos’ — a performance which explores the possibility for a whole novel to be read in under ten minutes, involving as many people as there are leaves in a chosen book.
Installation, performance, mixed media
Dohyang Lee Gallery
Archives
Intérieurs
Past: December 9, 2017 → January 27, 2018
The artist has taken luck into her hands. She has searched for as many four-leaved clovers as there are days in the year. She has looked — and we look with her — for “ what is the most difficult to discover ”. She has come across what is neither a region nor a locality, even less so a spectacle. “ Insignificant ”, “ without truth, without reality, without a secret ”.
Intérieurs
Past: December 9, 2017 → January 27, 2018
The artist has taken luck into her hands. She has searched for as many four-leaved clovers as there are days in the year. She has looked — and we look with her — for “ what is the most difficult to discover ”. She has come across what is neither a region nor a locality, even less so a spectacle. “ Insignificant ”, “ without truth, without reality, without a secret ”.
Publishing, installation, photography...
Dohyang Lee Gallery
Archives
Les choses qui échappent — Une exposition de Marcos Avila Forero
Past: October 17 → November 25, 2017
The work of the Colombian artist Marcos Avila Forero is immersed in the complex and sometimes violent reality of political and social identified situations in which he commits himself personally and artistically. His works mix experiments and elements of these contexts.
Les choses qui échappent — Une exposition de Marcos Avila Forero
Past: October 17 → November 25, 2017
The work of the Colombian artist Marcos Avila Forero is immersed in the complex and sometimes violent reality of political and social identified situations in which he commits himself personally and artistically. His works mix experiments and elements of these contexts.
Photography
Dohyang Lee Gallery
Archives
Hypokeimenon
Past: May 20 → July 8, 2017
Substance is, in the classic meaning, what establishes an object. Formerly, susbtance contained the mass and the volume but quantum mechanics scientists discovered these notions do not establish the attributes of an object itself, but the object transforms according to parameters and external circumstances.
Hypokeimenon
Past: May 20 → July 8, 2017
Substance is, in the classic meaning, what establishes an object. Formerly, susbtance contained the mass and the volume but quantum mechanics scientists discovered these notions do not establish the attributes of an object itself, but the object transforms according to parameters and external circumstances.
Film, installation, new media...
Dohyang Lee Gallery
Archives
Kamionass — Paula Castro
Past: March 25 → April 29, 2017
Paula Castro, is an Italian Argentinian artist, born in 1978, and graduated in 2002, from the University of Buenos Aires. She lives and works between Buenos Aires and Paris. Paula Castro approaches the drawing through a representation of the realm of imagination and mind.
Kamionass — Paula Castro
Past: March 25 → April 29, 2017
Paula Castro, is an Italian Argentinian artist, born in 1978, and graduated in 2002, from the University of Buenos Aires. She lives and works between Buenos Aires and Paris. Paula Castro approaches the drawing through a representation of the realm of imagination and mind.
Drawing, print, lithography / engraving...
Dohyang Lee Gallery
Archives
Zoom — Projection III — Les Fileuses (The Spinners)
Past: January 28 → February 25, 2017
For this exhibition, we would like to listen to the famous trio from Hippolyte and Aricie. There is a strange chance between the fact to display films from three women artists, and the thready expression that is common to all.
Zoom — Projection III — Les Fileuses (The Spinners)
Past: January 28 → February 25, 2017
For this exhibition, we would like to listen to the famous trio from Hippolyte and Aricie. There is a strange chance between the fact to display films from three women artists, and the thready expression that is common to all.
Film, new media, sound - music...
Dohyang Lee Gallery
Archives
Louis-Cyprien Rials — Introducing
Past: October 15 → December 23, 2016
Beyond the roads of a single territory, Louis-Cyprien Rials starts from 2006 a stay of three years in Japan where he immortalizes neglected buildings. However posessed by geopolitics, he realizes he cannot content himself with a formal approach of these sites or making architectural poetics as his subject…
Louis-Cyprien Rials — Introducing
Past: October 15 → December 23, 2016
Beyond the roads of a single territory, Louis-Cyprien Rials starts from 2006 a stay of three years in Japan where he immortalizes neglected buildings. However posessed by geopolitics, he realizes he cannot content himself with a formal approach of these sites or making architectural poetics as his subject…
Print, film, installation...
Dohyang Lee Gallery
Archives
Julien Creuzet & Léna Araguas — J’ai quitté Paris // Jangal (…) mon dawa
Past: May 21 → September 24, 2016
Julien Creuzet is born and works in France. However his works are nourished from the years he spent in Martinique and his Caribbean origins. Beyond any simple inspiration, it is a totally complete approach of the artistic creation process, fed by the concept of creolization, between several civilizations.
Julien Creuzet & Léna Araguas — J’ai quitté Paris // Jangal (…) mon dawa
Past: May 21 → September 24, 2016
Julien Creuzet is born and works in France. However his works are nourished from the years he spent in Martinique and his Caribbean origins. Beyond any simple inspiration, it is a totally complete approach of the artistic creation process, fed by the concept of creolization, between several civilizations.
Installation, poetry, mixed media...
Dohyang Lee Gallery
Archives
Julien Creuzet — Lancement du livre J’ai quitté Paris
Past: Saturday, September 10, 2016 at 5 PM
Lauching of the book “J’ai quitté Paris” — Collaboration of Léna Araguas
Julien Creuzet — Lancement du livre J’ai quitté Paris
Past: Saturday, September 10, 2016 at 5 PM
Lauching of the book “J’ai quitté Paris” — Collaboration of Léna Araguas
Archives
Mousaï / Muses
Past: February 6 → April 30, 2016
Nine sisters… each of them received a present they will donate to the whole humanity… Eloquence, history, lyric poetry, music, tragedy, rhetoric, dance, comedy, astronomy. Such gifts are blessings for us, human beings, who try to explain our existence.
Mousaï / Muses
Past: February 6 → April 30, 2016
Nine sisters… each of them received a present they will donate to the whole humanity… Eloquence, history, lyric poetry, music, tragedy, rhetoric, dance, comedy, astronomy. Such gifts are blessings for us, human beings, who try to explain our existence.
Ceramic, drawing, publishing...
Dohyang Lee Gallery
Archives
States of Grace — Zoom 2015 — Projection
Past: December 12, 2015 → January 30, 2016
In “States of Grace”, video sublimates the relations between cinema and paintings. If Laurent Fiévet sends an exquisite and extreme slow motion thrill over some shots from “Rear Window” by Alfred Hitchcock, his purpose is to reveal, how this film is possessed by the aesthetics of Leonardo da Vinci through overlays.
States of Grace — Zoom 2015 — Projection
Past: December 12, 2015 → January 30, 2016
In “States of Grace”, video sublimates the relations between cinema and paintings. If Laurent Fiévet sends an exquisite and extreme slow motion thrill over some shots from “Rear Window” by Alfred Hitchcock, his purpose is to reveal, how this film is possessed by the aesthetics of Leonardo da Vinci through overlays.
Film, installation, new media...
Dohyang Lee Gallery
Archives
Estenopeicas Rurales — Restitutions de la mémoire
Past: October 10 → November 28, 2015
Since its origins, the social civil and armed conflict in Colombia is strongly connected to the needs for viable agrarian policies for the farmer populations. In close collaboration with the local population, the artist transformed several families’ farms, which were or continue to be spaces of revolt, into a camera obscura.
Estenopeicas Rurales — Restitutions de la mémoire
Past: October 10 → November 28, 2015
Since its origins, the social civil and armed conflict in Colombia is strongly connected to the needs for viable agrarian policies for the farmer populations. In close collaboration with the local population, the artist transformed several families’ farms, which were or continue to be spaces of revolt, into a camera obscura.
Film, photography, sound - music...
Dohyang Lee Gallery
Archives
Le Paradis Accidentel
Past: May 19 → July 11, 2015
Hayoun Kwon is an artist who uses several media and experiments with cutting-edge techniques. Based on the recurring theme of the border that separates the two Koreas, the artist develops a personal, sensitive reflection that clearly distinguishes itself from the geopolitical domain.
Le Paradis Accidentel
Past: May 19 → July 11, 2015
Hayoun Kwon is an artist who uses several media and experiments with cutting-edge techniques. Based on the recurring theme of the border that separates the two Koreas, the artist develops a personal, sensitive reflection that clearly distinguishes itself from the geopolitical domain.
Film, graphic design, new media...
Dohyang Lee Gallery
Archives
Preciso me encontrar — (Je dois me retrouver)
Past: March 14 → April 25, 2015
The architecture of this improvised laboratory is transfigured, disfigured by installations where constructions in the present arise from foundations set in the past. 1:5 scale photographs of ephemeral outdoor installations realised in the Petite Ceinture de Paris feature on the gallery space’s walls.
Preciso me encontrar — (Je dois me retrouver)
Past: March 14 → April 25, 2015
The architecture of this improvised laboratory is transfigured, disfigured by installations where constructions in the present arise from foundations set in the past. 1:5 scale photographs of ephemeral outdoor installations realised in the Petite Ceinture de Paris feature on the gallery space’s walls.
Architecture, urban art, film...
Dohyang Lee Gallery
Archives
Paysage sur Paysage / Landscape on Landscape
Past: November 29 → December 27, 2014
In the exhibition “Landscape on Landscape”, natural landscapes were reinterpreted, re-worked by human hand and nature was repopulated with man-made landscapes. The artists propose approaches to the landscape using architecture, sound, reconstruction, abstraction, interpretation, deconstruction and finally reconstruction
Paysage sur Paysage / Landscape on Landscape
Past: November 29 → December 27, 2014
In the exhibition “Landscape on Landscape”, natural landscapes were reinterpreted, re-worked by human hand and nature was repopulated with man-made landscapes. The artists propose approaches to the landscape using architecture, sound, reconstruction, abstraction, interpretation, deconstruction and finally reconstruction
Architecture, design, drawing...
Dohyang Lee Gallery
Archives
A portrait of the passing of time
Past: October 11 → November 22, 2014
Elisabeth S. Clark’s work is often the result of simple gestures, slight appropriations and small actions. Like what punctuation is to words, these ‘small marks’ produce subtle shifts of emphasis, which become acts of translation in themselves. They throw light on the materiality of the invisible. They implore the imagination.
A portrait of the passing of time
Past: October 11 → November 22, 2014
Elisabeth S. Clark’s work is often the result of simple gestures, slight appropriations and small actions. Like what punctuation is to words, these ‘small marks’ produce subtle shifts of emphasis, which become acts of translation in themselves. They throw light on the materiality of the invisible. They implore the imagination.
Drawing, print, installation...
Dohyang Lee Gallery
Archives
Zoom 2014 — projection — Corpus, Corpus, Corporis, Corpori, Corpore
Past: September 6 → 20, 2014
Nowadays it seems we care very much about the body. This tendency can be seen in daily life as we talk about fitness, bodybuilding, well being and even sex… We think the three artworks of Marcos Avila Forero, Gu Minja and Charlie Jeffery could show differents way to see it.
Zoom 2014 — projection — Corpus, Corpus, Corporis, Corpori, Corpore
Past: September 6 → 20, 2014
Nowadays it seems we care very much about the body. This tendency can be seen in daily life as we talk about fitness, bodybuilding, well being and even sex… We think the three artworks of Marcos Avila Forero, Gu Minja and Charlie Jeffery could show differents way to see it.
Film, new media, photography...
Dohyang Lee Gallery
Archives
La Forêt Usagère — Une proposition d’Aurélien Mole
Past: May 23 → July 12, 2014
“Working Forest” is an initiative by Aurélien Mole, in collaboration with other artists. The title of the exhibition results from a discussion with Dominique Blais around a project by Patrick Bernier and Olive Martin whose subject was a forest in the Southwest of France, unique by being shared with several towns.
La Forêt Usagère — Une proposition d’Aurélien Mole
Past: May 23 → July 12, 2014
“Working Forest” is an initiative by Aurélien Mole, in collaboration with other artists. The title of the exhibition results from a discussion with Dominique Blais around a project by Patrick Bernier and Olive Martin whose subject was a forest in the Southwest of France, unique by being shared with several towns.
Drawing, painting, sculpture
Dohyang Lee Gallery
Archives
Les sœurs aigües du grand Colorial
Past: March 15 → April 26, 2014
Exhausted materials: ashes, dust, powders, and others travel through the work of Geamoon; they are shared as traces of objects that she will not let us see. Her exhibition, mysteriously titled, “The High pitch sisters of the great Colorial” does not escape her constant oscillation between revelation and concealment.
Les sœurs aigües du grand Colorial
Past: March 15 → April 26, 2014
Exhausted materials: ashes, dust, powders, and others travel through the work of Geamoon; they are shared as traces of objects that she will not let us see. Her exhibition, mysteriously titled, “The High pitch sisters of the great Colorial” does not escape her constant oscillation between revelation and concealment.
Installation
Dohyang Lee Gallery
Archives
Performance Soulution II à l’Espace des arts sans frontières
Past: Saturday, March 29, 2014 7 PM → 8 PM
Performance of Geamoon (Natalia Villanueva)
Performance Soulution II à l’Espace des arts sans frontières
Past: Saturday, March 29, 2014 7 PM → 8 PM
Performance of Geamoon (Natalia Villanueva)
Archives
Rohwajeong — Return trip
Past: January 18 → February 22, 2014
“Our work observes and pays attention to relations changing in various times and spaces, and makes efforts to capture them effectively in their works. In particular, we try to probe into diverse relations among individuals and the individuals’ detailed conflicts arising from their roles in the relations.” — RohwaJeong
Rohwajeong — Return trip
Past: January 18 → February 22, 2014
“Our work observes and pays attention to relations changing in various times and spaces, and makes efforts to capture them effectively in their works. In particular, we try to probe into diverse relations among individuals and the individuals’ detailed conflicts arising from their roles in the relations.” — RohwaJeong
Collage, drawing, installation...
Dohyang Lee Gallery
Archives
Julien Creuzet — Standard and Poor’s, Le nouveau monde
Past: November 9 → December 28, 2013
« Le terme « Standard and poor’s » incarne selon moi de manière globale, les valeurs de notre monde actuel sur un plan économique, politique, social et historique. Je lis dans ce titre générique la possibilité de penser une esthétique formelle jouant au sens littéral des notions de standard et de pauvreté » — Julien Creuzet.
Julien Creuzet — Standard and Poor’s, Le nouveau monde
Past: November 9 → December 28, 2013
« Le terme « Standard and poor’s » incarne selon moi de manière globale, les valeurs de notre monde actuel sur un plan économique, politique, social et historique. Je lis dans ce titre générique la possibilité de penser une esthétique formelle jouant au sens littéral des notions de standard et de pauvreté » — Julien Creuzet.
Jewellery, drawing, installation...
Dohyang Lee Gallery
Archives
La Ligne Fictive
Past: September 7 → October 26, 2013
The work of Hayoun Kwon revolves mostly around the notions of memory (wether individual or collective), boundaries and limits, questionning the blurred lines between intention and interpretation, construction and fiction, recollection and invention. She examines the ambivalent relationships between reality and fiction, theatre and real life.
La Ligne Fictive
Past: September 7 → October 26, 2013
The work of Hayoun Kwon revolves mostly around the notions of memory (wether individual or collective), boundaries and limits, questionning the blurred lines between intention and interpretation, construction and fiction, recollection and invention. She examines the ambivalent relationships between reality and fiction, theatre and real life.
Film, installation, photography
Dohyang Lee Gallery
Archives
Alice De Mont — Retroperspectief
Past: June 22 → August 3, 2013
For the first monographic presentation of her work outside her native Belgium, Alice De Mont filmed her exhibition in the process of being laid out at Galerie Dohyang Lee several months before the show was in fact set up. In this new film, the artist places two characters in the situation of mounting a show, with a piece of sculpture and several layout plans.
Alice De Mont — Retroperspectief
Past: June 22 → August 3, 2013
For the first monographic presentation of her work outside her native Belgium, Alice De Mont filmed her exhibition in the process of being laid out at Galerie Dohyang Lee several months before the show was in fact set up. In this new film, the artist places two characters in the situation of mounting a show, with a piece of sculpture and several layout plans.
Installation, photography, sculpture...
Dohyang Lee Gallery
Archives
Magali Lefebvre — Moduli, und so weiter, usw, Komposition
Past: May 4 → June 8, 2013
Magali Lefebvre reflects on the notions of point of view and the vanishing point, both necessary for the creation of a view with perspective. The artist enters into a dialogue with architecture and explores representation obtained through the conical projection of an object, resulting in an analysis of the image that approximates perspective.
Magali Lefebvre — Moduli, und so weiter, usw, Komposition
Past: May 4 → June 8, 2013
Magali Lefebvre reflects on the notions of point of view and the vanishing point, both necessary for the creation of a view with perspective. The artist enters into a dialogue with architecture and explores representation obtained through the conical projection of an object, resulting in an analysis of the image that approximates perspective.
Design, installation, photography...
Dohyang Lee Gallery
Archives
Bakary Diallo invite Julien Creuzet — Anw Bara Kow, les choses de chez nous
Past: March 16 → April 27, 2013
With images strongly influenced, from the aesthetic point of view, by the photography, Bakary Diallo practises a style of often very clear-cut and given rhythm enough assembly. His narratives just seize the essential moment, when the action occurs and takes place besides. What gets for its works a kind of narrativité very contracted, strange and original.
Bakary Diallo invite Julien Creuzet — Anw Bara Kow, les choses de chez nous
Past: March 16 → April 27, 2013
With images strongly influenced, from the aesthetic point of view, by the photography, Bakary Diallo practises a style of often very clear-cut and given rhythm enough assembly. His narratives just seize the essential moment, when the action occurs and takes place besides. What gets for its works a kind of narrativité very contracted, strange and original.
Drawing, installation, sculpture...
Dohyang Lee Gallery
Archives
Marcos Avila Forero — Andantes
Past: January 19 → February 23, 2013
“The only thing that can make humanity go forward is the act” — Jean-Paul Sartre
Marcos Avila Forero — Andantes
Past: January 19 → February 23, 2013
“The only thing that can make humanity go forward is the act” — Jean-Paul Sartre
Drawing, installation, photography...
Dohyang Lee Gallery
Archives
Variaciones del defecto — la A es la Q — Paula Castro
Past: December 1, 2012 → January 12, 2013
Les différents éléments qui composent cette exposition inspectent les possibilités matérielles qu’une réplique est capable de produire. Le découvrement d’une tache, résultat de l’explosion d’un réservoir d’encre de chine dans la valise de l’artiste, et sa revendication comme dessin automatique, est l’anecdote génitif qui guide ses récents travaux.
Variaciones del defecto — la A es la Q — Paula Castro
Past: December 1, 2012 → January 12, 2013
Les différents éléments qui composent cette exposition inspectent les possibilités matérielles qu’une réplique est capable de produire. Le découvrement d’une tache, résultat de l’explosion d’un réservoir d’encre de chine dans la valise de l’artiste, et sa revendication comme dessin automatique, est l’anecdote génitif qui guide ses récents travaux.
Drawing, sculpture, video
Dohyang Lee Gallery
Archives
Out-Of-____(Paris) — Curated by Leila Khastoo
Past: September 22 → November 23, 2012
“This exhibition is meant to be experienced. There is so much to see, feel, witness, emote, understand and digest. I want to say that in this case, and for this show, I have no words.” Leila Khastoo
Out-Of-____(Paris) — Curated by Leila Khastoo
Past: September 22 → November 23, 2012
“This exhibition is meant to be experienced. There is so much to see, feel, witness, emote, understand and digest. I want to say that in this case, and for this show, I have no words.” Leila Khastoo
Photography, video
Dohyang Lee Gallery
Archives
Déplis, trames et grilles
Past: May 12 → July 13, 2012
Basing itself on actual spaces and territories and borrowing their systems of standardized representation such as maps, patterns and cartography, the often site-specific work of Marie-Jeanne Hoffner broadens these perspectives while maintaining subtle tensions between construction and deconstruction, folding and unfolding, surface and volume, fullness and emptiness.
Déplis, trames et grilles
Past: May 12 → July 13, 2012
Basing itself on actual spaces and territories and borrowing their systems of standardized representation such as maps, patterns and cartography, the often site-specific work of Marie-Jeanne Hoffner broadens these perspectives while maintaining subtle tensions between construction and deconstruction, folding and unfolding, surface and volume, fullness and emptiness.
Collage, drawing, installation...
Dohyang Lee Gallery
Archives
Les objets qui parlent — Kristina Solomoukha
Past: March 10 → May 5, 2012
Les objets qui parlent dispensent l’artiste d’une tâche délicate : celle de parler de son exposition, de son travail, pire d’en écrire le statement. Ici nul besoin de déclaration publique lisible, brillante, nette, précise, affutée, puisque les objets s’en chargent.
Les objets qui parlent — Kristina Solomoukha
Past: March 10 → May 5, 2012
Les objets qui parlent dispensent l’artiste d’une tâche délicate : celle de parler de son exposition, de son travail, pire d’en écrire le statement. Ici nul besoin de déclaration publique lisible, brillante, nette, précise, affutée, puisque les objets s’en chargent.
Installation, sculpture, mixed media...
Dohyang Lee Gallery
Archives
Le rêve de surplomber
Past: November 19 → December 31, 2011
The exhibition takes its name from a work by Aurélie Godard: Carlo Mollino in San Remo. Here it’s a homage to the architect through the evocation of one of his unfinished projects, based in Italy and positioned to dominate the Mediterranean. Le rêve de surplomber exhibits a selection of imaginary architectural works.
Le rêve de surplomber
Past: November 19 → December 31, 2011
The exhibition takes its name from a work by Aurélie Godard: Carlo Mollino in San Remo. Here it’s a homage to the architect through the evocation of one of his unfinished projects, based in Italy and positioned to dominate the Mediterranean. Le rêve de surplomber exhibits a selection of imaginary architectural works.
Architecture, urban art, ceramic...
Dohyang Lee Gallery
Archives
Probable, préférable, plausible, possible
Past: September 17 → October 29, 2011
In How to build a world? , Stuart Candy considers all possible ways to construct a universe. Candy is a futurologist: his research is about the building of future worlds. As a starting point, he reminds us that novelists, architects, engineers, industrial designers, craftsmen, film writers, directors, advertisers, storytellers are all world builders.
Probable, préférable, plausible, possible
Past: September 17 → October 29, 2011
In How to build a world? , Stuart Candy considers all possible ways to construct a universe. Candy is a futurologist: his research is about the building of future worlds. As a starting point, he reminds us that novelists, architects, engineers, industrial designers, craftsmen, film writers, directors, advertisers, storytellers are all world builders.
Film, installation, performance...
Dohyang Lee Gallery
Archives
I Lost Something in the Hills / Shana Moulton
Past: Tuesday, October 18, 2011 at 6 PM
Shana Moulton’s performances and videos unfold atmospheric, askew narratives that combine wry humor with a low-tech, pop sensibility. Moulton became known through her ongoing video saga Whispering Pines, in which she plays the role of Cynthia, both a fictional figure and the artist’s alter ego.
I Lost Something in the Hills / Shana Moulton
Past: Tuesday, October 18, 2011 at 6 PM
Shana Moulton’s performances and videos unfold atmospheric, askew narratives that combine wry humor with a low-tech, pop sensibility. Moulton became known through her ongoing video saga Whispering Pines, in which she plays the role of Cynthia, both a fictional figure and the artist’s alter ego.
Archives
Mercredi, viendras-tu manger, Jean, sur une nappe propre ?
Past: May 28 → July 16, 2011
A life-buoy is the consequence of the path of a disc travelling the 360° of a circle. The mazzocchio is a Florentine headdress that can be described as the geometrization of a life-buoy. The original circle can be more or less wide, but its occurrences in the form of bicoloured headwear, based on a chequered motif, notably in Paolo Uccello’s cycles Déluge.
Mercredi, viendras-tu manger, Jean, sur une nappe propre ?
Past: May 28 → July 16, 2011
A life-buoy is the consequence of the path of a disc travelling the 360° of a circle. The mazzocchio is a Florentine headdress that can be described as the geometrization of a life-buoy. The original circle can be more or less wide, but its occurrences in the form of bicoloured headwear, based on a chequered motif, notably in Paolo Uccello’s cycles Déluge.
Architecture, drawing, film...
Dohyang Lee Gallery
Archives
Vanishing Point / Vantage Point
Past: April 2 → May 14, 2011
The exibition brings together Elena Damiani and Magali Lefebvre around considerations of points-of-view and vanishing points, both necessary for the creation of a view in perspective. The two artists enter into a dialogue with architecture and question the manner of representation obtained through the conical projection of an object.
Vanishing Point / Vantage Point
Past: April 2 → May 14, 2011
The exibition brings together Elena Damiani and Magali Lefebvre around considerations of points-of-view and vanishing points, both necessary for the creation of a view in perspective. The two artists enter into a dialogue with architecture and question the manner of representation obtained through the conical projection of an object.
Architecture, collage, graphic design...
Dohyang Lee Gallery
Archives
Fleur Noguera — Sketch of Huamampampa
Past: February 15 → March 12, 2011
By multiplying the media combining simplification and minutiae of form, Sketch of Huamampampa questions the idea of the representation of landscape through a promenade across an almost desert-like natural space. The title of the film Devonian Levels is a direct reference to the shooting location and to the Devonian ge…
Fleur Noguera — Sketch of Huamampampa
Past: February 15 → March 12, 2011
By multiplying the media combining simplification and minutiae of form, Sketch of Huamampampa questions the idea of the representation of landscape through a promenade across an almost desert-like natural space. The title of the film Devonian Levels is a direct reference to the shooting location and to the Devonian ge…
Drawing, film
Dohyang Lee Gallery
Archives
Life in a house with wooden billows
Past: January 28 → February 12, 2011
The physical body acts as a house to the human spirit and to the mind. The other way around reflects the architecture of the person who inhabits it. In this exhibition, Øystein Aasan (NO), Thomas Chapman (US), Mathis Collins (F) and Sophie Erlund (SE) explore the interrelation of body, mind and architecture in different ways.
Life in a house with wooden billows
Past: January 28 → February 12, 2011
The physical body acts as a house to the human spirit and to the mind. The other way around reflects the architecture of the person who inhabits it. In this exhibition, Øystein Aasan (NO), Thomas Chapman (US), Mathis Collins (F) and Sophie Erlund (SE) explore the interrelation of body, mind and architecture in different ways.
Collage, drawing, installation
Dohyang Lee Gallery
Archives
Laëtitia Badaut Haussmann — Working Backwards
Past: November 13 → December 23, 2010
Faire résonner des pianos qui ne sont plus là, jouer avec les couleurs d’une œuvre, préserver de toute atteinte un objet par sa muséification… Le travail de Laetitia Badaut Haussmann s’initie souvent sur des prétextes.
Laëtitia Badaut Haussmann — Working Backwards
Past: November 13 → December 23, 2010
Faire résonner des pianos qui ne sont plus là, jouer avec les couleurs d’une œuvre, préserver de toute atteinte un objet par sa muséification… Le travail de Laetitia Badaut Haussmann s’initie souvent sur des prétextes.
Installation, sculpture
Dohyang Lee Gallery
Archives
Chloé Dugit-Gros — No Newspaper This Summer
Past: September 11 → October 30, 2010
The title makes reference to the repeated use of press cuttings, archive images and other documents sourced from the Internet in the work of Chloé Dugit-Gros. It also makes allusions to the artist’s recent stay on American territory.
Chloé Dugit-Gros — No Newspaper This Summer
Past: September 11 → October 30, 2010
The title makes reference to the repeated use of press cuttings, archive images and other documents sourced from the Internet in the work of Chloé Dugit-Gros. It also makes allusions to the artist’s recent stay on American territory.
Installation, mixed media
Dohyang Lee Gallery
Archives
Résurrection
Past: May 22 → July 17, 2010
An exhibition proposed by François Aubart With Continuous Project, Alexis Guillier, Pierre Leguillon, Emilie Parendeau and Yves-Marie Rinquin
It has become common to hear, with greater and greater frequency, that this or that artist has reworked the modernist heritage, the issues of conceptual art, or some other p…
Résurrection
Past: May 22 → July 17, 2010
An exhibition proposed by François Aubart With Continuous Project, Alexis Guillier, Pierre Leguillon, Emilie Parendeau and Yves-Marie Rinquin
It has become common to hear, with greater and greater frequency, that this or that artist has reworked the modernist heritage, the issues of conceptual art, or some other p…
Mixed media
Dohyang Lee Gallery
03 Le Marais
03 Le Marais
Les Halles
Rambuteau
Opening hours
Tuesday – Saturday, 2 PM – 7 PM
Other times by appointment