VenuesPast
Archives
Jeff Elrod
Past: May 25 → June 29
An American abstract painter, Jeff Elrod explores the mutual mimesis between machines and human beings. Elrod works on the computer, then transposes the digital renderings onto the canvas by hand using more “traditional” techniques including acrylic, tape and spray paint or more recently unconventional ones such as printing.
Jeff Elrod
Past: May 25 → June 29
An American abstract painter, Jeff Elrod explores the mutual mimesis between machines and human beings. Elrod works on the computer, then transposes the digital renderings onto the canvas by hand using more “traditional” techniques including acrylic, tape and spray paint or more recently unconventional ones such as printing.
Painting
Max Hetzler Gallery
Archives
Navid Nuur — When doubt turns into destiny
Past: April 6 → May 11
For his exhibition at Galerie Max Hetzler, Nuur explores the concepts of public and private spaces as well as light that functions as a key element in all works on view.
Navid Nuur — When doubt turns into destiny
Past: April 6 → May 11
For his exhibition at Galerie Max Hetzler, Nuur explores the concepts of public and private spaces as well as light that functions as a key element in all works on view.
Ceramic
Max Hetzler Gallery
Archives
Jérémy Demester — FTW
Past: February 21 → March 30
Jérémy Demester’s painting is action, vision and prose. The young painter does not pursue a path paved with anecdotes but seeks the paths towards the very essence of reality. His work appears plural, heterogeneous and changing.
Jérémy Demester — FTW
Past: February 21 → March 30
Jérémy Demester’s painting is action, vision and prose. The young painter does not pursue a path paved with anecdotes but seeks the paths towards the very essence of reality. His work appears plural, heterogeneous and changing.
Painting, sculpture
Max Hetzler Gallery
Archives
Inge Mahn
Past: January 10 → February 16
Drawing from the everyday, German sculptor Inge Mahn consciously alienates the commonplace, sensibly manipulating motifs to unlock a range of incongruous possibilities. Working predominantly with white plaster, the artist estranges objects through raw modelling, re-contextualisation, subtle subtractions and additions.
Inge Mahn
Past: January 10 → February 16
Drawing from the everyday, German sculptor Inge Mahn consciously alienates the commonplace, sensibly manipulating motifs to unlock a range of incongruous possibilities. Working predominantly with white plaster, the artist estranges objects through raw modelling, re-contextualisation, subtle subtractions and additions.
Installation
Max Hetzler Gallery
Archives
Albert Oehlen — Sexe, Religion, Politique
Past: October 13 → December 21, 2018
Since the 1980s Oehlen has been probing the possibilities of painting through an ever-evolving style and technique. At the core of his practice are the limitations he imposes on himself as a point of departure, in order to have ’something to push against’ and thereby expand and redefine our understanding of painting.
Albert Oehlen — Sexe, Religion, Politique
Past: October 13 → December 21, 2018
Since the 1980s Oehlen has been probing the possibilities of painting through an ever-evolving style and technique. At the core of his practice are the limitations he imposes on himself as a point of departure, in order to have ’something to push against’ and thereby expand and redefine our understanding of painting.
Painting
Max Hetzler Gallery
Archives
Raymond Hains — Saffa — Seita
Past: September 8 → October 6, 2018
Raymond Hains is regarded as one of the most important French Post-war artists. Often associated with New Realism, he soon distanced himself from the movement to conduct his own researches, creating works that constantly challenge our perception and definitions of art. Renowned for his torn posters and palissades, Hains has also created a significant series of giant matches.
Raymond Hains — Saffa — Seita
Past: September 8 → October 6, 2018
Raymond Hains is regarded as one of the most important French Post-war artists. Often associated with New Realism, he soon distanced himself from the movement to conduct his own researches, creating works that constantly challenge our perception and definitions of art. Renowned for his torn posters and palissades, Hains has also created a significant series of giant matches.
Sculpture
Max Hetzler Gallery
Archives
Rebecca Warren
Past: May 26 → July 21, 2018
For her first show in the paris gallery, Rebecca Warren’s work will fall into three broad categories: a set of small, slender, painted sculptures in various standing or dancing postures; a 1.5 metres high bronze sculpture, warrior-like; and some wall-mounted assemblages, simultaneously eerie and cute, using neon, pompoms and a range of fragments and ephemera.
Rebecca Warren
Past: May 26 → July 21, 2018
For her first show in the paris gallery, Rebecca Warren’s work will fall into three broad categories: a set of small, slender, painted sculptures in various standing or dancing postures; a 1.5 metres high bronze sculpture, warrior-like; and some wall-mounted assemblages, simultaneously eerie and cute, using neon, pompoms and a range of fragments and ephemera.
Sculpture
Max Hetzler Gallery
Archives
Robert Grosvenor — Richard Prince
Past: April 14 → May 19, 2018
Galerie Max Hetzler announce the exhibition Robert Grosvenor — Richard Prince, featuring a single work by each artist.
The exhibition develops a dialogue between two artists who know each other and have great respect for the work of one another.
Robert Grosvenor — Richard Prince
Past: April 14 → May 19, 2018
Galerie Max Hetzler announce the exhibition Robert Grosvenor — Richard Prince, featuring a single work by each artist.
The exhibition develops a dialogue between two artists who know each other and have great respect for the work of one another.
Painting, sculpture
Max Hetzler Gallery
Archives
Loris Gréaud — Ladi Rogeurs
Past: February 10 → March 31, 2018
The sketch is a very important stage in the development of a painting, a sculpture or a book: it is through it that the author tries to fix the main lines of the work. Ample, vibrant, unruly, the vocation of the sketch, in Loris Gréaud’s project, is to fix in a rough and uninhibited way, by a few gestures, the formal and conceptual structure of the work: its essential intentions are thus laid down.
Loris Gréaud — Ladi Rogeurs
Past: February 10 → March 31, 2018
The sketch is a very important stage in the development of a painting, a sculpture or a book: it is through it that the author tries to fix the main lines of the work. Ample, vibrant, unruly, the vocation of the sketch, in Loris Gréaud’s project, is to fix in a rough and uninhibited way, by a few gestures, the formal and conceptual structure of the work: its essential intentions are thus laid down.
Mixed media
Max Hetzler Gallery
Archives
Toby Ziegler — Slave
Past: December 2, 2017 → January 20, 2018
Toby Ziegler investigates digital forms of images and ways of producing shapes. He is especially interested in the approximation that results from reproduction and decontextualisation of forms or pictorial spaces and has always taken interest in the slippage from the digital into the physical.
Toby Ziegler — Slave
Past: December 2, 2017 → January 20, 2018
Toby Ziegler investigates digital forms of images and ways of producing shapes. He is especially interested in the approximation that results from reproduction and decontextualisation of forms or pictorial spaces and has always taken interest in the slippage from the digital into the physical.
Sculpture, screen-printing
Max Hetzler Gallery
Archives
Ida Ekblad — Step Motherfucker
Past: September 2 → October 5, 2017
Ida Ekblad’s practice incorporates painting and sculpture but also poetry, filmmaking and performance. The Norwegian artist has collaborated with multiple artists and musicians. Her sources of inspiration include artist figures such as Odilon Redon, Joy Orbison, Lina Bo Bardi, the acting of Gena Rowlands and the writing of Haldis Moren Vesaas and Inger Hagerup.
Ida Ekblad — Step Motherfucker
Past: September 2 → October 5, 2017
Ida Ekblad’s practice incorporates painting and sculpture but also poetry, filmmaking and performance. The Norwegian artist has collaborated with multiple artists and musicians. Her sources of inspiration include artist figures such as Odilon Redon, Joy Orbison, Lina Bo Bardi, the acting of Gena Rowlands and the writing of Haldis Moren Vesaas and Inger Hagerup.
Painting, poetry, sculpture
Max Hetzler Gallery
Archives
Matière Grise
Past: June 10 → July 20, 2017
Matière Grise presents a body of works exploring all shades of grey. The works across media on display demonstrate the strong potential of this achromatic colour. With works by Glenn Brown, André Butzer, Jérémy Demester, Günther Förg, Loris Gréaud, Raymond Hains, Charline von Heyl, Liz Larner, Navid Nuur, Albert Oehlen and Edmund de Waal.
Matière Grise
Past: June 10 → July 20, 2017
Matière Grise presents a body of works exploring all shades of grey. The works across media on display demonstrate the strong potential of this achromatic colour. With works by Glenn Brown, André Butzer, Jérémy Demester, Günther Förg, Loris Gréaud, Raymond Hains, Charline von Heyl, Liz Larner, Navid Nuur, Albert Oehlen and Edmund de Waal.
Ceramic, painting, sculpture
Max Hetzler Gallery
Archives
Liz Larner
Past: May 4 → June 3, 2017
Since the 1980’s, Liz Larner explores and extends the conditions and possibilities of sculpture. Her works are informed by the relationship between object, viewer and their surroundings as well as a deep interest in manifold materials and their particular qualities.
Liz Larner
Past: May 4 → June 3, 2017
Since the 1980’s, Liz Larner explores and extends the conditions and possibilities of sculpture. Her works are informed by the relationship between object, viewer and their surroundings as well as a deep interest in manifold materials and their particular qualities.
Ceramic, sculpture
Max Hetzler Gallery
Archives
André Butzer
Past: March 11 → April 27, 2017
Butzer refers to his early works in the tradition of German expressionism and of avant-garde movement Cobra as “science fiction expressionism”. These gesturally expressive and brightly coloured combinations of abstraction and cartoon figuration depict figures inspired by comics and animation.
André Butzer
Past: March 11 → April 27, 2017
Butzer refers to his early works in the tradition of German expressionism and of avant-garde movement Cobra as “science fiction expressionism”. These gesturally expressive and brightly coloured combinations of abstraction and cartoon figuration depict figures inspired by comics and animation.
Painting
Max Hetzler Gallery
Archives
Marepe — Suave na nave
Past: January 21 → March 4, 2017
Galerie Max Hetzler announce Suave na nave, an exhibition featuring new works by Marepe. “Suave na nave” literally translates as “smooth on the ship”, a popular Brazilian expression which means taking it easy despite the frantic pace of the world around. Taking things smoothly is a rare ability, achieved by few.
Marepe — Suave na nave
Past: January 21 → March 4, 2017
Galerie Max Hetzler announce Suave na nave, an exhibition featuring new works by Marepe. “Suave na nave” literally translates as “smooth on the ship”, a popular Brazilian expression which means taking it easy despite the frantic pace of the world around. Taking things smoothly is a rare ability, achieved by few.
Installation, painting, sculpture
Max Hetzler Gallery
Archives
Charles Gaines — Grids: Numbers and Trees III, and Palm Trees II
Past: November 26, 2016 → January 14, 2017
Los Angeles — based artist Charles Gaines has engaged in conceptual art for four decades. Critical thinking is central to his practice that includes photographs and drawings plotted out on grids.
Charles Gaines — Grids: Numbers and Trees III, and Palm Trees II
Past: November 26, 2016 → January 14, 2017
Los Angeles — based artist Charles Gaines has engaged in conceptual art for four decades. Critical thinking is central to his practice that includes photographs and drawings plotted out on grids.
Painting, photography
Max Hetzler Gallery
Archives
Beatriz Milhazes — Marilola
Past: October 17 → November 19, 2016
Renowed for her vibrant and colourful paintings as well as her elaborate collages and prints, Brazilian artist Beatriz Milhazes will exhibit for the first time in the gallery’s Parisian space. The exhibition will feature two large-scale paintings, a medium sized one, a collage and a three dimensional work.
Beatriz Milhazes — Marilola
Past: October 17 → November 19, 2016
Renowed for her vibrant and colourful paintings as well as her elaborate collages and prints, Brazilian artist Beatriz Milhazes will exhibit for the first time in the gallery’s Parisian space. The exhibition will feature two large-scale paintings, a medium sized one, a collage and a three dimensional work.
Collage, painting, sculpture
Max Hetzler Gallery
Archives
Ai Weiwei
Past: September 3 → October 8, 2016
A key figure in the Chinese independent art scene, Ai Weiwei conceives sculptures and installations in addition to being known as a photographer, architect and curator. The son of renowned poet Ai Qing who was exiled for 20 years in a labour camp, Ai Weiwei is a keen observer of today’s society.
Ai Weiwei
Past: September 3 → October 8, 2016
A key figure in the Chinese independent art scene, Ai Weiwei conceives sculptures and installations in addition to being known as a photographer, architect and curator. The son of renowned poet Ai Qing who was exiled for 20 years in a labour camp, Ai Weiwei is a keen observer of today’s society.
Sculpture, mixed media
Max Hetzler Gallery
Archives
La mia ceramica
Past: June 4 → July 16, 2016
In opening a dialogue between the works of artists spanning a variety of generations, the group show la mia ceramica explores how ceramics are imagined, and then manipulated by artists whose background is not traditionally in this medium but rather in sculpture, painting or installation.
La mia ceramica
Past: June 4 → July 16, 2016
In opening a dialogue between the works of artists spanning a variety of generations, the group show la mia ceramica explores how ceramics are imagined, and then manipulated by artists whose background is not traditionally in this medium but rather in sculpture, painting or installation.
Ceramic
Max Hetzler Gallery